Library Music Themes
Info Database => Labels => Topic started by: Mr on August 21, 2025, 08:32:03 PM
-
(https://i.imgur.com/5CmisTb.png)
Notable British CD label, based in London.
Their earliest CDs have no listed address, but c. 1994 they were located at 165-167 High Road (Willesden), then moved c. 1999/2000 to 10-11 St Martin's Court (Soho), moving again c. 2005 to 20 Fulham Broadway (Fulham).
Continuing where the LP catalogue (https://librarymusicthemes.com/index.php?topic=129.0) left off, the CDs for the most part keep the same, theme-based catalogue number system.
... or, well, the catalogue numbers here are a bit messy, really. Initial CD releases have only the traditional thematic catalogue numbers, but reissues of these and later releases have a main and secondary catalogue number, whereas later releases only have the secondary catalogue number.
Sometimes the secondary catalogue number is listed on the CD, sometimes in the booklet, and, annoyingly for amateurs trying to document this stuff, occasionally only listed on the CD spine.
So what's the deal with this secondary catalogue number? Well, like their vinyl forerunners, many of the CDs list a second, numerical catalogue number, indicating its position in the overall release chronology. As with the LPs I have made a separate list for these, see thread here (https://librarymusicthemes.com/index.php?topic=10303.0).
In 2004 (and for their subsequent digital releases), they forego the old catalogue number system entirey, and only use the numerical catalogue number, adding "BR" to the start.
CDs:
Grandiose, Impressive, Panoramic
BRCD1 - Grandiose Impressive Panoramic
Futuristic, Electronic
BRCD2 - Futuristic Electronic
Nationalistic
BRCD3 - Nationalistic (1987)
BRCD4 -
BRCD5 - Fanfares/Links/Bridges/Stings (1987)
Contemporary, Pop, Rock
BRCD6 - Contemporary, Pop, Rock (1988)
BRCD7 - Jazz, Dance
Industry
BRCD8 - Industry (1988)
Historical/Period
BRCD9 - Historical Period (1989)
Suspense Tension
BRCD10 - Suspense Tension (1989)
Industry
BRCD11 - Industry 2 (1989)
BRCD12 - Futuristic Electronic 2 (1990)
BRCD13 - Children (UNCONFIRMED)
BRCD14 -
BRCD15 - Fanfares, Links, Bridges, Stings 3
BRCD16 - Drama/Crime 2 (1992)
BRCD17 - Drama/Orchestral 3 (UNCONFIRMED)
BRCD18 - Suspense, Tension 2 (1992)
BRCD19 - Suspense, Tension 3 (1992)
BRCD20 - Classical/Spanish Guitar (1992)
BRCD21 - Jazz Quintet/Vibes (1992)
BRCD22 - Pastoral/Nature (1993)
BRA1 - Fanfares Idents Logos (Fanfares, Idents, Logos 4) - Warren Bennett (1992)
BRA2 - Impact Promotions/FX - by John Prior (1995)
BRA3 - Maximum Promotions (1999)
BRA4 - Impact Promotions/FX: Two
BRB25 - Jingles - Warren Bennett (1990)
BRB26 - Jingles 2 - Bob Heatlie (1991)
BRB27 -
BRB28 - Promo Power (UNCONFIRMED)
BRB29 - Themes & Trailers (UNCONFIRMED)
BRB30 - Themes & Trailers 2 (UNCONFIRMED)
BRB31 - Promo Power 2 (1999)
BRB32 - Themes and Trailers 3 (UNCONFIRMED)
BRB33 - TV Addict (2003)
Neutral, Solo, Instruments, Sadness
BRC12CD - Ivories (Ivory's) - Chris Marshall/Alan Hawkshaw/Jules Ruben (1989)
Contemporary Pop Rock
BRC13/9CD - Waterland (1989)
BRC14 - Percussion - Eric Allen/Nigel Shipway (1990)
BRC15 - Church Organ/Harpsichord (1991)
BRC16 - Solo Piano Styles - Paul Williams (1991)
BRC17 - Harp/Lute
BRC18 - Acoustic Guitar - Martin Kershaw (1993)
BRC19 - Spirit of Jazz Piano - by Michael Melvoin (1997)
Leisure, Pastoral, Nature, Tenderness, Romance
BRD28 CD - Watercolours (1987)
BRD29 -
BRD30 - Inspirations - Jonathan Butler (1987)
BRD31 - Beautiful Music (UNCONFIRMED)
BRD32 - Enchanted Garden - Zoe de Souza (1990)
BRD33 - Lifestyle - David Snell (1990)
BRD34 - The Good Life - Patrick Wilson/Adam Routh (1990)
BRD35 - Landscapes - Steve Carter (UNCONFIRMED)
BRD36 - The Natural World - by Brian Bennett (1991)
BRD37 - Nature Watch - Brian Bennett (UNCONFIRMED)
BRD38 - Country Living - Ray Russell (1991)
BRD39 - Harmony - Jonathan Butler/Steve Carter (1992)
BRD40 - Harmony 2 - Jonathan Butler (1994)
BRD41 - Vocal Atmospheres - Steve Carter (1994)
BRD42 - West Coast Impressions (UNCONFIRMED)
BRD43 - Wallpaper (1996)
BRD44 - Tranquility (1996)
BRD45 - Guitar in the Raw - Peter Northcote (1997)
BRD46 - Naturescapes - David Fennell (1998)
BRD47 - Music for Wildlife (2000)
BRD48 - American Guitar (2000)
BRD49 - Aspects of Nature (2001)
BRD50 - Moods and Emotions (2001)
BRD51 - Our Planet (2002)
BRD52 - Guitar in the Raw Two (2002)
BRD53 - Moods and Emotions 2 (2003)
BRD54 - Acoustic Moods
Children, Animation
BRE5/BRE5CD - Children/Animation (1989)
BRE6 - Nursery Rhymes - David Snell (1993)
BRE7 - Kids Are Kicking (Kids Are Kickin') (1995)
BRE8 - Kids World! (1995)
BRE9 - Tots TV (1995)
BRE10 - Kids R Cool (UNCONFIRMED)
BRE11 - It's Playtime! (UNCONFIRMED)
Comedy, Parodies
BRF8CD - Comic Cuts (1988)
BRF9 - Just for Laughs - Chris Marshall (1990)
BRF10 - Loony Tunes (1990)
BRF11 - Comic Cuts 2 - Jonathan Hodge (1994)
BRF12 - What a Load of Rubbish! - from the Masters of Trash (1996)
BRF13 - Mambo Madness (2002)
BRF14 - Cartoons & Quirky Comedy
BRF15 - Wacky World (UNCONFIRMED)
Happy, Bright, Open, Air, Sport
BRG37 CD - Airwaves (1987)
BRG38CD - Sportif
BRG39CD - Golden Vision
BRG40CD - Game Shows: Money/Wacky/Holiday (1989)
BRG41 - Leisure - David Reilly
BRG42 - Summerland - Brian Bennett/Jonathan Bennett (1991)
BRG43 - Going Places - David Reilly (1992)
BRG44 - Leisure 2 (UNCONFIRMED)
BRG45 - Leisure/TV/Themes - Warren Bennett/Dick Plant (1993)
BRG46 - Rhythm Plus - Leon Gaer/David Jones (1997)
BRG47 - The Lighter Side - Bradley Smith (1997)
BRG48 - Postcards from the Sun - David Fennell (UNCONFIRMED)
BRG49 - Glued to the Box (1999)
BRG50 - American Dreams (1999)
BRG51 - Dream Destinations
BRG52 - The Caring Approach (2000)
BRG53 - Earthbeat (UNCONFIRMED)
BRG54 - Light & Quirky (2000)
BRG55 - Rhythm Plus 2 (2001)
BRG56 - Ultimate Sax (2003)
Contemporary, Pop & Rock
BRH31CD - Video Jukebox (1988)
BRH32CD - Bullets
BRH33 CD - Cosmopolis
BRH34 CD - Fire Cracker (UNCONFIRMED)
BRH35 CD - Panache
BRH36 - Monsters of Rock (UNCONFIRMED)
BRH37 -
BRH38CD - Chart Show (1989)
BRH39CD - Rock n' Roll (Rock 'n' Roll 50's & 60's) - The Steve Byrd Band
BRH40CD - Communicator - Patrick Wilson/Adam Routh (1990)
BRH41 - On Air - Warren Bennett
BRH42 - House Music - Pete 'Q' Harris
BRH43 - Challenger - Patrick Wilson (1991)
BRH44 - Dance Pop - Phil Nicholas (1991)
BRH45 - Dance Rage - Patrick Wilson & Adam Routh
BRH46 -
BRH47 - Dance Rhythms - Martin Chambers
BRH48 - Pop Rock (Pop/Rock) - Phil Nicholas (1992)
BRH49 - Dance Pop (Dance/Pop 2) - Martin Chambers (1992)
BRH50 - Fashion Glamour (Fashion/Glamour)
BRH51 - House/Rap - Jez Poole/Ray Flowers (1992)
BRH52 - Heavy Rock - Patrick Wilson/Adam Routh
BRH53 - Dance Rage 2 - Adam Routh/Patrick Wilson (1993)
BRH54 - Monsters of Rock II - Chris Tsangarides (1993)
BRH55 - RockScapes - Ian Anderson (1993)
BRH56 - Atmospheric/Ambient (1993)
BRH57 - Modern Love (1994)
BRH58 - Grunge Rock - Richard Wilkins (1994)
BRH59 - A Tribute to the 60's 1 (1994)
BRH60 - A Tribute to the 60's 2 (1994)
BRH61 - A Tribute to the 70s 1
BRH62 - A Tribute to the 70s 2 (1994)
BRH63 - Media Impact - by John Adams (UNCONFIRMED)
BRH64 - Chartworks: Trance/Acid Jazz/Euro/Rap/Techno/Jungle (1995)
BRH65 - Dance Energy - by Concrete Music (1995)
BRH66 - Pop Mix (Popmix) - by John Prior (1995)
BRH67 - JTQ: Retro Acid Jazz - James Taylor Quartet (1995)
BRH68 - Fashion World (1995)
BRH69 - Ambient Beats - Mark Sayfritz (1996)
BRH70 - Energizer - Concrete Music (1996)
BRH71 - Rock Hard - Marc Ferrari & Paul Taylor (1996)
BRH72 - Alternative 90's (1996)
BRH73 - Rock Activator
BRH74 - Progressive Beats - Simon Russell (1996)
BRH75 - Chart Works 2 - Patrick Wilson/Grant Ransom (UNCONFIRMED)
BRH76 - Rhythm & Grooves - Mike Trim (1996)
BRH77 - Rockscapes 2 - Ian Anderson (1996)
BRH78 - Ethno Urban Grooves - Daril S. (1996)
BRH79 - Roadhouse USA - Billy Roues/Steven Roues/Gary Solomon (1996)
BRH80 - Rock Solid Women - by Ron Cohen, Ken Stacey, Robbyn Kirmsse, Gigi Worth & Heather Sullivan (1996)
BRH81 - Guitar Legends of Rock & Blues - Gary Cook (1997)
BRH82 - Dance Motivation - by Adam Routh (1997)
BRH83 - Latin Hip Hop - June Bug Slim (UNCONFIRMED)
BRH84 - Rap CD Vol. 1 - Christian Salyer/Ranson Kennedy (1997)
BRH85 - RapCD2 (1998)
BRH86 - Xtreme Alternative 90's
BRH87 - Memphis in My Soul - Billy Roues/Gary Solomon/Steve Roues (1997)
BRH88 - Rhythm. Blues & Soul - Dave Bronze and Josh Phillips (1997)
BRH89 - Video Generation: VG-1 (2CD) (1997)
BRH90 - NYC Hip Hop Jazz - Vince MCcClean/Bruce Purse/David Nichtern/Douglas Pell (UNCONFIRMED)
BRH91 - Future Dance - Richard Downing (1997)
BRH92 - Classic Rare Grooves (1997)
BRH93 - Chill Out Zone (1997)
BRH94 - Unplugged - Ron Cohen (1997)
BRH95 - Brit Rock Invasion (1997)
BRH96 - Art Rock 90s (1999)
BRH97 - Ambient Moods - Concrete Music (1998)
BRH98 - Dancefloor Explosion - Simon Russell (1998)
BRH99 - Underground Beats - Phil Nicholas (1998)
BRH100 - Portrait of the Fifties (UNCONFIRMED)
BRH101 - Portrait of the 60's (UNCONFIRMED)
BRH102 - JTQ: Swinging London - James Taylor Quartet (2000)
BRH103 -
BRH104 - Fashion Catwalk
BRH105 - Solid Gold Soul (1999)
BRH106 - Street Rock (1999)
BRH107 - Tribal Dance (1999)
BRH108 - Euro Dance (1999)
BRH109 - Noise Terrorists (1999)
BRH110 - Power Funk (1999)
BRH111 - Contemporary R 'n' B (2000)
BRH112 - Speedboy (2000)
BRH113 - Club Mix (2000)
BRH114 - Brit Rock Anthems (2000)
BRH115 - Rock Basics (2000)
BRH116 - Garage versus House (2000)
BRH117 - Nu Metal (2001)
BRH118 - Guitar Vibes (2001)
BRH119 - Techno vs. Breakbeat (2001)
BRH120 - Acoustic Rock (2001)
BRH121 - Clubbed: Journeys into Dance
BRH122 - Pop Punk Rap Rock Nu Metal (UNCONFIRMED)
BRH123 - Electronica versus Chillout
BRH124 - Deephouse (Deep House) (2002)
BRH125 - Acoustic Electronic (2002)
BRH126 - Deep Funk: Don't Stop til You Drop with This Party Funk Essential.
