Author Topic: Why are pseudonyms used in Library Music  (Read 3111 times)

AverageLibraryMusicFan

  • Member
  • **
  • Posts: 56
Why are pseudonyms used in Library Music
« on: August 17, 2023, 10:49:07 PM »
We all know "Eric Swan" for Roger Roger, "Ole Jensen" for Robert Farnon, "Paul Gerard" for Dennis Farnon, "Michael Reynolds" for George Chase & "Mark Winter" for John Cacavas.

Why are these pseudonyms used and what is their purpose?

Lord Thames

  • Member
  • ****
  • Posts: 283
Re: Why are pseudonyms used in Library Music
« Reply #1 on: August 18, 2023, 11:04:14 PM »
Leonard Trebilco became Trevor Duncan because he was a BBC producer and didn't want that to stop his music being played on air.

I suspect Ole Jensen came about because Chappell were recording in Denmark and wanted a Danish sounding name to disguise the fact Robert Farnon was conducting, though in later years it became a generic alias for many conductors

radioman

  • Member
  • **
  • Posts: 44
  • collecting library music since 1984
Re: Why are pseudonyms used in Library Music
« Reply #2 on: August 19, 2023, 06:19:48 AM »
You could have multiple identities to disguise how prolific you were, thus giving yourself several chances to have your music recognised by those who had the job of chosing tracks. You might want to keep your work for one library separate from the stuff you composed for another. You might have different aliases for different genres. In some circumstances you might be trying to fool the taxman. Could be one of many other reasons.

stackjackson

  • Administrator
  • *****
  • Posts: 2283
Re: Why are pseudonyms used in Library Music
« Reply #3 on: August 19, 2023, 01:42:52 PM »
You might have different aliases for different genres.

This was the main reason Gerhard Narholz used so many different aliases, as he states in that recent interview.

But I suspect the most popular reason might have been this ...

... trying to fool the taxman.
| Stack |

Psyclon

  • Member
  • ****
  • Posts: 444
  • Depressed devil...
Re: Why are pseudonyms used in Library Music
« Reply #4 on: August 19, 2023, 05:25:23 PM »
That is absolutely correct.

IIRC "Otto Sieben" was always orchestralic music (or 50s Kitsch et cetera) while "Tony Tape" had lots of "90s cool" music with electronic sound and hefty slap bass and "Walt Rockman" used to have stompy 80s music.

I was... well, very annoyed when I saw that it's all the same person, but I started to appreciate and understand it more and more.

kpmhill

  • Member
  • ***
  • Posts: 176
Re: Why are pseudonyms used in Library Music
« Reply #5 on: August 20, 2023, 07:34:48 AM »
This was the main reason Gerhard Narholz used so many different aliases, as he states in that recent interview.

Gerhard Narholz/"Otto Sieben":

WSBG Returns Yet Again!

  • Member
  • ****
  • Posts: 337
Re: Why are pseudonyms used in Library Music
« Reply #6 on: August 20, 2023, 05:11:05 PM »
Dennis Berry is another example of someone using an alias for a reason. He used Peter Dennis as an alias for his solo-composed library tracks to avoid favoritism in his library music output.
Peace, Love, and Library Music!