Cool topic, you really got me thinking here!
Granted, I've always been a bit unsure as to whether (and to what degree) the composers themselves actually picked the titles for their works, or the producers/labels made them after the fact, but I find KPM has some of my all-time favourite ones;
"Liquid Sunshine" and "Half Forgotten Daydreams", "Rocky Mountain Runabout", "Frozen Steam", "Commerce in Rhythm", "Tropical Canvas", "Days of Orange Squash", "Sunny Laze", "Roof of the World"
There's also "Slight Misgivings", "Vine Covered Mortgage" (Bill Loose), "Plastic Dream" (Andre Mikola), "Sunken Cathedral" (Paul Williams"), "Don't Shoot the Arranger!" (Toni Campo), "Do I Have to Boogaloo?" (Syd Dale), "Keep West for Paradise" (Dick Walter), "Flat Battery Blues" (Eric Siday), "Industrial Melange" (John Scott), "Ad Hoc Boogie" (Frank Sterling), "Freaky Lilt" (David Johnson), "No Flowers on Venus" (Sven Libaek), "Never Take Yes for an Answer" (Mel Dean), "Love and Tedium" (Rigol), "Crystal Mind: Huge Ship" (Edouard Scotto), "Remembering the Future" (Georges Rodi), "Toy Emergency Truck" (Roland Hanneman)
"Occhi socchiusi" (Marcabru), "Ranocchie maldicenti" (Bruno Nicolai), "Alghe romantiche" (Amedeo Tommasi), "Una sigaretta per due" (Angelo Brigada), "Menestrelli ubriachi" (Paolo Renosto), "Transistor Boogie" (Mitridate), "Puntilistica... come un sospiro" (Romolo Grano), "Immagini sospese" (Giuliano Sorgini), "Una bionda ossigenata" (Donanin), "Dragon noir contre Dr No" (Daniel J. White), "Désert cosmique" (Patrick Vasori)
Also, I love awful puns.
"Count of Monte Twisto" (Lonnie Wilfong)
"Soulute"- "Soulfisticated"... "Posoultivly" (Edgar Redmond)
"Johnny Be Bad" (John Cameron)
"Jazzouzi" (Slim Pezin)
"Flutocracy" (Tony King)
"Gongster Gallop" (Leslie Bridgewater)
"Brass-Hopper" (John Matthews)
"Captain Quirk" (Memo Kurt)
"Bachwards", "Back to Bach","Flute for Bread", "Flute Juice", "Flute Salad"...
"Jeux de Moogs" (Jean-Jacques Perrey/Gilbert Sigrist)
- and 'second language'-errors ("strickly for children"!):
Ranging from small and charming;
"Grazy Words", "Life Is a Go-Round", "Does East Bakestan Belong to Itself", "Handy Goes to Pub", "Moriccone for You", "Matchless Sound", "Lift and Bright", "A Free Way of the Life", "Orlean's Dan", "New Vocal's", "Rock and Rowl"
... slightly clunky;
"Society Problem", "Chart's Action", "Waiting the Blow", "The Drug Rock", "A Very March"
to full-blown "what do you even mean by that?";
"Wintering Haft", "Bark Break", "In Most in Land"
and don't you forget, Life Is a Trumpet!
and some titles just sound fantastic, regardless of meaning:
"Nevrostasi", "Calcolattore elettronico", "Pioggia elettronica", "Protozoi", "Eccesso di velocita'", "Contrapposizioni", "Ritratti settecenteschi", "Spensieratezza", "Nebbie sul lago", "Disintegrazione delle particelle", "Banane noccioline ananas", "Partenza per il mare", "Controspionaggio", "Gocce di rugiada", "Courant ascentionnel", "Vadrouille cocasse", "Chaque fleur a son soleil", "Euphorique evasion", "Feuerwehrgalop", "Schloßplatzvariationen", "Nuplex", "Kaleidoscope", "Euphonious Day", "Blue Sophisticate", "Memory Bank", "Equinox" ... I could go on.