BRH127 - R'n'B Pop (2002)
BRH128 - The Big Chill (2002)
BRH129 - Pop World (2003)
BRH130 - Fashion: A Luxurious Collection of Underscores for the Catwalk and Fashion Television (2003)
BRH131 - Rock Chicks: An All Female Collection of Modern Rock Songs (UNCONFIRMED)
Futuristic, Electronic
BRI28 CD - Oracle
BRI29 CD - Dream the Future
BRI30CD - Art of Technology
BRI31 CD - Energy Fountain
BRI32CD - The New Spirit (1988)
BRI33CD - Riding the Edge
BRI34CD - Image Box (UNCONFIRMED)
BRI35CD - A Better World (19990)
BRI36CD - Earth Atmospheres - by Warren Bennett (1990)
BRI37 - Creative Images (UNCONFIRMED)
BRI38 - Voyager - Alan Hawkshaw (UNCONFIRMED)
BRI39 - Corporate Energy - Dimo Tchamouroff (1991)
BRI40 - Powerhouse - Mark Shreeve (1990)
BRI41 - Power Plays - Dimo Tchoumaroff/Darren West (UNCONFIRMED)
BRI42 - Pulsar - Mark Shreeve (1991)
BRI43 - Natural Atmospheres - Lee Ryda
BRI44 - Power and Imagination (1995)
BRI45 - Futurezone (1995)
BRI46 - Cyberscience
BRI47 - Digital Zone - Phil Nicholas (1997)
BRI48 - Artificial Evolution - Lee Ryda (1997)
BRI49 - Synchronicity - Murray Burns/Colin Bayley (1998)
BRI50 - Surreal Images - Pete Q Harris (1998)
BRI51 - Brainstorm - Dave Smith (1998)
BRI52 - Minimalist Vision - Patrick Wilson/Adam Routh (1998)
BRI53 - Atmospherics (1999)
BRI54 - Power & Imagination 2 (1999)
BRI55 - Virtual World (2000)
BRI56 - Progressive Atmospheres (2001)
BRI57 - Think Creative (2001)
BRI58 - Modern Design (2003)
BRI59 - Future Dimension (2003)
BRI60 - Windows on the Modern World (2003)
Theme Sets, Documentary and Drama Suites
BRJ31CD - Human Desert
BRJ32CD - Creations (UNCONFIRMED)
BRJ33CD - Drama & Documentary (Dangerous Corners) (1989)
BRJ34CD - The Sea (1989)
BRJ35 - Drama - Ray Russell (1991)
BRJ36 - Filmic Drama - Alan Hawkshaw (UNCONFIRMED)
BRJ37 - Creations 2 - Zoe De Souza (1993)
BRJ38 - Atmospheric Drama - Steve Gray/Jean-Pierre Fabien (1995)
BRJ39 - Dramatic Impact 1 (1996)
BRJ40 - Dramatic Impact 2 (1996)
BRJ41 - Human Drama - Art Phillips (1996)
BRJ42 - Xtreme Trailers - Dominic Messenger (1996)
BRJ43 - The Scoring Zone (1996)
BRJ44 - The Scoring Zone II (1997)
BRJ45 - Progressive Drama - Simon Russell (1997)
BRJ46 - City Energy - Jonathan Firstenberg/Michael Licari (1998)
BRJ47 - 1970's Drama and Crime (1998)
BRJ48 - Dramascape - Kevin Eubanks (1998)
BRJ49 - Man with a Mission (1999)
BRJ50 - Reality TV (1999)
BRJ51 - Cinéma français
BRJ52 - Love Themes (2000)
BRJ53 - Dramatic Voices (2000)
BRJ54 - Cinematic Trailers (2001)
BRJ55 - Screen Legends (2001)
BRJ56 - Horror Classics (UNCONFIRMED)
BRJ57 - Law and Order (UNCONFIRMED)
BRJ58 - Reality TV2
BRJ59 - Adults Only (2002)
Action, Pace, Danger, Force of Elements
BRK12CD - Momentum & Motivation
BRK13 - Supersports - Jon Christian
BRK14 - Rock Motivation (1994)
BRK15 - Power to Achieve - Jon Christian (UNCONFIRMED)
BRK16 - Speed (1996)
BRK17 -
BRK18 - Powersports - Ian Anderson (1998)
BRK19 - Global Sport (2CD) (1998)
BRK20 - Heat Seeking Guitars - Peter Northcote (1998)
Industry
BRL19CD - In Search of Excellence: Advenced Rhythms in Industry (1988)
BRL20CD -
BRL21CD - Metal in Motion (1988)
BRL22CD - Industrial Forum (1989)
BRL23 - Video Image - Chris Marshall (1990)
BRL24CD - Team Work (Teamwork) - Anjali Dutt (1990)
BRL25CD - Multi Media: The Listening Posts of the World for Tomorrow's Headline - David Reilly
BRL26 - Future Media (1991)
BRL27 - Industry Today - Warren Bennett (1991)
BRL28 - Forward Momentum - by John Adams/Richard Neve (1994)
BRL29 - Media Tech (1995)
BRL30 - Full Potential (1996)
BRL31 - Progress by Design (1996)
BRL32 - The Machine Room (1999)
BRL33 - Design and Innovation (1999)
BRL34 - Communication Link (2000)
BRL35 - Creative.Communications (UNCONFIRMED)
Suspense, Tension
BRM15CD - Horror - Jonathan Hodge (1990)
BRM16 - TV Suspense/Tension (1995)
BRM17 - T.V Suspense Tension 2
BRM18 - Tension Realm - Jonathan Firstenberg/Ed Dzubak (1998)
BRM19 - Strange Visitations (UNCONFIRMED)
Grandiose, Impressive, Panoramic
BRN15/16 CD - Montage of Power
BRN16 - Montage of Power
BRN17 -
BRN18 CD - World News ....... (1988)
BRN19CD - Success
BRN20CD - Conquering America (1988)
BRN21CD - Wall Street (1989)
BRN22 - Impact - Alan Hawkshaw (1990)
BRN23 - Heroes - Ray Russell/Louis Clark (1990)
BRN24 - Airscapes - Brian Bennett (1990)
BRN25 - The Way Ahead - Nick Francis
BRN26 - National Pride - David Snell (1991)
BRN27 - Classic Rock - Andrew Faulkner (1991)
BRN28 - Setting Targets - Alan Hawkshaw (1991)
BRN29 - Orchestral Corporate (1992)
BRN30 - Visions of Success - Warren Bennett/Mark Griffiths (1994)
BRN31 - Olympiad - Alan Hawkshaw (1995)
BRN32 - The Power and the Glory (2002)
BRN33 - Orchestral Pride
BRN34 - The Widescreen Experience (UNCONFIRMED)
BRN35 - New World News (2002)
BR09/10CD - Hollywood Saga & String Fantasy (1989)
BR011 - Silent Movie/Music Hall (1991)
BRO12 - Victorian Edwardian - Alec Gould (UNCONFIRMED)
BRO13 - Showbiz/Circus (1993)
BRO14 - Easy Listening T.V. Tunes (1996)
BRO15 - The Vintage Collection 1 (1995)
BRO16 - The Vintage Collection 2 (1996)
BRO17 - Symphonic America: The American Civil War - Udi Harpaz (1998)
BRO18 - Classic Film and TV: Spy-Fi
BRO19 - Classic Film and TV Two: Matinee Mania (2002)
BRO20 - Classic Film & TV 3: Radio Times (2002)
BRO21 - Classic Film and TV Four: Comic Cuts (2001)
BRO22 - It's Showtime (2CD) (2002)
BRΦ23 - Early History (2CD) (2003)
BRO24 - Through the Ages (2003)
BRO25 - Singers & Swingers
Classical, Semi-Classical, Religious, Serious Vein
BRP10 CD - Classics
BRP11 CD - Classics (1987)
BRP12 -
BRP13 - Symphonic Tributes/String Quartet (1990)
BRP14 - Baroque (1991)
BRP15 - Modern Minimalist
BRP16 - Neo-Classsical Imperssions - Patrice Sciortino (1997)
BRP17 - Symphonic Tributes 2 - Paul Hart and David Arnold
BRP18 - Minimalist I - David Arnold/Paul Hart/David Snell (1998)
BRP19 - Minimalist II - David Arnold/Paul Hart/David Snell (1998)
BRP20 - Liaisons
BRP21 - Symphonic Tributes 3 (1999)
BRP22 - Classical Interpretations (2000)
BRP23 - Modern Ensemble
Military, Marches
BRQ4CD - Military/War I: Conflict, War of Nerves, World War.
BRQ5 - Military/War II: History of War, Seat of Kings. (UNCONFIRMED)
BRQ6 - War Images (2000)
Folk, Nationalistic, Known Works
BRR24 - Christmas Is Here (UNCONFIRMED)
BRR25CD - In the USSR (1988)
BRR26 - African Rhythms (UNCONFIRMED)
BRR27 - Visions of Country
BRR28CD - France (1989)
BRR29CD - Scotland (1989)
BRR30 - Ireland (UNCONFIRMED)
BRR31CD - Austria/Central Europe/Greece (1989)
BRR32 - Salsa/Mexico/South American (1990)
BRR33 - Country Blues Guitar - Brendan Croker (1990)
BRR34CD - Louisiana/Cajun/Zydeco/Country (1989)
BRR35 - Hawaii/West Indies
BRR36 - Israel/Arabia/India/China (1991)
BRR37 - The American West (1991)
BRR38 - Christmas Joy - David Snell (1992)
BRR39 - Spain - Steve Carter (1992)
BRR40 - South America (1993)
BRR41 - New World Music 1 (1994)
BRR42 - New World Music 2 (1994)
BRR43 - Japan/India - by Patrick Wilson/Adam Routh (1994)
BRR44 - Celtic Themes - Mike Trim & Biddy Blyth (1994)
BRR45 - Impressions of Asia - Art Phillips (1995)
BRR46 - USA: Folk Heritage (USA/Folk Heritage)
BRR47 - World Journeys - Dirk Campbell (1996)
BRR48 - Percussion World (1996)
BRR49 - World Fusion - Bradley Smith
BRR50 - Violin Odyssey - Doug Cameron (1996)
BRR51 - Tejano (Tejano!)
BRR52 - Cirque du monde - David Grant (1997)
BRR53 - Swedish Folk Music (1997)
BRR53 - Mera svenska toner (1997)
BRR54 - South East Asia - Terry Oldfield
BRR55 - Australiasian Journey 1 - Murray Burns & Colin Bayley (1997)
BRR56 - Australiasian Journey 2 - Murray Burns & Colin Bayley (1997)
BRR57 - Nashville Timeline 1 (UNCONFIRMED)
BRR58 - Nashville Timeline 2 (UNCONFIRMED)
BRR59 - Eastern European Journeys - Dirk Campbell (1998)
BRR60 - Celtic Moods 1 (UNCONFIRMED)
BRR61 - Celtic Moods 2 (1998)
BRR62 - Ultimate Christmas
BRR63 - China Today (UNCONFIRMED)
BRR64 - Gospel (2000)
BRR65 - Australian Traditions (2CD)
BRR66 - Traditional Christmas (2000)
BRR67 - Latino Pop: 16 Hot Hispanic Hits (2000)
BRR68 - Global Journeys (2001)
BRR69 - Globalisation (UNCONFIRMED)
BRR70 - American Marching Bands (2002)
BRR71 - Alt. Country (2003)
BRS11 -
BRS12 - Jazz Funk Fusion (1991)
BRS13 - Dance (Dance Music 1930-1950) - Alec Gould (1992)
BRS14 - Jazz/Hot Club - Martin Taylor/Jean-Pierre Fabien (1993)
BRS15 - The History of Jazz 1: 1900s-1930s (1995)
BRS16 - The History of Jazz 2: 1940s-1950s (1995)
BRS17 - The History of Jazz 3: 1940s-1960s (1995)
BRS18 - The History of Jazz 4: 1950s-1960s (1995)
BRS19 - Jazz/Hot Club 2 - Martin Taylor/Jean Pierre Fabien (1996)
BRS20 - Late & Live - Steve Byrd/Andy Hamilton (1997)
BRS21 - Hip Funk Jazz Hop - Michael Licari/Stu Goodis (1998)
BRS22 - Spirit of Jazz Vocals (1999)
BRS23 - Smooth Jazz (2CD) (2000)
BRS24 - Future Jazz (2003)
Samplers
BRSAMP2 - Essential Bruton (Sampler Disc) (1996)
(https://i.imgur.com/AvDTEwf.png)
CDs:
BR420 - The Hustle: Low Down and Dirty Retro Jazz Funk Soundtracks. - James Taylor Quartet (2004)
BR421 - Big Screen Orchestra: Epic Romantic & Gothic Orchestral Compositions (2CD) (2004)
BR422 - Funky Little Beats: A Cheeky Good Time Mix Up of Jazzy, Funky Hip-Hoppin' Beats
BR423 - Wide Open Soundscapes: Simple, Emotional Guitar Atmospheres. An Unusual Soundtrack of America.
BR424 - Trance Nation (20th Century Trance: Euphoric to Narcotic, Blissful to Epic) (2004)
BR425 - Sport-Power & Energy: Performance Enhanced, Stadium Filling Themes
BR426 - Living & Breathing (Intensely Mellow: The Contemporary Mindset) (2004)
BR427 - Dream Destinations 2: 29 All-Inclusive Tracks for City Breaks, Tropical Getaways & Family Fun
BR428 - Middle Eastern Journeys.: Authentic and Modern, a Celebration of a Rich and Beautiful Musical Culture (2CD) (2004)
BR429 - Political Path: Election, High Powered, Political, Topical Issues
BR430 - In the Christmas Swing (2004)
BR431 - Kitsch & Quirky: A Retro Smorgasbord of Latin, Jazz & Way Out Curio's. (2004)
BR432 - Opera Reload
BR433 - Alternative Rock: Infectious Indie Rock & Pop from Introspective to Anthemic.
BR434 - Designer Spaces: Perfectly Formed Contemporary Interior & Landscapes (2004)
BR435 - Game_Zone...: The Ultimate Gaming System, Pressy Play to Start..//.
BR436 - Block Party Hip-Hop: An Old Skool Beatbox Bonanza.
BR437 - Science & Technology: Scientific Brekathroughs, Cool Innovations & Experimental Technologies (2004)
BR438 - Kidz TV
BR439 - Latin Underscores: Joyous, Hot Blooded Latino Rhythms from Then & Now.
BR440 - Weirdsville
BR441 - Widescreen Drama: Space + Drama + Discovery
BR442 - Cult Crime: The Cool and the Ugly
BR443 - R'n'B Pop 2: Hot and Smooth Urban Grooves (2005)
BR444 - Big Screen Epic Choral: Volume 01 (Epic/Dramatic/Heroic/Powerful) (2005)
BR445 - Big Screen Epic Choral: Volume 02 (Epic/Ethereal/Celestial/Reverential) (2005)
BR446 - Cheeky Beats: Fun Loving, Chunky Beats and Grooves (2005)
BR447 - Vitamin Pack!! (2005)
BR448 - Sport Drama: Conflict + Emotion + Power
BR449 - Filmic Electronic Chic: Hi-Lux Atmospheric Soundtracks (2006)
BR450 - Heart Land Acoustic Rock: Heartfelt, Honest Folk Tinged Melodic Rock. (2006)
BR451 - Bruton Trailers: Dramatic Fantastic (Creative Cinematic Trailers. Power, Emotion, Impact)
BR452 - Bruton Trailers: Epic Empire (Magnificent, Heroic, Widescreen Adventure.) (2005)
BR453 - Bruton Trailers: Trailer Addict 1 (Contemporary Cinema: Beauty, Drama, Fear, Escape.) (2006)
BR454 - Big Screen Superheroes (Heroic/Avenging/Action/Adventure)
BR455 - Hip Hop 'Soundtrack' Bad Blood (2006)
BR455 (VERSION B) - Hip Hop 'Soundtrack' Bad Blood (2006)
BR456 - Big Screen Feelgood Movies (Orchestral/Spellbinding/Family/Adventure)
BR457 - Funky Little Beats 2 (2006)
BR458 - Funk Friday: Funk, Groove, Soul (2007)
BR459 - Adventures in Heroism (UNCONFIRMED)
BR460 - Guitar Sketches: Escape to the Country (2007)
BR461 - The Business (2007)
BR462 - Big Screen Legends Two (Orchestral/Showbiz/Hollywood/Cinema) (2007)
BR463 - Big Screen Romantic Comedy: the Course of True Love Never did Run Smooth...
BR464 - Retro Revibe: Funky Horn-Tastic 'Stravaganza (2007)
BR465 - Bruton Trailers: Terror Disturbia (Contemporary Horror: Nightmare & Dark Fantasy) (2007)
BR466 - Emotional Soundscapes: Documentary Underscores with Intelligent Acoustic Features (2007)
BR467 - JTQ: The Cinema Sessions (Funk Orchestral Soundtrack) - James Taylor Quartet (2CD)
BR468 - Big Band Bonanza: Brassy Big Band TV Themes (2007)
BR469 - Vitamin Pack!! 2 (2008)
BR470 - Chinese History: Adventures in Traditional Chinese History (2008)
BR471 - Big Screen New York Stories (Classic 1960's Film Soundtrack) (2008)
BR472 - ephe.mera: Ambient & Minimal Audioscapes (2008)
BR473 - Pop Glitz (UNCONFIRMED)
BR474 - American Road Trip: Straight down the Road Rock (2008)
BR475 - Emotional Depths: Simple, Poignant Human Stories. Strings, Piano, Guitar and Percussion. (2CD) (2008)
BR476 - Ultimate Journeys: Dramatic, Orchestral, Adventures (2CD) (2008)
BR477 - Funky Little Beats 3 (2009)
BR478 - The Art of Crime: Forensic Cases & Crime Investigations (2CD) (2008)
BR479 - Creative Quirky, Simple: The Nuts & Bolts for Creative Editing (2009)
BR480 - Calling Africa: Emotive Themes Panoramic Landscape & Afrobeat Collections (2009)
BR481 - Bruton Trailers: Classical Remix (Epic Classics Trashed for Trailers) (2009)
BR482 - Bruton Trailers: Trailer Addict 2 (Powerful, Energetic Music to Get Your Heart Pumping (2009)
BR483 - The Challenge: Extraordinary Human Achievement and Determination, Orchestral Soundtrack
BR484 - Tween Nation: Cool Guy Songs/Cute Girl Songs
BR485 - Health + Well-Being (UNCONFIRMED)
BR486 - Versatile TV: Simple Versatile (A Study of People) (2009)
BR487 - Colourful Characters (UNCONFIRMED)
BR488 - Whole Lotta Funk (UNCONFIRMED)
BR489 - Bruton Trailers: Thunder Percussion (Percussive Trailers That Make the Heart Beat Faster) - featuring live percussion & drums by Tal Bergman (2009)
BR490 - Danger + Destiny: Epic Struggles + Monumental Battles (2010)
BR491 - Elimination Television (Bruton the TV Suite) (UNCONFIRMED)
BR492 - Bruton History Series: Volume One (Revolution & Empire, 1789-1848 Dramatic Orchestra, Napoleonic Era) (UNCONFIRMED)
BR493 - Bruton History Series: Volume Two (Barbarian Conquest, Terror from the East) (UNCONFIRMED)
BR494 - Indie after Midnight: Super Delicious Indie Rock (Bruton's Burn Series) (2010)
BR495 - American Youth Rock: Pop Rock & Power Pop Anthems (Bruton's Burn Series) (2010)
BR496 - Hair Metal (UNCONFIRMED)
BR497 - Contemporary Pop Vocals: Ultra Stylish Dance Pop (Bruton's Burn Series) (2010)
BR498 - Hip-Hop Plus: Fresh Sounds, Vocals + Rap (Bruton's Burn Series) (UNCONFIRMED)
BR499 - Underscore TV (Bruton the TV Suite) (UNCONFIRMED)
BR500 - Bruton 500 (2010)
BR501 - Middle East Drama (UNCONFIRMED)
BR502 - Essential Dancefloor (UNCONFIRMED)
BR503 - Heavy Groove Rock: Dark Cinematic Rock (Bruton's Burn Series) (2010)
BR504 - Retro American Indie: US Indie Rock (Bruton's Burn Series) (UNCONFIRMED)
BR505 - Something about Drama (UNCONFIRMED)
BR506 - Instant TV (Bruton the TV Suite) (UNCONFIRMED)
BR507 - Defining Moments for Promos & Trailers (UNCONFIRMED)
BR508 - 1960's Soul Jazz (UNCONFIRMED)
BR509 - Vitamin Pack 3 (UNCONFIRMED)
BR510 - Toddler TV (Bruton the TV Suite) (UNCONFIRMED)
BR511 - Dark Cool & cinematic: A Collection of Building Trailers with an Emotional Edge (2011)
BR512 - 12 Pieces for Piano - Alexis Ffrench (UNCONFIRMED)
BR513 - Luke Vibert presents... Fresh Treasures from the Bruton Archives (Bruton Vaults Series) (2011)
(https://i.imgur.com/1vicW4O.png)
Digital:
BR514 - Motion + Movement TV (Bruton the TV Suite)
BR515 - Popular Opera Instrumentals: Elegant and Beautiful Orchestral Versions of Classic Arias
BR516 - Ultimate Acapella: Using the VOice in the Most Interesting Way
BR517 - Glitz & Glamour: Bright R'n'B Pop Tunes
BR518 - Creative, Quirky, Simple 2
BR519 - Indie Acoustic: Vibey Acoustic Indie Rock (Bruton's Burn Series)
BR520 - NY Indie Rock: Contemporary East Coast (Bruton's Burn Series)
BR521 - Piano & Kora: Beautiful Portraits for Piano & Kora - Alexis Ffrench
BR522 - Action Sport America: Epic Orchestral Rock
BR523 - 70's Easy FM: Sounds of 1970's MOR Radio (from the Bruton Archives) (Bruton Vaults Series)
BR524 - Inquisitive Minds TV (Bruton the TV Suite)
BR525 - Dark Cool & Cinematic Two: Powerful, Emotional, Building Tracks for Trailers & Promos
BR526 - Bruton Trailers: Epic Empire 2 (Box Office Widescreen Action and Adventure.)
