I'm changing the approach to the series slightly.
Uploads are now anonymous. This serves two main purposes:
(1) to discourage stamp collecting, and
(2) to give you the opportunity to experience music as it should be experienced -- not sicklied o'er with the pale cast of catalogue numbers, artist renown, ratings, rarity, market prices, what others say about it, and so on. The only remaining info is the year of publication/recording, and track numbers indicating side A and side B.
In short: you're on your own.
Interested listeners may rest assured that recordings are and will continue to be of high acoustic quality. That they're not to be found on every street corner. And that it's very good music, of course.**
Whoever first names the record gets a special prize!
Just kidding. But when it actually happens I'll come up with something. :]
That said, here's number three:
>> [expired]
Archive is encrypted. But you know where I live.
PS I do not know how reverse music searches perform with this stuff. I've never used them. But try not to be a kill-joy too quickly. Especially not to yourself.
PPS All recordings are going to be from phonographic records -- to the extent I can be certain of that -- if I don't state otherwise. I have converted recordings with a higher bit depth or sampling rate to red-book format for this, er, little game.
PPPS All credits go to the artists and the original sharers of their documentations of these remarkable works of art. I only serve as a medium to acquaint you with them. If you so wish.
_____
** What is and isn't good music is not a matter of personal taste, just as good food is not a matter of personal taste.