BR527 -
BR528 - Vitamin Pack 4
BR529 - Whole Lotta Blues: Where the Blues Meets Southern Fried Funk...
BR530 - England: Pastoral English Themes from the Bruton Archives (Bruton Vaults Series)
BR531 - East West Beats.
BR_352/BR532 - DJ Hybrid (Bruton's Burn Series)
BR_533 - Youth Pop (Bruton's Burn Series)
BR534 -
BR535 -
BR536 - Indie Rock & Pop
BR537 - Quirky Retro Tech (from the Bruton Archives) (Bruton Vaults Series)
BR538 - Kids (from the Bruton Archives) (Bruton Vaults Series)
BR_539 - Teen Angst (Bruton's Burn Series)
BR_540 - Twisted Nu-Metal (Bruton's Burn Series)
BR541 - Forensic Science + Drama: Crime under the Microscope
BR542 - Cult TV: Action/Entertainment (from the Bruton Archives) (Bruton Vaults Series)
BR543 - Vitamin Pack!! 5
BR544 - Chart Pop: Chart/Urban Collection
BR_545 - Digital Playground (Bruton's Burn Series)
BR_546 - Indie Pop (Bruton's Burn Series)
BR547 - Dark, Cool & Cinematic Three: Drama, Energy & Emotion Packed Promos
BR548 - Kitsch Lush Strings: Lounge Exotica (from the Bruton Archives) (Bruton Vaults Series)
BR549 - E-Motion.
BR550 - Electro Dirty Bass Dubstep
BR551 - Disco Vol. 1 (from the Bruton Archives) (Bruton Vaults Series)
BR552 - Arabian Stories
BR553 - Indie Party
BR554 - Eclectic Pop: New Songs Based on Sampled Gems from the Bruton Vaults
BR555 - The Road to Glory
BR556 - The Acoustic Tent
BR557 - Dance Floor Anthems
BR558 - Funny Business
BR559 - Emotional Anthemic Rock
BR560 - Urban & Hip-Hop
BR561 - Emotive Indie Cinema
BR562 - Quirky Indie Cinema
BR563 - Epic Empire: Reload
BR564 - Tween World
BR565 - Dark 'n' Dirty: Dark Songs & Dirty Rock
BR566 - Big Heavy Horn Riffs
BR567 - Future Bass > House > Garage
BR568 - Big Heavy Guitar Riffs
BR569 - The Heat: Summer Dance Vibes
BR570 - Blues Rock Reality
BR571 - Summer Strummin' Pop
BR572 - Girl Electro Pop
BR573 - Indie Hipsters
BR574 - Winter Wonderland: A Shimmering Collection of Musical Seasonal Colours!
BR575 - Big Rock (Bruton's Burn Series)
BR576 - UK Urban
BR577 - A Dark Evil
BR578 - Pimp My Beats
BR579 - Organic Electronica
BR580 - New Electronic Soul: House, Garage + Nu Soul
BR581 - Amplify
BR582 - Dark, Cool & Cinematic Four: A Collection of Emotive, Brooding & Power Hungry Tracks
BR583 - Sports Power Rock (Bruton's Burn Series)
BR584 - Singing Electricity
BR585 - Garage Rock (Bruton's Burn Series)
BR586 - War Paint
BR587 - Sunshine & Smiles :)
BR588 - Young Drunk Punk
BR589 - Dance Floor Anthems 2
BR590 - Red Hot Rock Riffs (Bruton's Burn Series)
BR591 - Hip-Hop Deluxe
BR592 - Radio Candy
BR593 - Filmic Folk
BR594 - Don't Stop That Funky Pop!
BR595 - Pop Punk (Bruton's Burn Series)
BR596 - Chart Pop 2
BR597 - Crime Drama
BR598 - Electro Swing Rhythm + Blues
BR599 - Enchanted Ensemble
BR600 - Smokin' Blues Rock (Bruton's Burn Series)
BR601 - The Club Sessions
BR602 - Field of Colour
BR603 - Dark Songs & Electro Pop
BR604 - Mad MAshup USA
BR605 - Indie Electro Bliss
BR606 - Dark Textures
BR607 - Up-Lifting Epic Indie
BR608 - Life IS Good
BR609 - Teen Pop
BR610 - Big Heavy Horn Riffs 2
BR611 - Tropical
BR612 - Summer Time Pop
BR613 - Filmic Folk 2
BR614 - Timeless Songs
BR615 - Bright Ideas
BR616 - Analogue Youth Haze
BR617 - Artificial Heart
BR618 - Funky Keys
BR619 - Simplicity
BR620 - Urban Electronica
BR621 - Chart Pop 3
BR622 - Forever Indie.
BR623 - Dark, Cool & Cinematic Five: A Collection of Emotive, Brooding & Power Hungry Tracks
BR624 - Supernatural: Vol. I
BR625 - Rockin' the Beat
BR626 - Supernatural: Vol. II
BR627 - Fragile Beauty
BR628 - NightForce
BR629 - Sunshine Metropolis
BR630 - Simply Scientific
BR631 - High End Theory
BR632 - Live Love Life
BR633 - Nashville: Country Pop
BR634 - A Hint of Christmas
BR635 - Timeless Songs: Remixed
BR636 - Indie Hipsters Two
BR637 - Lief Is Good 2
BR638 - Retro-Guitar Soundtrack
BR639 - Afterdark: 00:01
BR640 - Afterdark: 00:02
BR641 - Northern Soul: Vintage
BR642 - Northern Soul: Modern
BR643 - Digital World (Bruton Beds)
BR644 - Power Ballad Pop
BR645 - Indie Pop Friday
BR646 - Jazz Vibes
BR647 - Spheres
BR648 - Christmas Pop
BR649 - Hyper Beats
BR650 - Upbeat Indie Folk
BR651 - Digging the Bruton Vaults
BR652 - Saturday Shakedown
BR653 - Ibiza Poolside (Bruton Beds)
BR654 - Trap Moods - MORS
BR655 - Pop Punch
BR656 - Global Beats presents Africa
BR657 - Epic Emotions (Bruton Scores)
BR658 - Cosmic Trap
BR659 - Indie Psych Rock
BR660 - Box of Curiosities
BR661 - Future Bass
BR662 - Chart Pop 4
BR663 - Alt Indie Rock
BR664 - Girls Only Pop
BR665 - Hip-Hop Deluxe 2
BR666 - Holding On - feat. Joe Taylor
BR667 - Fresh Sparkling Pop: 100% Pure Pop
BR668 - Global Beats presenta Latino
BR669 - Brass Licks & Beat Tricks
BR670 - Block Party Hip-Hop 2
BR671 - Soaring Indie Pop.
BR672 - Factual Tension
BR673 - Hearts on Fire
BR674 - Beat Fatigue's Jazz Hop Delights: Vol One
BR675 - Brass & Beats
BR676 - Middle Eastern Underscore
BR677 - Power Drums & Percussion
BR678 - Pizzicato with Attitude
BR679 - Chart Pop: Five
BR680 - Mexican banda
BR681 - Sunshine Acoustic
BR682 - Saturday Shakedown Two
BR683 - Cyber Crime
BR684 - Afterdark: 00:03
BR685 - Global Beats presenta Latino vol. 2
BR686 - Life Is Good 3
BR687 - Documentary Strings
BR688 - Bass Lines & Beats
BR689 - Vintage R&B Christmas
BR690 - A Hint of Christmas 2
BR691 - Tribal Streets
BR692 - Trap City
BR693 - Poptronica
BR694 - Country Got Funk
BR695 - Arp Dreams
BR696 - R&B Pop
BR697 - Playing It Cool
BR698 - Lofi Hooks and Grooves
BR699 - Posi+ive EDM Beds
BR700 - Seductive Female R&B
BR701 - Driving Blues Rock - The Brighton Blues Collective
BR702 - #HAPPY
BR703 - Inspiring Documentaries
BR704 - The Future Is Now
BR705 - Dark Orchestral Atmospheres
BR706 - Producer Challenge: The Winners
BR707 - Indie Folk Journeys
BR708 - Chart Pop Six
BR709 - World of Dreams...
BR710 - Filmic Folk 3
BR711 - Upbeat Electro Indie
BR712 - Pop Punch Two
BR713 - Dark Moody Pop
BR714 - Simply Positive
BR715 - Transient Ascent
BR716 - Thoughtful Piano
BR717 - Curious Characters
BR718 - TV Pop Beds
BR719 - Inspire and Elevate
BR720 - Indie Psych Pop
BR721 - Ameriacn Female Folk
BR722 - Future in Motion
BR723 - Heartland Rock
BR724 - Patterns of Motion
BR725 - Crime (Bruton Reality)
BR726 - Upbeat Indie Synth Pop
BR727 - Long Build Dance Pop
BR728 - Big Heavy Horn Riffs 3
BR729 - Percussion: Live
BR730 - Cherished Moments
BR731 - Hip-Hop Deluxe 3
BR732 - Irreverent Cinema Strings
BR733 - Transform and Reveal (Bruton Reality)
BR734 - LDN Sounds
BR735 - Firece Femmes
BR736 - Sky High
BR737 - A Hint of Christmas 3
BR738 - Life in the Sun
BR739 - Comedy Jaunts
BR740 - Dramatic Orchestral Tension (Bruton Reality)
BR741 - All about That Feeling
BR742 - Pizz & Pieces (Bruton Reality)
BR743 - Trap for TV: Positive Vibes
BR744 - Drama and Intrigue (Bruton Scores)
BR745 - Chart Pop 7
BR746 - Trap for TV: Stories Uncovered
BR747 - Latin Pop
BR748 - OTT Orchestra (Bruton Reality)
BR749 - Funky Nu Disco Soul
BR750 - Innovate
BR751 - Stately String Quartet: Live String Quartet with an Air of Regality & Sophistication.
BR752 - Northern Lights - Tom Chapman
BR753 - Pop Punch Three
BR754 - City Grit
BR755 - Indie Social
BR756 - Hot Damn
BR757 - Spooktacular Beats
BR758 - Kawaii: Future Beats
BR759 - Could You Love Me?
BR760 - Synth Pop
BR761 - Gone Fishing
BR762 - A Hing of Christmas 4
BR763 - Supercharged Global Beats
BR764 - LDN Sounds 2
BR765 - Hip Keys
BR766 - Afro Beats for TV
BR767 - Riff and ready
BR768 - Reverence
BR769 - Drill for TV:
BR770 - New Dreams - Run Rivers (RR)
BR771 - Vapor Twitch
BR772 - Classical Reworks
BR773 - Forest Dweller Folk
BR774 - Solstice: Winter Warmer Folk
BR775 - Unfolding Beauty
BR776 - Pop Punk Mixtape
BR777 - Looking Back, Moving Forward
BR778 - Hip Hop House PArty
BR779 - A Hint of Christmas Funk
BR780 - Unity
BR781 - Posi+ive EDM Beds 2
BR782 - Happy Acoustic Indie
BR783 - Chart Pop: Eight
BR784 - Christmas Beats
BR785 - Driving Blues Rock 2 - The Brighton Blues Collective
BR786 - Island Vibe EP - Dececio feat. Undy
BR787 - Pressure DnB
BR788 - Dynamite
BR789 - Pop Punch Four
BR790 - Ballin' Brass Beats
BR791 - Beats for TV: Back Stories
BR792 - Gospel Pop
BR793 - Beat Ignition
BR794 - Nights Alone: Moody RnB
BR795 - Advertising Energy
BR796 - Power and Glory
BR797 - Drumline Trap & Hip Hop
BR798 - Ultra Pop
BR799 - Peachy Reggaeton Pop
BR800 - As Good as It Gets: Country Pop
BR801 - High Voltage
BR802 - Trap Energy
BR803 - Pride: Born This Way
BR804 - Good Grief. - The Heartdrop
BR805 - Addictive Grooves
BR806 - Chart Pop: Hot Right Now
BR807 - Biosphere
BR808 - 90's Dance
BR809 - Beat Freak
BR810 - A Hint of Christmas 6: Hip Hop & Trap
BR811 - Changes: Human Stories & Factual
BR812 - Changes: Advertising & Promo
BR813 - 90s Hip Hop
BR814 - Quartet Pop
BR815 - Girls of Grime: LDN Sounds
BR816 - Songs from the Hen Hoose: Female Songwriter Pop
BR817 - Playful Pop
BR818 - Classic 70's Radio Rock
BR819 - Female Sports Hip Hop
BR820 - Whole Lotta Soul
BR821 - Classical Enchantment
BR822 - RADAR: Under the Radar
BR823 - Super-Charged Rock
BR824 - 80's Funk Pop
BR825 - Patterns of Motion 2
BR826 - Euforia: Latin Party Anthems
BR827 - Pride: Loud & Proud
BR828 - Hot Damn Two
BR829 - Electric Drift
BR830 - Pop Punch Five
BR831 - As Featured in Spongebob Squarepants: Remixed
BR832 - Christmas Enchantment
BR833 - Santa's Little Singers
BR834 - Happy Holidays (It's Chrismas)
BR835 - 00's Piano Pop
Composers:
BRCD1 - John A. Coleman/Ray Russell (Raymond Baldwin)/Nick Ingman/Louis Clark/Zack Laurence/Alan Hawkshaw/John Cameron/Brian Bennett/John Scott/David Snell/Dave Lawson/Jean Bouchety/Hank Marvin/Johnny Pearson
BRCD2 -
BRCD3 - Teddy Osei/Mac Tontoh/Aaron Harry/Martin Owusu/Glenn Sutton/Norris Wilson/Lou Mofsie/John Leach/George Fenton (George Howe)/Fritz Killer/Hans Eidherr/Chris Karan/Alec Gould/Richard Hill/George Copeland/Francis Fumiere/George Elliott/Orlando Kimber/Jon Keliehor/Patrick Campbell-Lyons/John Hawkins/Erwin Keiles/Brian Whitehouse/Bill Campbell/David Snell/Dougie Pincock/Roland Harker/Joe "Bones" Johnson
BRCD4 -
BRCD5 - Andrew Jackman/Bias Boshell/Brian Bennett/Warren Bennett/Paul Keogh/Patrick Wilson/Brian Wade/Keith Roberts/Steve Gray/Phil NicholaS/Pete Q Harris/Aaron Harry/Bill Campbell/Errol Reid/Dave Hewson/Peter Morris/John Cameron/Alan Hawkshaw/Hank Marvin/Johnny Pearson/Mike Moran
BRCD6 - Errol Reid/Derrick Parris/Trevor Bastow/John Cameron/Patrick Wilson/Adam Routh/Brian Bennett/Warren Bennett/Mike Christer/Russell Emanuel/Ray Russell (Raymond Baldwin)/Peter Van Hooke/Zoe De Souza/Simon May/Frank Ricotti/Alan Hawkshaw/Brian Wade/Dave Cooke/Tony Hiller/Martin Lee (Martin Barnes)/Barry Upton
BRCD7 - David Lindup/Alan Hawkshaw/Jules Ruben/Duncan Lamont/Steve Gray
BRCD8 - Harold Fisher/Brian Bennett/Adrian Baker/Richard Hill/Duncan Mackay/Trevor Bastow/Patrick Wilson/Paul Keogh/Farnk Ricotti/John Cameron/Andrew Jackman/Bias Boshell/Kevin McAlea/Greg Jackman/Alan Hawkshaw/Pete Q. Harris/John A. Coleman/Keith Mansfield
BRCD9 - Norman Warren/Conrad Leonard/Peter Cork/David Snell/John Hawkins/Alec Gould/Sean O'Leary/Trevor Bastow/Andrew Jackman/Sam Fonteyn (Samuel Soden)
BRCD10 - John Scott/Steve Gray/Brian Bennett/Keith Mansfield/Paul Martin (James Clarke)/John Cameron/Eric Allen/Frank Reidy/W. Merrick Farran/Jack Dorsey (Martin Huckridge)/Louis Clark/Alan Hawkshaw/Jean Bouchety/Stephen St. Paul (Bob Howes/Bill McGillivray/Steve Davies/Barbara McGillivray)/Robert Farnon/James Clarke/Trevor Bastow/Simon Benson/Eugenio Grandi/David Snell
BRCD11 - Dave Hewson/Peter Morris/Paul Keogh/Frank Ricotti/Patrick Wilson/Kevin McAlea/Greg Jackman/Andrew Jackman/Richard Hill/Duncan Mackay/Trevor Bastow/John Cameron/Harold Fisher/James Asher/David Snell/Alan Hawkshaw/Keith Mansfield
BRCD12 - Trevor Bastow
BRCD13 -
BRCD14 -
BRCD15 -
BRCD16 - John Cameron/Brian Bennett/Irving Martin/Brian Dee/Frank McDonald/Chris Rae/Gerry Shury
BRCD17 -
BRCD18 - Simon Benson/Eugenio Grandi/David Snell/Trevor Bastow/Brian Bennett
BRCD19 -
BRCD20 -
BRCD21 -
BRCD22 -
BRA1 - Warren Bennett
BRA2 - John Prior
BRA3 - Dave Smith/Alison Cole
BRA4 - John Pin
BRB25 - Warren Bennett
BRB26 - Bob Heatlie
BRB27 -
BRB28 -
BRB29 -
BRB30 -
BRB31 -
BRB32 -
BRB33 - Steve Sidwell/Jay Glover/Ronnie Stone/Neil Griffiths/Dominic Glynn/Tom Kane/Colin Baldry
BRC12CD - Chris Marshall/Alan Hawkshaw/Jules Ruben
BRC13/9CD - James Clarke/Steve Carter
BRC14 - Eric Allen/Nigel Shipway
BRC15 - Leslie Pearson/trad. arr. Leslie Pearson
BRC16 - Rachel Portman/Paul Williams/Jules Ruben
BRC17 - David Snell/Brian Whitehouse
BRC18 - Martin Kershaw
BRC19 - Michael Melvoin
BRD28 CD - Zoe De Souza/Phil NIcholas/Steve Gray/Alan Hawkshaw/Rachel Portman/Steve Carter/Paul Williams
BRD29 -
BRD30 - Jonathan Butler
BRD31 -
BRD32 - Zoe De Souza
BRD33 - David Snell
BRD34 - Patrick Wilson/Adam Routh
BRD35 -
BRD36 - Brian Bennett
BRD37 -
BRD38 -
BRD39 - Jonathan Butler/Steve Carter
BRD40 - Jonathan Butler
BRD41 - Steve Carter
BRD42 -
BRD43 - Norman Percival/Paul Williams/Steve Gray/Max Harris/Duncan Lamont/Andrew Jackman/James Clarke/David Snell/Jean Bouchety/Keith Roberts/Alec Gould/Mike Redway (Michael Reddyhoff)/Peter Morris/John Hawkins/Frank Fare (Bryan Pendleton)/Colin James (Colin Murphy)/Irving Martin/Brian Dee/Brian Bennett/Cliff Hall/Simon May/Robert Folk
BRD44 - Alan Hawkshaw
BRD45 - Peter Northcote
BRD46 - David Fennell
BRD47 - Terry Oldfield
BRD48 - Jonathan Firstenberg/Kenny Edwards
BRD49 - James Clarke/Brian Bennett/Duncan Lamont/John Hawkins/Bill McCauley/Keith Mansfield/Johnny Pearson/Robert Farnon/Chris Gunning/John Scott/Nigel Shipway/John Cameron
BRD50 - Steve Carter
BRD51 - Patrick Wilson
BRD52 - Peter Northcote
BRD53 - Bob Holroyd/Phil Nicholas/Paul Allen/John Boon
BRD54 -
BRE5/BRE5CD - Jonathan Hodge
BRE6 - trad. arr. David Snell
BRE7 - Mike Trim/Biddy Blyth
BRE8 - Mike Trim/Biddy Blyth
BRE9 - Mike Trim/Biddy Blyth
BRE10 -
BRE11 -
BRF8CD - Jonathan Hodge
BRF9 - Chris Marshall
BRF10 - Duncan Lamont/James Asher/Brian Bennett/David Lindup/Pete Kelly/Leslie Pearson/Andrew Jackman/Norman Warren/Tony Hiller/Johnny Pearson/Steve Gray
BRF11 - Jonathan Hodge
BRF12 - The Masters of Trash (Jonathan Hodge)
BRF13 - Frank Ricotti
BRF14 - John Stuart
BRF15 -
BRG37 CD - Jonathan Hodge
BRG38CD - Mike Howlett/Ben Hoffnung
BRG39CD - Pete Q. Harris/Chris Gibbons
BRG40CD - Dave Roylance/Bob Galvin
BRG41 - David Reilly
BRG42 - Brian Bennett/Jonathan Bennett
BRG43 - David Reilly
BRG44 -
BRG45 -
BRG46 - Leon Gaer/David Jones
BRG47 - Bradley Smith
BRG48 -
BRG49 - Steve Byrd/Andy Hamilton
BRG50 - Nick Haydn (Nicholas Cartledge)
BRG51 - Steve Carter
BRG52 - David Fennell
BRG53 -
BRG54 - Chris Marshall
BRG55 - Chad Wackerman/Leon Gaer
BRG56 - Ray Flowers/Jon Cox/John Parricelli/Stan Sulzmann/Andy Hamilton/Chris Wells/Brad Lang
BRH31CD - Patrick Wilson/Adam Routh
BRH32CD - Warren Bennett/Dave Barton
BRH33 CD - Patrick Wilson/Adam Routh
BRH34 CD -
BRH35 CD - Warren Bennett
BRH36 -
BRH37 -
BRH38CD - Phil Nicholas/Patrick Wilson
BRH39CD - Steve Byrd
BRH40CD - Patrick Wilson/Adam Routh
BRH41 - Warren Bennett
BRH42 - Pete Q Harris
BRH43 - Patrick Wilson
BRH44 - Phil Nicholas
BRH45 - Patrick Wilson/Adam Routh
BRH46 -
BRH47 - Martin Chambers (Colin Bilik)
BRH48 - Phil Nicholas
BRH49 - Martin Chambers (Colin Bilik)
BRH50 -
BRH51 - Jez Poole/Ray Flowers
BRH52 - Richard Wilkins
BRH53 - Patrick Wilson/Adam Routh
BRH54 - Chris Tsangarides
BRH55 - Ian Anderson
BRH56 - Patrick Wilson/Adam Routh
BRH57 - Patrick Wilson/Tim Hain/Chris Stonor/Kathy Wood/Julian Nicholas
BRH58 - Richard Wilkins
BRH59 - Warren Bennett/Chris Marshall/Steve Byrd
BRH60 - Warren Bennett/Chris Marshall/Patrick Wilson/Jim Gaffney/trad. arr. Warren Bennett/Steve Byrd
BRH61 -
BRH62 - Steve Byrd/Chris Marshall/Bruce Foxton/Jake Burns/Jean-Pierre Fabien (John Fiddy)
BRH63 -
BRH64 - Patrick Wilson/Grant Ransom
BRH65 - Concrete Music (Paul Allen/Simon Askew/John Boon/Glynn Lyons)
BRH66 - John Prior
BRH67 - James Taylor
BRH68 - John Adams
BRH69 - Mark Sayfritz
BRH70 - Concrete Music (Paul Allen/Simon Askew/John Boon/Glynn Lyons)
BRH71 - Marc Ferrari (Marc Schumann)/Paul Taylor
BRH72 - Mark Liggett/Ashley Shepherd/Charles Davis/Dave Becknell/Martin Evans
BRH73 - Ben Pringle/Duncan Ferguson/Alistair Ferguson
BRH74 - Simon Russell
BRH75 -
BRH76 - Mike Trim
BRH77 - Ian Anderson
BRH78 - Daril S. (Gregory Smith)
BRH79 - Billy Roues (Bill Weitzman)/Steven Roues (Steven Weitzman)/Gary Solomon
BRH80 - Ron Cohen/Ken Stacey/Robbyn Kirmsse/Gigi Worth (Gisele Shuttleworth)/Heather Sullivan
BRH81 - Gary Cook
BRH82 - Adam Routh
BRH83 -
BRH84 - Christian Salyer/Ranson Kennedy
BRH85 - Larry T. West
BRH86 - Mark Liggett/Dave Becknell/Charles Davis/Martin Evans/Ashley Shepherd
BRH87 - Billy Roues/Steven Roues/Gary Solomon/Haywood Gregory/Hoy Lindsey/Dan Penn (Daniel Pennington)/Lisa Best
BRH88 - David Bronze/Josh Phillips
BRH89 - Alexander C. Baker/Clair Marlo (Clara Veseliza)/Sue Sheridan
BRH90 -
BRH91 - Richard Downing
BRH92 - Ian Langley (Anthony Lilly)/Al Newman/Johnny Scott/Claude Bolling/Roger Roger/Barry Forgie/Sven Libaek
BRH93 - Patrick Wilson/Adam Routh
BRH94 - Ron Cohen/Ken Stacey/Heather Sullivan
BRH95 - Steve Byrd/Bryan New
BRH96 - Danny Begelman/Bob Kulick/Jimmy Waldo/David Eisley/Steven Rosen/Brian Luzietti/Douglas Rappaport
BRH97 - Concrete Music (Paul Allen/Simon Askew/John Boon/Glynn Lyons)
BRH98 - Simon Russell
BRH99 - Phil Nicholas/Faze (Jeff Rose)/Zero (Martyn Ford)
BRH100 -
BRH101 -
BRH102 - James Taylor
BRH103 -
BRH104 - John Adams/Alan Bown/Paul Mansfield
BRH105 - Alexander Baker/Clair Marlo (Clara Veseliza)
BRH106 - Chad Wackerman/Leon Gaer
BRH107 - Swordfish (Marc Hunt)
BRH108 - Raphael Parra/Marty Shaft (Maarten van der Schagt)
BRH109 - Jonathan Firstenberg/Christian A. Salyer/Eric Klein
BRH110 - Steve Byrd
BRH111 - Christian A. Salyer/James Hanford II/Francisco C. SantaCruz/Anton M. Russell
BRH112 - Marty Irwin/Adam Reily
BRH113 - Club Asylum (Jeremy Sylvester/Paul Emanuel)/Swordfish (Marc Hunt)
BRH114 - Steve Byrd
BRH115 - Chad Wackerman/Leon Gaer
BRH116 - Chris Slack/Steve Johnson (Stephen Murrell)
BRH117 - Bryan New/Andrew MacDonald
BRH118 - Dave Smith/Alison Cole
BRH119 - Dominic Glynn
BRH120 - Clair Marlo (Clara Veseliza)/Alexander Baker
BRH121 -
BRH122 -
BRH123 -
BRH124 - Bob Haynes/Max Beard/Xavier Edmunds (Tom Silvester)/Ben Ringham/Max Ringham
BRH125 - Mark Anderson/Alicia Anderson/Thomas Johansen/Nikolaj Bjerre/Paul Guyver/Jay Glover/Simeon Davies/Sean Mortimer/Gresby Nash
BRH126 - The Sound Stylistics (Gary Crockett/Jay Glover/Dominic Glover)
BRH127 - Jimmy Kaleth/Jez Pike (Phil Radford)/Bob Mitchell/Adam Salkeld/Andy Whitmore/Kully Bhamra/Jules Pyke/Max Beard/Bob Haynes/Mike Benn
BRH128 - Tarkstar (Tarquin Boyesen)/Thomas Kennedy/Benet Walsh/Paul Allen/Swordfish (Marc Hunt)/Propetik (Adrian Lloyd)/John Boon
BRH129 - Adam Salkeld/Steve Proctor/Andy Whitmore/Bob Haynes/Max Beard/Phil Brown
BRH130 - Paul Emanuel/Bob Haynes/Max Beard/Pete Q. Harris/Tim Bichara/Ed Page/Tom Kane/Colin Baldry/Jay Glover/Dominic Glover/Gary Crockett
BRI28 CD - Mark Shreeve/Chris Franke
BRI29 CD - Warren Bennett
BRI30CD - Patrick Wilson/Adam Routh
BRI31 CD - Mark Shreeve
BRI32CD - Orlando Kimber/Martyn Taylor/Phil Ramocon
BRI33CD - Mark Shreeve
BRI34CD -
BRI35CD - James Simpson/Philip Pope/P. Murphy
BRI36CD - Warren Bennett
BRI37 - Jason Mayo/Tom Ingleby (UNCONFIRMED)
BRI38 -
BRI39 - Dimo Tchamouroff
BRI40 - Mark Shreeve
BRI41 -
BRI42 - Mark Shreeve
BRI43 - Lee Ryda
BRI44 - Adam Routh
BRI45 - Phil Nicholas
BRI46 - Patrick Wilson/Grant Ransom
BRI47 - Phil Nicholas
BRI48 - Lee Ryda
BRI49 - Murray Burns/Colin Bayley
BRI50 - Pete Q. Harris
BRI51 - Dave Smith
BRI52 - Patrick Wilson/Adam Routh
BRI53 - Steven Wilson
BRI54 - Adam Routh
BRI55 - Phil Nicholas
BRI56 - Martin Smith/Dominic Glynn/Bob Holroyd/Derek Austin
BRI57 - Adam Routh
BRI58 - Simon Russell/Phil Brown/Gresby Nash/Simeon Davies/Sean Mortimer/Sleepyhouse (Andy Britton)/Dan Selby
BRI59 - Phil Beazley
BRI60 - Adam Routh
BRJ31CD - Lee Ryda/Zoe De Souza/Alan Hawkshaw/Hank Marvin
BRJ32CD -
BRJ33CD - John Cameron
BRJ34CD - John Cameron
BRJ35 - Ray Russell (Raymond Baldwin)
BRJ36 -
BRJ37 - Zoe De Souza
BRJ38 - Steve Gray/Jean-Pierre Fabien (John Fiddy)
BRJ39 - Art Phillips
BRJ40 - Art Phillips
BRJ41 - Art Phillips
BRJ42 - Dominic Messinger
BRJ43 - Rich Samalin/Chris Hajian
BRJ44 - Chris Hajian/Rich Samalin
BRJ45 - Simon Russell
BRJ46 - Jonathan Firstenberg/Michael Licari
BRJ47 - Brian Bennett/David Snell/Duncan Lamont/Irving Martin/Brian Dee/John Hawkins/John Scott/John Cameron/Alan Hawkshaw
BRJ48 - Kevin Eubanks
BRJ49 - Steve Sidwell
BRJ50 - Jonathan Firstenberg/Michael Licari
BRJ51 -
BRJ52 - Ron Alan Cohen/Steven Cagan/Clair Marlo (Clara Veseliza)/Alexander Baker
BRJ53 - Pete Q. Harris/Adam Routh/Lee Ryda/Ian Stewart/Chris Payne
BRJ54 - Tom Poole/Adam Saunders/Mark Cousins
BRJ55 - John Cacavas
BRJ56 -
BRJ57 -
BRJ58 - Randall
BRJ59 - Steve Pearce/Ian Thomas/Tom Kane/Colin Baldry/John Parricelli/Stan Sulzmann/Martin Smith/Jimmy Kaleth/Dominic Glynn
BRK12CD - Warren Bennett
BRK13 - Jon Christian (Jimmy Kaleth)
BRK14 - Peter Northcote/Lindsay Jehan
BRK15 -
BRK16 - Peter Northcote/Lindsay Jehan
BRK17 -
BRK18 - Ian Anderson
BRK19 -
BRK20 - Peter Northcote
BRL19CD - Ray Russell (Raymond Baldwin)/Mo Foster/Warren Bennett
BRL20CD -
BRL21CD - Phil Nicholas/Anjali Dutt
BRL22CD - Warren Bennett
BRL23 - Chris Marshall
BRL24CD - Anjali Dutt
BRL25CD - David Reilly
BRL26 - Mike Howlett/Ben Hoffnung
BRL27 - Warren Bennett
BRL28 - John Adams/Richard Neve (Keith Mansfield)
BRL29 - Peter Northcote/Lindsay Jehan
BRL30 - John Adams
BRL31 - Peter Northcote/Lindsay Jehan
BRL32 - Richard Formby
BRL33 - Patrick Wilson
BRL34 - Warren Bennett
BRL35 -
BRM15CD - Jonathan Hodge
BRM16 - Art Phillips
BRM17 - Art Phillips
BRM18 - Jonathan Firstenberg/Ed Dzubak
BRM19 -
BRN15/16 CD -
BRN16 - Ray Russell (Raymond Baldwin)/Brian Bennett/Alan Hawkshaw
BRN17 -
BRN18 CD - Warren Bennett
BRN19CD - David Reilly
BRN20CD - Alan Hawkshaw
BRN21CD - Zack Laurence
BRN22 - Alan Hawkshaw
BRN23 - Ray Russell (Raymond Baldwin)/Louis Clark
BRN24 - Brian Bennett
BRN25 - Nick Francis (Dominic Glynn)
BRN26 - David Snell
BRN27 - Andrew Faulkner (Andrew McCrorie-Shand)
BRN28 - Alan Hawkshaw
BRN29 -
BRN30 -
BRN31 - Alan Hawkshaw
BRN32 - Alan Hawkshaw
BRN33 - Udi Harpaz
BRN34 -
BRN35 - Warren Bennett/Paul Williams/Tom Kane/Colin Baldry/Simon Painter/Ian Clarke/Dafydd Gwynne (Huw Williams)
BR09/10CD - Sam Fonteyn (Samuel Soden)/Paul Williams/Trevor Bastow
BR011 -
BRO12 -
BRO13 - David Lindup/Robert Folk/Sam Fonteyn (Samuel Soden)/Peter Morris
BRO14 - Johnny Scott/Barry Forgie/Keith Roberts/Al Newman/Anthony King (Anthony Lilly)/Stuart Crombie/Frank Sterling (Stuart Crombie/Den Berry)/Tony Kinsey
BRO15 - Clive Richardson/Charles Williams/Robert Busby/Robert Farnon/Jack Beaver/Hubert Clifford/Ronald Binge/Eric Spear/Roger Roger/John Barry (John Prendergast)/Frank Cordell/Sidney Torch/Percy Fletcher/Charles Shadwell/Peter Yorke/Bruce Campbell
BRO16 - Charles Williams/Clive Richardson/Philip Green/Sidney Torch/Michael Carr (Maurice Cohen)/Arnold Steck (Leslie Statham)/Robert Farnon/Ken Morris/Roger Roger/Jack Beaver/Robert Busby/Walter Stott/Kenneth Morrison/Len Stevens/John Cacavas/Tony Lowry/Geoffrey Henman/Hubert Clifford/Lambert Williamson/Felton Rapley
BRO17 - Udi Harpaz
BRO18 -
BRO19 -
BRO20 - Johnny Scott/Harry Rabinowitz/Harold Smart/Gary Hughes/Michael Kraus/Raymond Beaver/Cyril Watters/Fernand Fontaine/Bruce Campbell/Stuart Crombie/Den Berry/Larry Ashmore/King Palmer/Vincent Holland/Anthony Mawer/Frank Sterling (Stuart Crombie/Den Berry)/Malcolm Lockyer/Walter Owen/Roger Roger
BRO21 - Nino Nardini (Georges Teperino)/Harry Rabinowitz/Peter Dennis (Den Berry)/Philippe Pares/Roger Roger/John Scott/Max Saunders/Anthony King (Anthony Lilly)/Arthur Wilkinson/Gary Hughes/Conrad Leonard/Len Stevens/Jo Van Wetter/Leslie Bridgewater/Raymond Beaver/King Palmer
BRO22 - Hal David/John Cacavas
BRΦ23 - Dirk Campbell
BRO24 - Norman Warren/Conrad Leonard/Peter Cork/David Snell/John Hawkins/Alec Gould/Sean O'Leary/Trevor Bastow/Andrew Jackman/Sam Fonteyn (Samuel Soden)/
BRO25 - Hal David/John Cacavas
BRP10 CD - Johnny Pearson/Mozart-Bach-Chopin-Scarlatti-Beethoven arr. Johnny Pearson
BRP11 CD - Chopin-Haydn arr. John Cameron/John Cameron/Purcell-Bach-Scarlatti-Brahms arr. John Cameron
BRP12 -
BRP13 - Alec Gould
BRP14 - Leslie Pearson/Norman Warren/Carol Barratt/Len Beadle/Andrew Jackman
BRP15 -
BRP16 - Patrice Sciortino
BRP17 -
BRP18 - David Arnold/Paul Hart/David Snell
BRP19 - David Arnold/Paul Hart/David Snell
BRP20 - Zoë Kronberger
BRP21 - Patrick Wilson/Derek Austin
BRP22 - Tchaikovsky-Dvorak arr. Clark Thomas (Tom Kane)-Nick Harlock (Colin Baldry)/Delibes arr. Michael Richards (Chris Wells)/Grieg arr. Clark Thomas (Tom Kane)-Nick Harlock (Colin Baldry)/Chopin arr. Michael Richards (Chris Wells)/Paganini-Pachelbel arr. Clark Thomas (Tom Kane)-Nick Harlock (Colin Baldry)/Brahms arr. Mario Rouletta (Roberto Borzoni)/Debussy arr. Michael Richards (Chris Wells)/Bach-Beethoven arr. Clark Thomas (Tom Kane)-Nick Harlock (Colin Baldry)/Beethoven arr. Mario Rouletta (Roberto Borzoni)/Grieg arr. Clark Thomas (Tom Kane)-Nick Harlock (Colin Baldry)/Beethoven arr. Seymour Stirling (Graeme Pleeth)/Vivaldi arr. Clark Thomas (Tom Kane)-Nick Harlock (Colin Baldry)/Bizet arr. Michael Richards (Chris Wells)
BRP23 - Phil Sheppard/John Mayer
BRQ4CD -
BRQ5 -
BRQ6 - Simon Russell/Dirk Campbell/Derek Austin
BRR25CD - David Snell
BRR26 -
BRR27 - Chris Marshall/Ray Matthews
BRR28CD - Francis Fumiere/Jake Walton/Nigel Eaton
BRR29CD - Brian McNeil/Alan Reid/Dougie Pincock/trad. arr. Dougie Pincock/David Snell
BRR30 -
BRR31CD - Rosita S. Romano/Fritz Killer/Hans Eidherr/Rene Duke (Barbara S. Herzog)/John Leach/George Fenton (George Howe)
BRR32 - Steve Carter/David Snell/George Elliott
BRR33 - Brendan Croker
BRR34CD - John Porter/Glenn Sutton/Norris Wilson/Don Harper/Denny Wright
BRR35 -
BRR36 - John Hawkins/Miriam Stockley/Erwin Keiles/George Fenton (George Howe)/John Leach
BRR37 -
BRR38 - David Snell
BRR39 - Steve Carter
BRR40 - Jayac (Saulo Diaz/Vivicio Diaz/Jaime Diaz/Amilcar Arias/Santiago Diaz/Cristian Rodriguez/Wilmer Sango)/Jean-Pierre Fabien (John Fiddy)/Saulo Fernandez (Frank Ricotti)
BRR41 - Patrick Wilson/Adam Routh
BRR42 - Patrick Wilson/Adam Routh
BRR43 - Patrick Wilson/Adam Routh
BRR44 - Mike Trim/Biddy Blyth
BRR45 - Art Phillips
BRR46 - trad. arr. Jack Jezioro/trad. arr. Jack Jezioro-Craig Duncan/trad. arr. John Dockery
BRR47 - Dirk Campbell
BRR48 - David Jones
BRR49 - Bradley Smith
BRR50 - Doug Cameron
BRR51 - Humberto Ramon/Joe Lopez/Paulino Vargas/Joe Revelez/Valenzi (José Gonzalez)/Raul Navaira/Johnny Perez
BRR52 - David Grant/Ole Mathisen
BRR53 -
BRR54 -
BRR55 - Murray Burns/Colin Bayley
BRR56 - Murray Burns/Colin Bayley/trad. arr. Murray Burns-Colin Bayley
BRR57 -
BRR58 -
BRR59 - Dirk Campbell
BRR60 -
BRR61 - Biddy Blyth/Mike Trim/Marc Duff/John Parricelli
BRR62 - trad. arr. Tim Renwick/trad. arr. Simon Russell/trad. arr. Jonathan Hodge/trad. arr. Pete Kelly
BRR63 -
BRR64 -
BRR65 - Colin Bayley/Murray Burns/trad. arr. Murray Burns-Colin Bayley
BRR66 -
BRR67 - James Young/Vinylizor (Gary Crockett/Jay Glover/Dominic Glover)/John Adams
BRR68 - Patrick Wilson
BRR69 -
BRR70 - trad. arr. Johnny Sedona (John Cacavas, Jr.)/John Cacavas/Sousa arr. Harry Edwards (Lisa Cacavas)/Jonathan Jans (Jennifer Cacavas)/trad. arr. John Cacavas/trad. arr. Harry Edwards (Lisa Cacavas)/trad. arr. Jonathan Jans (Jennifer Cacavas)/Johnny Sedona (John Cacavas, Jr.)
BRR71 - Steve Byrd
BRS11 -
BRS12 - Jez Poole/Ray Flower/Rob Swinchatt/Jon Cox
BRS13 - Alec Gould
BRS14 - Martin Taylor/Jean-Pierre Fabien (John Fiddy)
BRS15 - Steve Gray
BRS16 - Steve Gray
BRS17 - David Lindup/Harry Gold/Steve Gray/Johnny Patrick
BRS18 - Steve Gray
BRS19 - Martin Taylor/Jean-Pierre Fabien (John Fiddy)
BRS20 - Steve Byrd/Andy Hamilton
BRS21 - Michael Licari/Stu Goodis
BRS22 - Michael Melvoin/Richard Hurwitz
BRS23 - Steve Carter/John Parricelli
BRS24 -
BR420 -
BR421 -
BR422 -
BR423 - Andy Britton/David Goldsmith/Adam Salkeld/Ben Ringham/Max Ringham
BR424 -
BR425 -
BR426 - Andy Britton/David Goldsmith/Steve Isles/Jamie Cullum/Martin Smith/Dominic Glynn/Chris White/Jon Tye/Adam Saunders/Mark Cousins/Raphael Du Lac (Chris Gibbons)/Dominic Holmes (Barry Holmes)/Steve Dougherty
BR427 - Steve Byrd/Andy Hamilton
BR428 - Dirk Campbell/trad. arr. Dirk Campbell
BR429 -
BR430 - Hal David/John Cacavas
BR431 - Tom Kane/Colin Baldry/Chris Marshall
BR432 -
BR433 -
BR434 - John Winfield/Keith Osbourne/Pete Dyson/Andy Britton/David Goldsmith/Jeff Knowler/Alicia Anderson/Ben Blakeman/Nikolaj Bjerre/Gresby Nash/Ben Ringham/Max Ringham/Mark Anderson/Thomas Johansen/Matt Gregory
BR435 -
BR436 -
BR437 - Jeff Knowler/Tim Shaw/Phil Brown/John Ashton Thomas
BR438 -
BR439 - Steve Carter/Andy Britton/David Goldsmith
BR440 -
BR441 -
BR442 -
BR443 -
BR444 - Adam Saunders/Mark Cousins/Andy Blaney/Philip Sheppard
BR445 - James Morgan/Juliette Pochin/Philip Sheppard/Chris Payne
BR446 - Mike Farmer/Agzilla (Alan Gold)/Matthew Denny/Tom Haines/Chris Branch/Ben Ringham/Max Ringham/Ray Flowers/Les Vegas (Jez Poole)/Andy Britton/David Goldsmith/Simon Russell/Tim Exile (Tim Shaw)/Xavier Edmunds (Tom Silvester)/Steve Johnson (Stephen Murrell)/Chris Slack/Alan Barry (Chris Carter)
BR447 - Jimmy Kaleth/Bob Mitchell/Jez Pike (Phil Radford)/Mike Farmer/Agzilla (Alan Gold)/Andy Britton/David Goldsmith/Ronnie Stone/Neil Griffiths/Russell McNamara/Dominic Glynn/Steve Johnson (Stephen Murrell)/Chris Slack/Xavier Edmunds (Tom Silvester)/Tom Haines/Chris Branch/Ray Flowers/Les Vegas (Jez Poole)/Richard Neale/Tim Exile (Tim Shaw)/Simon Russell/Matt Denny/Jon Cotton
BR448 -
BR449 - Adam Routh
BR450 - Craig Joiner/Jez Poole/Ian Anderson/Paul Stylus (Paul Taylor)/John Parricelli
BR451 - Inon Zur/Dori Amarilio/Oded Tzur
BR452 - Udi Harpaz
BR453 - Andy Britton/David Goldsmith/Dominic Glynn/Martin Smith/Simon Russell/Andrew Blaney/Mark Cousins/Adam Saunders/Steve Everitt/Max Wilson/Tom Haines/Chris Branch/Chris Parmenidis/Derek Austin/Gavin Griffiths/Ronnie Stone/Simon Russell/Andrew Barnabus/Paul Arnold
BR454 -
BR455 - Bryan New
BR455 (VERSION B) -
BR456 -
BR457 - Andy Britton/David Goldsmith/Alan Gold/Paul Emanuel/Jeff Knowler/Yorke Eghan/Lee Mason (Pete Moore)/Ben Ringham/Max Ringham/Ray Eastwood (Adam Saunders)/Barnaby Thomas (Mark Cousins)/Russell McNamara/Dominic Glynn/Jez Poole/Ray Flowers/Mike Farmer/Matthew Denny/Max Wilson/
BR458 - Jason Glover/Dominic Glover/Gary Crockett
BR459 -
BR460 - Bob Holroyd/Craig Joiner/Sean Lyons
BR461 - Ronnie Stone/Neil Griffiths/Gresby Nash/Dominic Glynn/Mark Cousins/Adam Saunders/Andrew Britton/David Goldsmith/Lee Groves/Pete Marett/Robert Logan/Philip Sheppard/Max Wilson/Alan Gold
BR462 - John Cacavas
BR463 -
BR464 -
BR465 - Mark Cousins/Adam Saunders/Stephen Rees/Chris White/Max Wilson/Gresby Nash/Gareth Johnson/David O'Brien/Pete Marett/Lee Groves/Derek Austin/John Ashton Thomas/Dominic Glynn/Martin Smith
BR466 - Bob Holroyd
BR467 - James Taylor/Nitin Sawhney
BR468 - Laurence Cottle
BR469 - Ben Cocks/Tom Silvester/Jez Poole/Ray Flowers/Jules Bromley/Roger Renaud/Dominic Glynn/Matthew Corbett/Mike Wilkie/Gresby Nash/Martin Smith/Lee Groves/Pete Marett
BR470 - Adrian Williams/Barnaby Taylor
BR471 - Tony Kinsey
BR472 - Ben Cocks/Dominic Glynn/Martin Smith/Tim Elsenburg/Simon Russell/Benet Walsh/Jon Cotton/Max Reud (Max de Wardener)/Andy Britton/David Goldsmith/Tom Haines/Chris Branch/Tom Silvester/Daniel Pemberton
BR473 -
BR474 - Craig Joiner/Les Vegas (Jez Poole)/Steve Byrd/Rob Cass (Robert Casserly)/David Hearn/Simon Russell
BR475 - Steve Carter/John Parricelli
BR476 - Daniel Pemberton
BR477 - Jay Glover/Dominic Glover/Gary Crockett/Elliot Ireland/Alessandro Rizzo/Mike Farmer/Thomas Livingstone/Jules Bromley/Adam Salkeld/Monkey Player (Jeevan Anandasivam)/David Perian (Paul Guiot)/Alberto Baldan Bembo/Henri Betti/Paul Bonneau/Matthew Harris/Paul Joseph Smith/Barry Forgie
BR478 - Anthony Phillips/Chris White/Mark Cousins/Adam Saunders/Andrew Blaney/Stephen Rees/Jeff Knowler/Tim Elsenburg/Sebastian von Bischopink/Alan Gold/Andy Blythe/Marten Joustra/
BR479 - Tom Haines/Chris Branch
BR480 - Kader Achouri/Tom Linden/Munyaradzi Nota
BR481 - Berwald arr. Andrew Skeet-Luke Gordon/Beethoven arr. Lee Groves-Peter Marett/Rimsky-Korsakov arr. Andrew Skeet-Luke Gordon/Tchaikovsky arr. Steve Everitt/Wagner-Vivaldi arr. William Kingswood/Strauss arr. Matthew Corbett-Mike Wilkie/Berlioz arr. Andrew Britton-David Goldsmith/Vivaldi arr. Lee Groves-Peter Marett/Handel arr. Matthew Corbett-Mike Wilkie/Gounod arr. Andrew Britton-David Goldsmith/Bizet arr. Paul Joseph Smith
BR482 - James Morgan/Juliette Pochin/Mark Russell/Dominic Glynn/Daniel Pemberton/Andrwe Blaney/Jeff Knowler/Stephen Loveday/Darren Loveday/George Apsion/Tariq Zaid Al-Nasrawi/Ben Cocks/Neil Pollard/Martin Smith/Andy Vinter/Tom Linden/Sean Lyons/Michael Csanyi-Wills/Nigel Clarke/John Ashton Thomas/Mike Farmer/Nic Tribe
BR483 - James Ashton Thomas
BR484 -
BR485 -
BR486 - Dru Masters/Guy Pearson
BR487 -
BR488 -
BR489 - Tal Bergman/Frederick Kron
BR490 -
BR491 -
BR492 -
BR493 -
BR494 - Robert Anthony Navarro/Kirk Hellie/Gooding (Steven Gooding)/Christian Stone/Benjamin Rew/Yugomir Lonich/Leslie Van Trease/Steve Ouimette/Norm Block/Bret Levick
BR495 - Phil Xenidis/Ninette Terhart-Xenidis/Robert Anthony Navarro/Jaco Caraco/Jonathan Brown/Yugomir Lonich/Gooding (Steven Gooding)/Charles J. Whitesides/Bret Levick/Noah Lifschey
BR496 -
BR497 - Joachim Svare/Joleen Belle/Julia Michaels (Julia Cavazos)/Dylan Berry/Robert Anthony Navarro/Jaco Caraco/Samuel H. Kingston/Steve Ornest/William Parry
BR498 -
BR499 -
BR500 - Daniel Pemberton/Louise Dowd/Jeremy Abbott/John Cacavas/Hal David/Robert Navarro/Kirk Hellie/Billy Roues (Bill Weitzman)/Dan Penn (Daniel Pennington)/Gary Solomon/Steven Roues (Steven Weitzman)/Brian Bennett/Paul Williams/Norman Percival/Steve Gray/Tony Kinsey/James Taylor/Raymond Beaver/Tom Kane/Colin Baldry/Alec Gould/John Fiddy/Roger Roger/Dominic Glynn/Anthony Phillips/Chris White/Andrew Britton/David Goldsmith/Jeff Knowler/Dirk Campbell/Inon Zur/Mark Cousins/Adam Saunders/Chris Payne/Steve Lodder/Fredrik Swahn/Roger Krieg/Karl Moraeus/Bengt Jansson/Martin Ostergren/The Masters of Trash (Jonathan Hodge)/Steven Carter/Jonathan Butler/Patrick Wilson/Adam Routh/Tim Elsenburg/Matthew Corbett/Mike Wilkie/Tarquin Boyesen/Patrice Sciortino/Handel (no arr.)/Jay Glover/Dominic Glover/Gary Crockett/Adam Salkeld/John Parricelli/Stan Sulzmann/Rik Carter/Jimmy Kaleth/Bob Mitchell/Jez Pike (Phil Radford)/Jules Bromley/Roger Renaud/Mike Trim/Biddy Blyth/Zoltan Biscotti (Alex Heffes)/Xavier Edmunds (Tom Silvester)/Barry Forgie/Alan Hawkshaw
BR501 -
BR502 -
BR503 - Robert Anthony Navarro/Fred Coury/George Lynch/Tommy Reeves/Joel Wachbrit/Gooding (Steven Gooding)/Dan Beyer/Steve Ouimette/Naoh Lifschey/Joachim Svare/Steve Ornest/William Parry
BR504 -
BR505 -
BR506 -
BR507 -
BR508 -
BR509 -
BR510 -
BR511 - Andrew Britton/David Goldsmith/Gresby Nash/Jeff Knowler/Craig Joiner/Leon Butler/Tom Kane/Colin Baldry/Tom Linden/Neil Pollard/Adam Salkeld/Steve Everitt/Jason Bavanandan/Jonas Persson/Caspian McDonald/Anthony McManus
BR512 -
BR513 - Frank McDonald/Gerry Shury/Barry De Souza/Chris Rae/Alan Hawkshaw/Francis Monkman/Brian Bennett/Les Hurdle/Frank Ricotti/Jeremy Lubbock/Adrian Baker/Roy Morgan/Trevor Bastow/Irving Martin/Brian Dee/Thorir Baldursson/Bill Campbell/Aaron Harry/James Asher
BR514 -
BR515 -
BR516 -
BR517 -
BR518 -
BR519 -
BR520 -
BR521 -
BR522 -
BR523 -
BR524 -
BR525 -
BR526 -
BR527 -
BR528 -
BR529 -
BR530 -
BR531 -
BR532 -
BR533 -
BR534 -
BR535 -
BR536 -
BR537 -
BR538 -
BR539 -
BR540 -
BR541 -
BR542 -
BR543 -
BR544 -
BR545 -
BR546 -
BR547 -
BR548 -
BR549 -
BR550 -
BR551 -
BR552 -
BR553 -
BR554 -
BR555 -
BR556 -
BR557 -
BR558 -
BR559 -
BR560 -
BR561 -
BR562 -
BR563 -
BR564 -
BR565 -
BR566 -
BR567 -
BR568 -
BR569 -
BR570 -
BR571 -
BR572 -
BR573 -
BR574 -
BR575 -
BR576 -
BR577 -
BR578 -
BR579 -
BR580 -
BR581 -
BR582 -
BR583 -
BR584 -
BR585 -
BR586 -
BR587 -
BR588 -
BR589 -
BR590 -
BR591 -
BR592 -
BR593 -
BR594 -
BR595 -
BR596 -
BR597 -
BR598 -
BR599 -
BR600 -
BR601 -
BR602 -
BR603 -
BR604 -
BR605 -
BR606 -
BR607 -
BR608 -
BR609 -
BR610 -
BR611 -
BR612 -
BR613 -
BR614 -
BR615 -
BR616 -
BR617 -
BR618 -
BR619 -
BR620 -
BR621 -
BR622 -
BR623 -
BR624 -
BR625 -
BR626 -
BR627 -
BR628 -
BR629 -
BR630 -
BR631 -
BR632 -
BR633 -
BR634 -
BR635 -
BR636 -
BR637 -
BR638 -
BR639 -
BR640 -
BR641 -
BR642 -
BR643 -
BR644 -
BR645 -
BR646 -
BR647 -
BR648 -
BR649 -
BR650 -
BR651 -
BR652 -
BR653 -
BR654 -
BR655 -
BR656 -
BR657 -
BR658 -
BR659 -
BR660 -
BR661 -
BR662 -
BR663 -
BR664 -
BR665 -
BR666 -
BR667 -
BR668 -
BR669 -
BR670 -
BR671 -
BR672 -
BR673 -
BR674 -
BR675 -
BR676 -
BR677 -
BR678 -
BR679 -
BR680 -
BR681 -
BR682 -
BR683 -
BR684 -
BR685 -
BR686 -
BR687 -
BR688 -
BR689 -
BR690 -
BR691 -
BR692 -
BR693 -
BR694 -
BR695 -
BR696 -
BR697 -
BR698 -
BR699 -
BR700 -
BR701 -
BR702 -
BR703 -
BR704 -
BR705 -
BR706 -
BR707 -
BR708 -
BR709 -
BR710 -
BR711 -
BR712 -
BR713 -
BR714 -
BR715 -
BR716 -
BR717 -
BR718 -
BR719 -
BR720 -
BR721 -
BR722 -
BR723 -
BR724 -
BR725 -
BR726 -
BR727 -
BR728 -
BR729 -
BR730 -
BR731 -
BR732 -
BR733 -
BR734 -
BR735 -
BR736 -
BR737 -
BR738 -
BR739 -
BR740 -
BR741 -
BR742 -
BR743 -
BR744 -
BR745 -
BR746 -
BR747 -
BR748 -
BR749 -
BR750 -
BR751 -
BR752 -
BR753 -
BR754 -
BR755 -
BR756 -
BR757 -
BR758 -
BR759 -
BR760 -
BR761 -
BR762 -
BR763 -
BR764 -
BR765 -
BR766 -
BR767 -
BR768 -
BR769 -
BR770 -
BR771 -
BR772 -
BR773 -
BR774 -
BR775 -
BR776 -
BR777 -
BR778 -
BR779 -
BR780 -
BR781 -
BR782 -
BR783 -
BR784 -
BR785 -
BR786 -
BR787 -
BR788 -
BR789 -
BR790 -
BR791 -
BR792 -
BR793 -
BR794 -
BR795 -
BR796 -
BR797 -
BR798 -
BR799 -
BR800 -
BR801 -
BR802 -
BR803 -
BR804 -
BR805 -
BR806 -
BR807 -
BR808 -
BR809 -
BR810 -
BR811 -
BR812 -
BR813 -
BR814 -
BR815 -
BR816 -
BR817 -
BR818 -
BR819 -
BR820 -
BR821 -
BR822 -
BR823 -
BR824 -
BR825 -
BR826 -
BR827 -
BR828 -
BR829 -
BR830 -
BR831 -
BR832 -
BR833 -
BR834 -
BR835 -
Additional info:
BRCD3:
[track 1]: BRR20
[track 2]: BRR6
[tracks 3, 21-22]: BRR21
[tracks 4, 28-29]: BRR7
[tracks 5, 17-18]: BRR23
[tracks 6, 12]: BRR3
[track 7]: BRR4
[tracks 8, 32]: BRR12
[track 9]: BRR10
[track 10]: BRR15
[track 11]: BRR1
[tracks 13, 30]: BRR8
[tracks 14, 20]: BRR18
[track 15]: BRR5
[track 16]: BRR13
[track 19]: BRR32
[tracks 23, 26-27]: BRR14
[tracks 24-25]: BRR22
[track 31]: BRR17
BRCD5:
COPYRIGHT INFORMATION
TRACKS
1-4, 12-33, 92-94 - ℗ 1985 © 1985
5-11, 34, 35, 38-53, 61-65, 71-81, 84-88 - ℗ 1987 © 1987
36, 37, 54, 90, 95, 96 - ℗ 1983 © 1983
55-60, 91 - ℗ 1984 © 1984
66-70, 82, 83 - ℗ 1986 © 1986
89 - ℗ 1981 © 1981
97-99 - ℗ 1982 © 1982
BRCD7:
[tracks 1-5]: BRS2
[tracks 6-10]: BRS3
[tracks 11-13]: BRS4
[tracks 14-15]: BRS5
[tracks 16-17]: BRS8
[tracks 18-19]: BRS9
[tracks 20-21]: BRS10
BRCD8:
[track 1]: BRL10
[track 2]: BRL11
[track 3]: BRL12
[tracks 4-5]: BRL13
[tracks 6-9]: BRL15
[tracks 10-14]: BRL16
[track 15]: BRL17
[tracks 16-17]: BRL18
[track 18]: BRL14
[track 19]: BRL7
[track 20]: BRL20
[track 21]: BRL6
[track 22]: BRL5
[track 23]: BRL1
[track 24]: BRL3
[track 25]: BRL14
[track 26]: BRL2
BRCD9:
[tracks 1-3]: BRO1
[tracks 4-6]: BRO2
[tracks 7-10]: BRO3
[tracks 11-15]: BRO4
[tracks 16-19]: BRO5
[tracks 20-27]: BRO6
[tracks 28-30]: BRO7
[tracks 31-35]: BRO8
BRCD10:
[tracks 1-3]: BRM1
[tracks 4-5]: BRM3
[tracks 6-9]: BRM4
[tracks 10-13]: BRM5
[tracks 14-22]: BRM7
[track 23]: BRM8
[tracks 24-25]: BRM9
[tracks 26-28]: BRM10
[tracks 29-30]: BRM11
[track 31]: BRM12
[tracks 32-36]: BRM13
[track 37]: BRM14
BRCD11:
[tracks 1-5]: BRL20
[tracks 6-8]: BRL16
[tracks 9-10]: BRL15
[tracks 11-14]: BRL14
[tracks 15-16]: BRL13
[tracks 17-19]: BRL11
[tracks 20-21]: BRL10
[tracks 22-23]: BRL9
[tracks 24-25]: BRL8
[track 26]: BRL7
[tracks 27-29]: BRL2
BRC18:
COPYRIGHT INFORMATION
TRACKS
1, 3-8, 15, 17, 23, 24-27 - ℗ 1984 © 1984 - BRC8
2, 9-11, 15, 18-22 - ℗ 1981 © 1981 - BRC7
BRCD19:
COPYRIGHT INFORMATION
TRACKS
1, 21-23 - ℗ 1983 © 1983
2, 10 - ℗ 1985 © 1985
3, 9, 27 - ℗ 1979 © 1979
4, 5, 6, 16, 17 - ℗ 1981 © 1981
7, 8, 13-15, 24,-26 - ℗ 1978 © 1978
11, 12, 18-20 - ℗ 1980 © 1980
BRA2:
COMPOSED BY JOHN PRIOR
Produced by John Prior & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
BRA3:
Composed by Dave Smith and Alison Cole.
Producers: Dave Smith, Alison Cole and Stuart Livingston.
Mixed by Adrian Bolland at Studios 301, Sydney, Australia.
Mastering: Kathy Naunton, DB Mastering, Sydney, Australia.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Donna Pickup, Zomba Design.
BRB31:
Executive Producer: Martin Cooper.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
COPYRIGHT INFORMATION
TRACKS
1-6, 41-44, 56-58, 64-67, 70-72, 87-99 - ℗ & © 1998 Bruton Music Ltd
7-10, 11-26, 28, 29, 32-36, 45-48, 76-78, 83-86 - ℗ & © 1999 Bruton Music Ltd
27, 74, 75 - ℗ & © 1995 Bruton Music Ltd
30, 31, 37-40, 49, 50, 59-63, 79-82 - ℗ & © 1997 Bruton Music Ltd
51, 52, 55 - ℗ & © 1996 Bruton Music Ltd
53, 54 - ℗ & © 1993 Bruton Music Ltd
68, 69 - ℗ & © 1994 Bruton Music Ltd
73 - ℗ & © 1990 Bruton Music Ltd
BRB33:
All composers PRS.
BRC12CD:
Composed and performed by
Chris Marshall (1-22), Alan Hawkshaw (23-26), Jules Ruben (27-29)
[tracks 23-26]: (BRS4)
[tracks 27-29]: (BRS9)
BRC19:
Composed and Performed by Michael Melvoin
COMPOSED & PERFORMED BY MICHAEL MELVOIN (ASCAP)
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three Under Music (ASCAP)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
Executive Producer Jonathan Firstenberg
MICHAEL MELVOIN is an eminent composer, conductor and pianist. In these capacities he has worked with such artists as Frank Sinatra, Joe Williams, Barbra Streisand and Tom Waits. His TV and movie scores include The Main Event, Possie, Armed and Dangerous, Blind Fear and dozens of TV episodics. His keyboard virtuosity can be heard on such classic pop recordings as the latest Natalie Cole album and on her Grammy record of the year Unforgettable, the Beach Boys Good Vibrations, Sinatra's That's Life and Jackson Five's first hit ABC. He has also worked with artists, Barry Manilow, Kenny Rogers, Bette Midler, Peggy Lee, O.C. Smith, Lou Rawls, Bing Crosby, John Williams, Lalo Schiffrin and Wendy & Lisa.
Michael is the first active musician to serve as the National President of The Recording Academy which presents the Grammy Awards. His Jazz albums in current release include Redeye (Voss Records) and Then and Now: Joe Williams and Mike Melvoin Trio (Bosco Records). He has played with jazz greats Leroy Vinnegar, Gerald Wilson, Bud Shank, Red Mitchell, Paul Horn, Nancy Wilson, Plas Johnson, Oliver Nelson, Ray Brown, Brian Bromberg, John Guerin, Tom Scott, Bill Henderson, Red Mitchell, Teddy Edwards and Frank Morgan.
Thanks to Wendy Melvoin; Andrew Scheps, engineer; Jim Wilson Piano Service, for the tuning; Steven Cagan and Neil Portnow.
Michael is playing a Grotrian Steinweg concert grand.
Mastered: Ian Anderson at Battery Studios, London, UK
Design & Art Direction: Image & Marleen Ball
BRD43:
COPYRIGHT INFORMATION
TRACKS
1, 2, 4, 6, 8 - ℗ 1982 Bruton Music Ltd.
3 - ℗ 1981 Bruton Music Ltd.
5, 7, 14, 20 - ℗ 1978 Bruton Music Ltd.
9, 13, 21-24, 29 - ℗ 1983 Bruton Music Ltd.
11 - ℗ 1985 Bruton Music Ltd.
12, 19, 26-28, 31 - ℗ 1980 Bruton Music Ltd.
15, 16, 18, 30 - ℗ 1984 Bruton Music Ltd.
17 - ℗ 1977 Bruton Music Ltd.
25, 32-34 - ℗ 1979 Bruton Music Ltd.
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three Under Music (ASCAP) for track 31
BRD45:
WRITTEN & PERFORMED BY PETER NORTHCOTE
Producer: Stuart Livingston / Adrian Bolland / Peter Northcote
A Zomba Australia Production for Bruton Music Ltd
PETER NORTHCOTE is Australia's busiest session guitarist and arguably the country's most recorded musician. His versatility is so amazing that someone was quoted as saying that he can give you the best 30 seconds of any style of playing. Apart from playing on thousands of commercials, Peter is in demand as a "hired gun" playing with local recording stars Jimmy Barnes, John Farnham, Daryl Braithwaite, Yothu Yind, Paul Kelly, Jenny Morris, Max Sharam, Diesel, Rick Price and more as well as touring artists like Tom Jones, Bo Diddley, the Monkeys, etc.
Peter studied at the Sydney Conservatorium of Music in 1986, has been an APRA nominee for song of the year and plays live with his own original jazz, rock fusion band Glue.
This is his fifth album for Bruton.
Recorded: The Sydney Opera House Studio
Mastered: Cathy Naunton, DB Mastering
Art Direction & Design: Marleen Ball & Mick Rimmer
BRD46:
Composed by David Fennell
DAVID FENNELL is a prolific composer with hundreds of TV and radio commercials, several TV documentaries and three commercial jazz fusion albums to his credit, plus two large orchestral pieces that have been performed by symphony orchestras. Musical Director for numerous artists including Lovelace Watkins in the UK and Las Vegas plus several TV Shows. A briliant pianist who has taught improvisation and ararnging at the Sydney Conservatorium of Music and did all the arrangements for artist Wendy Matthews' Symphony Under the Stars Concert held in Sydney.
Keyboards David Fennell,
Additional Keyboards Marty Irwin,
Oboe/Cor Anglais Rixon Thomas,
Cello Sally Schinckel - Brown
Flute Andrew Oh & Rosamund Plummer,
Electric/acoustic guitars Peter Northcote,
Bass Leon Gaer
Producers Stuart Livingston, David Fennell & Adrian Bolland,
Recording & mixed at Sydney Opera House Studios by Adrian Bolland,
Mastered by Kathy Naunton at DB Mastering
A Zomba Australia Production for Bruton Music Ltd
Art direction & Production Manager Marleen Ball,
Designer Jacqueline O'Neill at ZPM
BRD47:
Composed by Emmy-nominated composer Terry Oldfield.
Arranged by David Pash.
Terry Oldfield is well known for his outstanding soundtracks for television wildlife documentaries. He has been nominated for both a British Academy Award for "Kingdom Of The Ice Bear" and two prestigious Emmy awards for the National Geographic specials, "Land Of The Tiger" and "Twilight Of The Dream Time". Terry has also created the music for more than 60 TV productions including the BBC's ever popular "Meerkats United" which in a recent television poll was voted 'Best Wildlife Film Ever!'
During the early 70s he travelled extensively in the East before settling down on the island of Hydra in Greece where he taught himself the flute and recorded compositions which led to his first BBC commission - "Great Railway Journeys."
Terry now resides and works in Gloucestershire. In addition to his soundtrack work, he is a successful recording artist for New World Music.
Produced by Michael Whitewood.
Recorded & mixed by James Young at Battery Studios, London, UK.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
Musicians:
Terry Oldfield: Flutes, ethnic flutes.
Andy Findon: Flutes, ethnic flutes.
The London TeleFilmonic Orchestra, led by Levine Andre: Strings.
John Anderson: Oboe.
Julie Andrews: Bassoon.
Alastair Gavin: Piano.
Frank Ricotti: Percussion.
Stephen Stirling: French Horn.
John Parricelli: Guitars.
BRD48:
Composed by Jonathan Firstenberg (BMI) & Kenny Edwards (BMI)
Producer: Jonathan Firstenberg.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
Kenny Edwards is a recording artist, producer, and composer. He was a member of The Stone Poneys' on Capitol Records with Lind Ronstadt and Bobby Kimmel, and 'Bryndle' with Kada Bonoff, Wendy Waldman, and Andrew Gold. As a Producer, Kenny has worked on Karla Bonoff's albums, "Karla Bonoff," "Restless Nights," and "Wild Heart of the Young". He has also produced David James Holster's Chinese Honeymoon" (CBS), Graham Shaw's "Sincere Serenade" (Capitol) Tom Kell's "Angeltown" (Warner Bros), and Vince Gill's "When Will I Be Loved" for the movie "Eight Seconds". Kenny has been a studio musician and singer with Stevie Nicks, Brian Wilson, Don Henley, and Art Garfunkel among many others. His film and TV scores include "The Secret Sins of the Father" directed by Beau Bridges, "Wildflower" directed by Dianne Keaton, and the pilots: K-9 (Universal), and "The Human Factor" (Universal), as well as "Miami Vice", "Crime Story" and "The Street". Kenny has toured with Linda Ronstadt, JD Souther, Stevie Nicks, Bryndle, and Kara Bonoff.
Jonathan Firstenberg is a two-time Emmy Award winning music supervisor / composers. His composing credits include television documentaries, daytime dramas, comedy specials and animation. He calls Santa Barbara, CA, "home at last", Jonathan is honoured to be involved with his fellow Bruton-ites in London, and to be producing music for the exceptional roster of Bruton composers.
BRD49:
Executive Producer: Roberto Borzoni.
Mastering: Chris Parmenidis at Battery Studios, London, UK.
Post-production: Merrin Bydder.
Photography: Joanna Wiseman & Merrin Bydder.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRD50:
Composed by Steve Carter (PRS).
Executive producer: Jez Poole.
Engineering: Jerry Peal.
Mastering: Chris Parmenidis at Battery Studios, London, UK.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
BRD51:
Composed by Patrick Wilson (PRS).
Executive producer: Jez Poole.
Mastering: Ian Anderson, The Sonic Surgery, UK.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
BRD52:
Follow up to BRD45 Guitar in the Raw.
Composed by Peter Northcote (APRA).
Produced by Stuart Livingston, Peter Northcote & Adrian Bolland.
Performed by Peter Northcote.
Recorded & mixed by Adrian Bolland at Mild Concussion Studios, Sydney, Australia.
Mastered by Kathy Naunton, db Mastering, Sydney, Australia.
Post-production: Merrin Bydder.
Graphic Design: Camilla Maxwell-Comfort, Zomba Design.
BRD53:
All composers PRS.
This compilation is the follow-up to Moods & Emotions BRD50. The wide range of tracks on this CD cover a variety of sensations and emotional situations. A spectrum of good moods are covered by OPTIMISTIC, BLISSFUL and WARM. FEAR and AGGRESSION conjure up more negative feelings, while DISORIENTATED and NEUTRAL are more obscure. Don't forget, you can access our repertoire online at www.playzpm.com or www.playapm.com (USA only).
Executive Producer: Roberto Borzoni.
Mastering: Matthew Denny, Battery Studios.
Post-production: Jane Cudworth.
Graphic Designer: Joanna Wiseman, Zomba Design Studio.
BRE5:
Cover art signed: "Liz Pichon"
BRE8:
HEYA
Chorus
Heya
Heya
Heya
Heya
VERSE 1
You're not just a dreamer.
We can walk the world away
Nothing else but a dreamer,
would gather children of today.
Something else is around them,
Coming now to find a way,
Choose a sound to surround you.
We can hear you.
There's a day.
Chorus
Heya
Heya
Heya
Heya
VERSE 2
You're not just a dreamer,
We can walk the world away
away, away ...
Something else is around them,
Coming now to find a way,
Choose a sound to surround you.
We can hear you.
There's a day.
Chorus
Heya
Heya
Heya
Heya
Chorus repeat
BRE9:
Cover art signed: "Raz."
BRF12:
GAW BLIMEY!
Sunnick Go And Get The Gang
Oh Gaw Blimey
Jump Aboard The Charrabang
That's French
Oh Gaw Blimey
Oooo Bacon Sandwidge
Oooo Wot's The Damidge
Oooo Mind Your Languidge
Boy You Better Watch Your Lip!
Haw He Haw He Oft To France
Oh Gaw Blimey!
Lookin' For A Peu De Romance
That's French
Oh Gaw Blimey!
Oooo Pass the Trifle
(Whistle) Wot An Eiffel!
(Dodgey) Don't Tell The Wife All!
Cos Boy I'll Get A Big Fat Lip!
Goin' Dahn The Frog An Toad
Oh Gaw Blimey!
Look' Very A La Mode
That's French
Oh Gaw Blimey!
Oooo Pass the Trifle
(Whistle) Wot An Eiffel!
(Dodgey) Don't Tell The Wife All!
Cos Boy I'll Get A Big Fat Lip!
Instrumental
Back 'ome For Some Proper Grub
Oh Gaw Blimey!
See Ya Dahn The Rubba Dub!
Snot French
Oh Gaw Blimey!
Oooo Bacon Sandwidge
Oooo Wot's The Damidge
Oooo Mind Your Languidge
Boy You Better Watch Your Lip!
HEY YOU
You ... You Came From Heaven On Gilded Wings
Made Me Feel So Many Things
That I'd Never Felt Before
And You ... You Lit A Lantern Here In My Heart
Now I Can't Bear To Be Apart
From You Who Who My Love
You Know That Faith Can Move Mountains
And Love Look Like Fountains
I Will Shout From On High
There's No Doubt You And I
Are Just Like Two Pear Shaped Lovers
Pretty Soon I Will Discover ...
You Are My Angel
My Perfect Angel of Love
MY GIRL SUZY
My Girl Suzy Isn't Very Choosy
But She's Got An 'Eart Of Gold
She Drinks A Pint Of Bitter In A Pair Of Woolly Knickers
'Cos She Says It Keeps Away The Cold
Everytime I Kiss 'Er There's A Taste Of Stale Old Bittah
Everytime I Try To Hug 'Er
She Says Get Orf You Silly Old ... !
My Girl Suzy Maybe She's A Floosie
But She's The Only Girl For Me
She Likes 'Er Oily Rags (To You And Me That's Fags)
She Smokes An 'Undred In The Lavatory
Eveyrtime I Try To Stop 'Er
I Always Come A Cropper
I Say Suzy Don't Be Foolish ...
Then She Knees Me In The ... !
My Girl Suzy Makes Me Go A Little Woozy
Got A Figure Like An Eastern God
She Looks Like Buddha ... 'Cos She Don't 'Alf Like 'Er Sugar
But I'd Nevah Leave 'Er On 'Er Tod
I've Tried To Pop The Question
But She's Not Open To Suggestion
Everytim I Try To Ask It ...
She Say On Yer Bike You Silly Old ... !
RADIO LADY
She's A Lady Of The World Y'Know
She's Lady Of The Radio
With Her Flash Heel And A Turn On The Toe
She's A Lady Of The Radio
Harmonica
She Walks Down The Road With Her Headphones A Blastin'
Into Oblivion ... Life Everlastin'
I Would Be With Her If It Could Be So
But She's A Lady Of The Radio
Harmonica
Hold Out Your Hand To This Poor Lonely Boy
Let You Telegraph Crossword Come Fill Me With Joy
Takin' Me Homewards To Where I Belong
Let Your Telegraph Crossword Turn Right Into Wrong
Harmonica
I'll Answer Your Questions I'll Tell You No Lies
I'll Take You And Make You See Through Your Disguise
So Radio Lady I Know Who You Are
'Cos Radio Lady I Am Your Star
Harmonica
And A Poet
And A Visionary ... If You Want
So Radio Lady I Know Who You Are
'Cos Radio Lady I Am Your Star
HULLO LUV
Hullo Love, Goodbye Night
Everything's Gonna Be Alright
Come On In Happy Day
Everything's Gonna Be O.K.
There's Nothing That Can Harm Me
'Cos I've Gone Completely Barmy
With This Crazy Little Thing Called Love
Hullo Sun, Hullo Moon
Hullo Julie, Hullo June
Come Along, Sing This Song
To Make Our Love Grow Strong
All You Gotta Do Is Tune In
Pretty Soon We Will Be Spoonin'
'Cos We're Crazy With This Little Thing Called Love
Love Is The Thing
That Makes My Ding-A-Ling
I Feel Just Like A King
And You My Heart Sing
Instrumental
Love Is The Thing
That Makes My Ding-A-Ling
I Feel Just Like A King
And You My Heart Sing
Hullo Love, Goodbye Night
Everything's Gonnaa Be Alright
Come On In Happy Day
Everything's Gonna Be O.K.
There's Nothing That Can Harm Me
'Cos I've Gone Completely Barmy
With This Crazy Little Thing Called Love
BRF13:
Composed by Frank Ricotti (PRS).
Musical Director: Frank Ricotti.
Produced by Frank Ricotti & Michael Whitewood.
Recorded by Steve Price at Angel Studios & Battery Studios, UK.
Overdubs & Digital Editing by James Young, Paul Golding & Mark Tucker.
Ably assisted by Mark Williams & Adrian Breakspear.
Mixed by Bob Mallet.
Mix Production by Jez Poole.
Post-production: Merrin Bydder.
Graphic Design: Camilla Maxwell Comfort, Zomba Design.
Performed by The Frank Ricotti All Star Mambo
Vocalist: John "Tequila Man" Barclay
BRG37 CD:
Cover art signed: "Liz Pichon"
BRG46:
COMPOSED BY LEON GAER / DAVID JONES
Produced by Stuart Livingston & Leon Gaer
A Zomba Australia Production for Bruton Music Ltd
DAVID JONES is widely regarded as one of the world's leading drummer / percussionist.
LEON GAER is originally from L..A and has worked for many years as a top session player. He has worked with Aretha Franklin among many others.
BRG49:
Composed by Steve Byrd and Andy Hamilton
Executive Producer: Jez Poole.
Guitars, Keyboards, Programming: Steve Byrd.
Saxophones, Keyboards, Programming: Andy Hamilton.
Drums: Ralph Salmins.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Jerry Peal.
Mastering: Martyn Webster, Battery Studios, London, UK.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRG50:
Composed by Nick Haydn.
Album compiled by: Roberto Borzoni.
Mastering: Streaky Gee, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRG51:
Composed by Steve Carter
Executive Producer: Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Bryan New.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Bass, Keyboards: Steve Carter.
Additional keyboards: Alastair Gavin.
Guitars: John Parricelli, Stuart Hall.
Trumpet: Steve Waterman.
Saxophone: Phil Todd.
Drums: Phil Crabbe.
Percussion: Gary Hammond.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Donna Pickup, Zomba Design.
Photo source: Tony Stone.
BRG52:
Composed by David Fennell (APRA)
Produced by: David Fennell & Stuart Livingston.
Recorded and mixed by Adrian Bolland at Art Phillips Music Design, Sydney, Australia.
Mastering: Kathy Naunton at DB Mastering.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
Piano, Keyboards: David Fennell.
Bass: Leon Gaer.
Flute: Rosamund Plummer.
Oboe, Cor Anglais: Rixon Thomas.
Live percussion, Cymbals: Stuart Livingston.
BRG54:
Composed by Chris Marshall (PRS)
Producer: Jez Poole.
Recorded & mixed by Bryan New at Battery Studios, London, UK.
Mastering, Chris Parmenidis, Battery Studios, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
Dedicated to the memory of Tom Hampton 1967-99.
BRG55:
Composed by Chad Wackerman (APRA) and Leon Gaer (APRA).
Producer: Stuart Livingston, Chad Wackerman and Leon Gaer.
Recorded and mixed by Adrian Bolland at the Drum Room, Sydney, Australia.
Mastering: Kathy Naunton, dB Mastering, Sydney Australia.
Musicians
Flute/Tenor Sax: Craig Walters.
Alto Sax: Graeme Jesse.
Tenor Sax: Tim Oram.
Baritone Sax: Steve Fitzmaurice.
Brass Arrangements: Phil Scorgie
Trumpets: Paul Panichi and Paul Thorne.
Piano/Keyboards/Organs: Bill Risby.
Vibes/Marimba: Daryl Pratt.
Guitars: James Muller and Peter Northcote.
Basses: Leon Gaer.
Drums/Percussion: Chad Wackerman.
BRG56:
All composers PRS.
BRH38CD:
Cover art signed: "LIZ PICHON"
BRH57:
EVERY LITTLE INTIMACY
by Patrick Wilson & Tim Hain
i feel so warm inside at the subtle things you do
the way you close your eyes as i open myself to you
the way you draw breath as you start to lose control
talk to me with your body babe and it touches my soul
i can't help but adore every little intimacy
every little detail is another way you thrill me
i can't help but want more of every little intimacy
babe you make me feel so right this is pure delight
kiss me with your fingertips you know it turns me on
brush me with your lips until my mind has gone
then you look at me with mischief in your eyes
these are the things i remember you by
is this an act of worship or is this an act of love
i really couldn't say but i know heaven is above
looking down on us and blessing our every move
cos i know that you know were both in the groove
IN MY LOVE
by Patrick Wilson / Kathy Wood / Julian Nicholas
no more lonely night
with you in my life
i'm feeling love
so warm inside
what you do to me baby
well it feels so right
lying next to you
deep into the night
looking in your eyes
before i go to sleep
where i dream of you
river running deep
i'm so happy that your mine baby
i'm gonna keep you here rapped up in my love
dream lover come into my world
dream lover never let me go
dream lover my head is spinning so
you are the one for me
i don't remember when
i've felt so free
making love to you
well it comes naturally
no one else will do
there's only you for me
dream lover etc
BRH64:
CAN YOU FEEL IT
Can you feel it, baby ...
It feels good ...
(RAP)
Can you feel my rhythm it makes you move
It's the kind of feeling you just can't lose
So get this beat into your brain
And pump the floor like you're going insane.
It feels good 'cos you're right on time
You're looking cool and you're feeling high
You've got all night this party's kicking
Ain't nothin' left but to feel this feeling
SHAPE YOUR BODY
(Chorus)
Shape your body
Feel the heat (now)
Work you body
Jump to the beat
Rock your body i wanna see you sweat
Can you feel the rhythm turnin' up the heat
Burn it up till you lose control
Shape your body, shape your soul!
Keep on movin' 'til you reach the top
Don't stop pumping, work 'til you drop
You know the reason you came here for
Now get your body on the floor!
KEEP PUSHIN'
You wanna reach the top you're on a mission
Your highly trained for the coming competition
Others have come to do exactly the same
Hey it's your job now to win this game
Keep pushin' ...
(Chorus sung)
Keep pushin' to the top
And just don't stop
Work 'til you drop
Keep 'em on the hop!
'Cos the heat is on, you're on the track
And someone here's gonna be leading the pack
So it's up to you to take the head and floor the pedal
If you wanna be the winner and take home the medal
Keep pushin' ...
Like the Coliseum the place is jammed
They're lusting for blood and to see their man
Kill the foe and be the ultimate winner
You're not gonna be noLion's three course dinner!
All eyes are on you, the place is hummin'
You can't stop now hey you gotta do something
To show them all that you are the best around
'Cos no one else here can please this crowd
Keep pushin' ...
Go and don't look back now just keep on pumpin'
Give it all you've got and feel your heart beat thumpin'
'Cos there's those behind that wanna steal your lead
Give it all you've got hit your maximum speed
Keep pushin' ...
Whatever the game and see whatever the score
Gotta do your best and then push for more
'Cos when they're beating you down and your dreams in tatters
Your gotta climb back up and take pride in these matters
Keep pushin' to the top it's a must and have trust
leave them standing in the dust
Frustrated 'cos they can't catch you now
Let them go, you're the champ and this is your show! Keep pushin' ...
YOU'RE A WINNER
If you wanna have fame
Don't be soft, don't be tame
Be a man, make a stand
It's a Slam, Grand Slam!
(Chorus) Winner! You're a winner!
Mama's not here to hold your hand
Better get up, make a stand
If someone told you, ooh it's just a game
I'll rip yer head off, 'cos i'm insane!
(Chorus) Winner! You're a winner!
If you wanna lie down you're better off dead
Don't be no monkey, be the head!
People remember when you're simply the best
So forget the rest!
(Chorus) Winner! You're a winner!
IN THE GHETTO
There's no surprise
When a man dies
And nobody cries
In the underground
You'd better look around and use your eyes
In the Ghetto ...
(Chorus)
Come on get tough on
the street
And tough with the gang
You better watch your
back 'cos its a hardcore thang
In the Ghetto ...
Stay in your own zone
'cos you're not alone
There's wolf eyes watchin' when you leave your home
One false move and you're through
Now you're gonna pay your dues
In the Ghetto ...
Once you're past the door
Check the hardcore dance floor
Better get some more
Of what you came here for
Got a one way ticket
Let the drummer get wicked!
In the Ghetto ...
Get tough with the punk
And don't be takin' the junk
From the sucker in the crew his time is through
You can't run for cover
Not everyone's your brother
Whatever your colour
There's always another
Better watch your back (crack!)
The pimps in the cop car
He ain't goin' far
So thank your lucky stars
You got this far
In the Ghetto ...
BRH65:
COMPOSED BY CONCRETE MUSIC
Email address: saskewix.compulink.co.uk
BRH66:
COMPOSED BY JOHN PRIOR
Produced by John Prior & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
BRH68:
COMPOSED BY JOHN ADAMS
PRODUCED BY KEITH MANSFIELD
BRH71:
COMPOSED BY MARC FERRARI (ASCAP) / PAUL TAYLOR (BMI)
Produced by John Firstenberg
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three Under Music (ASCAP) / Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRH72:
Produced by John Firstenberg
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three Under Music (ASCAP)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRH78:
COMPOSED BY DARIL S (BMI)
Produced by Jonathan Firstenberg
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRH79:
BILLY ROUES
Billy Roues has been writing, performing and producing music for over 20 years. He has performed with Luther Allison, Pine Top Perkins, Bo Diddley, Son Seals, Max Weinberg and Lenny Kaye. Billy has released 6 albums and written songs for feature soundtracks and TV. Billy continues to work with the band The Roues Brothers.
STEVEN ROUES
Steven Roues has been writing, performing and recording music since the late 60s. He has performed with John Lee Hooker, Luther Allison, Pine Top Perkins, Bo Diddley, Tom Chapin, Vassar Clements, Wayne Kramer, Carl Perkins and Lenny Kaye. Steven is also a member of the The Roues Brothers.
GARY SOLOMON
Gary Solomon has been engineering, producing and performing for over 20 years. Engineering credits include: Booby McFerrin, Michael Brecker, Billy Joel and Graham Parker. Gary plays with The Roues Brothers.
FEATURED MUSICIANS
James Finnen, Billy Roues, Steven Roues: Lead vocals
Billy and Steven: Guitars
Gary Solomon: Bass
Doug Oberhamer, Kenny Margolis: Piano
Kenny Margolis: Organ
Doug Oberhamer: Trumpet
James Finnen: Tenor Sax
Matt Hong: Alto Sax
Joe Geary, Abe Speller, Frank Dickinson, Julius Klepacz: Drums
Steve: Harmonica
Special thanks to Dave, Kathy, Sammy, Kaya Snider, Joe Di Giorgi, John Simon, Mark Seligman Dean, Larry Grahame, Blackie Pagano, Tobin Coleman, Ronnie Freitag, Eva Marie, Kate and Luke Solomon, Linda Zitelli, Children of RS, Friends of BM, Jenny Glenn, Haywood Gregory and Jonathan.
'Hawaiian Blue' dedicated to the memory of Little Wing Smallwood.
HARLEY
Words & music by B. Roues, S. Roues & G. Solomon
She's Fine
So Fine
She's Fine
Love Her Just The Way She Came
She's My Honey Baby Harley Is Her Name
She's sweet
So sweet
She's sweet
So sweet
And I Love Her Cherry Lips
When She Kiss Me Little Harley Makes Me Flip
One Thing About My Baby
She Never Will Let Me Down
The Traffic Stops On Main Street
Every Time She Comes To Town
She's Cool
So Cool
She's Cool
So Cool
And She Never Treats Me Cold
I Just Love My Little Harley To MY Soul
ROADHOUSE USA
Words & music by B. Roues, S. Roues & G. Solomon
Up The Highway Baby, Just A Few More Miles
Up The Highway Baby, Just A Few More Miles
There's A Place To Play
Roadhouse USA
Cross The River Way Up Over The Hill
Cross The River Way Up Over The Hill
Rock The Night Away
Roadhouse USA
From The Pyramid In Memphis
To The Port Of New Orleans
From L.A. To New York City
Its A Rockin' Roadhouse Scene
Way Deep In The Heart Of Texas
Long The Coast In Newport News
Don't Forget The Motor City
And The South Chicago Blues
Motor's Runnin' Stomp That Hammer Down
Now We're On Our Way
Roadhouse USA
When You Walk Into That Roadhouse
Put Your Money On The Bar
Hear That Rockin' Roadhouse Boogie
And Those Wailin' Big Guitars
See That Roadhouse Woman Dancin'
She's Makin' All The Moves
She Got What You Need Tonight
To Cure The Roadhouse Blues
The Joint Is Jumpin' There's No Stoppin' Now
Till The Break Of Day
Roadhouse USA
Now We're On Our Way
Roadhouse USA (4 Times)
Goin' To The Roadhouse ...
Now Were' On Our Way
Goin' To The Roadhouse ...
Roadhouse USA
HAWAIIAN BLUE
Words & music by B. Roues, S. Roues & G. Solomon
I Hear The Rain Pourin' Down
Down On The Dirty Old Town
Hey Babe, It's Such A Lonesome Sound
Nothin' To Do
Just Dreamin' Bout You
And That Hawaiian Blue
We Got More Rain, Honey
Funny, The Sun Never Shines
Work Like A Slave, Honey
Money, I Can't Save A Dime
Our Nest Egg's Already Spent
I Don'T Know Where It All Went
Hey Babe, Can't Ever Pay The Rent
Nothin' To Do
Just Dreamin' 'Bout You
And That Hawaiian Blue
Just Me 'N' You
A Room With A View
Of Sweet Hawaiian Blue
ROCKABILLY ROADHOUSE
Words & music by B. Roues, S. Roues & G. Solomon
There's A Rockabilly Roadhouse On The Edge Of Town
Where They Pick It Up And Lay That Country Boogie Down
It's A Greasy Little Chicken Shack It's Open All Night
And They Keep The Party Goin' Till The Mornin' Light
It's A Rockabilly Roadhouse
Come Along With Me
That's Where I'm Gonna Go Now
Find A Pretty Little Baby Doll In Dungarese
I Know You Been A 'Lookin' For A Place To Unwind
I'm Here To Tell You Brother You Can Ease Your Mind
It's Wall To Wall Women 'Cause They Get In For Free
So When I Blow My Paycheck Man IT Don't Bother Me
It's A Rockabilly Roadhouse
Put You Cat Clothes One
That's Where I'm Gonna Go Now
Don't Make Me Late For Leavin' 'Cause I'm Already Gone
Now That Rockabilly Baby Goes Right To My Head
She Move Just Like A Model With Those Crazy Legs
All The Motorcycle Mamas Will Be Makin' The Scene
But The One Drives Me Crazy She's A Ragtop Queen
At The Rockabilly Roadhouse
Put Your Cat Clothes On
That's Where I'm Gonna Go Now
Don't Make Me Late For Leavin' 'Cause I'm Already Gone
At The Rockabilly Roadhouse
Put Your Cat Clothes On
That's Where I'm Gonna Go Now
Don't Make Me Late For Leavin' 'Cause I'm Already Gone
DREW'S JUKE JOINT
Words & music by B. Roues, S. Roues & G. Solomon
Meet Me Down At Drew' Joint
It's A Real Hip Juke Joint
Got A Real Cool Box There
Bonny Boy And Elmore
Just Around The Corner
Got A Pocketful Of Quarters
Machine There Even Takes A Dollar
Don't Be Late I Wanna Meet You There
Oh Honey Let's Make A Date
'Cause The Hours Gettin' Late
And Drew's Juke Joint Really Rocks
Won't Close Down 'Till The Sun Comes Up
Just Around The Corner
They're Playing Juke By Little Walter
They Got The Wolf And Muddy Waters
Don't Be Late I Wanna Meet you There
When We're Done With The Show Now
And All The Other Places Close Down
Tell You Where We're Gonna Go Now
Where That Juke Box Plays Some Real Cool Sounds
Just Around The Corner
Got A Pocketful Of Quarters
Machine There Even Takes A Dollar
Don't Be Late I Wanna Meet You There
Tell You Where I'M Gonna Meet You Now Drew's Juke Joint
I'm Goin' Down To The Corner To Drew's Juke Joint
Don't Be Late I'll Be Waitin' There Drew's Juke Joint
We're Goin' Down To The Corner To Drew's Juke Joint
NIGHT IN AMNESIA
Words & music by B. Roues, S. Roues & G. Solomon
Cat's Eye Vision Of A Bird's Eye View
Mournin' At Midnight And The Moon Is Black
Beauty Took A Ride On The Wild Side Of Town
Where Out Is Always In Is Always Up Is Always Down
Don't Back It Up Baby
You Don't Know Where You Are
Don't Back It Up Baby
Don't Back It Up Baby 'Cause You're Goin' Too Far
You're Sweet Heaven To The Hounds Of Hell
Listen To 'Em Howl Make Your Blood Run Cold
Creepin' In The Shadows Where The Spotlights Freeze
Just Forget What You Remember Don't Remember What Your Told
Don't Back It Up Baby
You Don't Know Where You Are
Don't Back It Up Baby
Don't Back It Up Baby 'Cause You're Goin' Too Far
Rats Eye Vision Of A Penthouse Dream
Walkin' The Wire Hangin' By A Thread
Beauty Is A Mote In The Eye Of The Beast
Hunger Is The Starvin' In The Famine Of The Feast
Don't Back It Up Baby
You Don't Know Where You Are
Don't Back It Up Baby
Don't Back It Up Baby 'Cause You're Goin' Too Far
Don't Back It Up Baby
Don't Back It Up
Don't Back It Up Baby
Don't Back It Up
BLOODSHOT BOOGIE
Words & music by B. Roues, S. Roues & G. Solomon
Come Home In The Mornin' Lookin' Beat And Cross-Eyed
(Chorus)
I'm Bloodshot
Ooh Take A Look At My Eyes They're Bloodshot Eyes
Yeah At The End Of The Night
Feel Like I'm Swung At And Missed, Shot At And Hit
Blood ... Shot ...
Bloodshot Boogie
Bloodshot Boogie Woogie
Come On In Here Honey Feelin' Sick In The Head
But Don't Wake Me Up Before Noon Or You're Dead
If I Look Like Just Committed A Crime
That's Just Because I've Been Having' A Good Time
(Repeat Chorus)
I Guess You Know I'll Never Get Enough
Rockin' 'N' A Reelin' All That Other Good Stuff
My Daddy Said, "Son, It's Gonna Take A Toll"
But, This Boogie Feels So Good It's Like I'll Never Got Old
I'm Bloodshot
Ooh Take A Look At My Eyes They're Bloodshot Eyes
Yeah At The End Of The Night
Feel Like I'm Swung At And Missed, Shot At And Hit
Blood ... Shot ...
Bloodshot Boogie
Bloodshot Boogie Boogie
Bloodshot Boogie
Bloodshot Boogie
Bloodshot Boogie
BRH80:
Produced by Jonathan Firstenberg
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three Under Music (ASCAP)" / "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRH81:
COMPOSED BY GARY COOK
Produced by Jonathan Firstenberg
GARY COOK
Gary Cook, guitarist, demonstrates a unique and creative blend of melodic phrases, fast runs and dynamic chord voicings. A seasoned performed, Gary has appeared with artists Bonnie Raitt, John Le Hooker, Doc Watson, Canned Heat, Joni Mitchell and John Denver. In addition, Gary spends nmuch of his time as a guitar clinician / programmer / writer for the Roland Corporation U.S. He conducts seminars, writes for the Roland Users Group Magazine, produces songs for the Roland VS-880 Digital Recorder, and appears in Roland Owners Manual Videos. Gary continues to distinguish himself as a songwriter, produce, studio musician, and producer in Los Angeles, California.
CREDITS
Gary Cook: Electric & Acoustic Guitars
Richard Martin Ross: Lead Vocals
Dann Gillen: Drums
Mike Elizondo: Bass Guitar
Scott Wilkie, Igor Len: Keyboards
Bob Conte, Dann Gillen: Percussion
Jimmy Powers: Harmonica
David Lindsay, Igor Len: Horns
Lisa Fraser, Nina Cook: Backing Vocals
Roger Friend, Drums of "Goin" Back": Additional Musicians
Julio Alvarez, David Spector, Gary Cook: Tracking Engineers
Brian Springer: Mixing Engineer
David Spector, Gary Cook on "Shake It" and "Goin' Back": Additional mixing
Recorded and Mixed at Steve Reid's Sonic Jungle, North Hollywood, California.
Additional recording on the Roland VS-880 and Roland DM-800 Hard Disk Recorders.
Gary Cook uses the Roland VG-8 V Guitar System, Roland GR-30 Guitar Synthesizers, Brian Moore Custom Guitars, Seymour Duncan Pickups, RMC Pickups and D'Addario Guitar Strings.
SPECIAL THANKS
Nina, Sean, Ryan, Cook Family, Peter & Barbara Antonacci, Scott Wilson, Tim & Dan Kuns, Jeff Hendrickson, Craig Yamek, Brian McCann, David Mark, Lee Pickett, Igor Len, Tom Stephenson, Paul Youngblood, Chris Bristol, Pat & Susie Cummings, Jonathan Firstenberg, Neil Portnow, Craig Gates, Gary Brawer, Steve Reid, David Spector, Instrumental Music, Zomba, Roland Corporation, CCTO, and above all GOD.
BRH84:
[...] featuring singers and rappers Imperial, J. Withers, Soprano, Big Toe, Spade and Opposite
COMPOSED AND PRODUCED BY CHRISTIAN SALYER / RANSON KENNEDY
Executive Producer Jonathan Firstenberg
Christian Salyer and Ranson Kennedy have been working together for eight years. Their credits include productions for 20th Century Fox, Mattel Toys, Coca Cola, The Phoenix Suns and corporate videos and infomercials. They have produced rap and R&B albums for Opposite, Poetic, Souljazz, Imperial, Soprano, and the contemporary gospel groups Soul Fruit and Jayshaynay.
Mastered: Ian Anderson at Battery Studios, London, UK
Art Direction & Design: Marleen Ball & Darlo Sanchez, Vicious Circle Design
BRH85:
COMPOSED BY LARRY T. WEST (ASCAP)
COMPOSED AND PRODUCED BY LARRY T. WEST
Executive Producer Jonathan Firstenberg
LARRY T. WEST has been at the forefront of the Rap industry for a long time. Currently, he is managing some of the top multi-platinum producers and artists in the industry. He is President of one of the hottest, new rap records labels. His producers have produced the top artists in rap. Larry West is west coast based, but he appreciates all types of rap. This comes from his Midwestern roots in St. Louis, Missouri.
The many platinum awards to his credit and moer on the way as indicated by the current production the charts, makes Larry the perfect choice to compile RAPCD2.
Thanks first goes to God. Then I'd like to thank the multi-platinum Cat Daddy himself, Bobcat, Jughead keeps the beast coming at you; Suede stay smooth; Bigg Time the metaphorical lyricist; The Grimm Repaer controlling the land the dead; Ishaleam spittin' rhymes from on high. Also thanks to Tasha, Leandra, Detri, Tha Hood and Andrea Kelly.
BRH87:
COMPOSED BY BILLY ROUES, STEVEN ROUES & GARY SOLOMON
Produced by Jonathan Firstenberg
Haywood Gregory, Dan Penn, Lisa Best, M'zuri, Hal Newman, Bucky Lindsey, Jeanne C. Gregory: Lead Vocals
Billy & Steven Roues, Gary Solomon: Guitars
Steven Roues, Gary Solomon: Bass
Spooner Oldham: Piano, Hammond Organ, Farfisa Organ, Wurlitzer Piano
Kenny Marrgolis, Hal Newman: Piano
Terry Townson: Trumpet
Jim Hoke: Tenor, Baritone Sax
Steven Roues: Harmonica
Abe Speller: Drums
Jeannie C. Gregory, The Del Penguins, Tom Gant, Kathy Snider, Dan Penn, Bucky, Lisa, Kenny, Gary, Steven, Billy and Trixie: Background Vocals
Mastered: Streaky Gould at Battery Studios, London, UK.
SPECIAL THANKS
The Roues Bros. would like to offer special thanks to the following: for their guidance, inspiration and sweet southern hospitality Dan & Linda Penn, the inimitable Bucky Lindsey, Spooner Oldham who came all the way from Alabama.
Thanks also to all the players who gave their heart and soul to every performance and to Dave and Kathy Snider at Snider Sound Studio.
Thanks also to: Joe DiGiorgi at Headline Sound Studio, Mark Seligman for the Tellie, Jack Kraft for his Tellie, Tobin Coleman for the ES335, Ronnie Freitag for the Guild Starfire, Dan's Pennsville Studio in Nashville, the Hedges, the Weitzman's, Lisa Best for room and board in Nashville, Maureen, Eva Marie and Luke Forester.
ROADHOUSE USA, is another great Bruton recording by the Roues Brothers. It features songs of roots American music including Texas boogie, Memphis soul, rockabilly, jazz-tinged blues, Hawaiian guitar and rock 'n' roll.
BILLY ROUES
Billy Roues, has been writing, publishing, performing and producing music for over 20 years. He has performed with Luther Allison, Pine Top Perkins, Bo Diddley, Son Seals, Max Weinberg and Lenny Kaye. Billy has released 6 albums and written songs for feature soundtracks and TV. Billy continues to work with the band The Roues BRothers and Lucky 7.
STEVEN ROUES
Steven Roues, has been writing, performing and recording music since the late 60s. He has performed with John Lee Hooker, Luther Allison, Pine Top Perkins, Bo Diddley, Tom Chapin, Vassar Clements, Wayne Kramer, Carl Perkins and Lenny Kaye. Steven is also a member of The Roues Brothers.
GARY SOLOMON
Gary Solomon, has been engineering, producing and performing for over 20 years. Engineering credits include Booby McFerrin, Michael Brecker, Billy Joel and Graham Parker. Gary plays with The Roues Brothers.
DAN PENN
Dan Penn, has been a R&B writer and producer since the early 60s. He produced the Box Tops's, The Letter and co-wrote Cry Like A Baby. He went on to co-write hits I'm Your Puppet, Do Right Woman, Sweet Inspiration and others. He has worked with such artists as Aretha Franklin, Otis Redding and Percy Sledge. He continues touring the US and Europe.
BUCKY LINDSEY
Bucky Lindsey, has been a Nashville based songwriter for the past 20 years. He's co-written songs such as Where's The Dress?, Tell It To Another Fool and others. Bucky has worked with Ray Price, John Anderson, Jerry Lee Lewis, The Flying Burrito Brothers, Maria Maldaur, Dr. Hook and Etta James. He is the recipient of the American Music Award, the Music City News Award and has several gold and platinum albums.
LISA BEST
Lisa Best, had the 1989 CD release Just Got Lucky, that received alternative station air play. She has been a featured guest on NPR's Portraits in Blue and has been performing on tour in the US.
HAYWOOD GREGORY
Haywood Gregory, began singing in the church and public schools when he was 7 and became a professional singer at the age of 14. He has shared centre stage with Morgan Freeman, The Oak Ridge Boys, Otis Blackwell, Carl Perkins, Bruce Springsteen, Ronnie Dove, The Drifters and The Marvelettes. He is featured on recordings with Bon Jovi, The Beach Boys, Phoebe Snow, Branford Marsalis and Southside Johnny.
SPOONER OLDHAM
Spooner Oldham, has been featured keyboard player on 60s hits including Mustang Sally, When A Man Loves A Woman, The Letter and Cry Like A Baby. During the Stax and Muscle Shoals era, Spooner and Dan Penn co-wrote many classics. Today, Spooner continues touring US and Europe with Dan.
21st CENTURY SOUL MAN
I'm gonna give you all the love I can give
'cause that's the only way I know how to live
Here's my plan
Put your heart in my hands
'cause where it's at is gonna be where I am
I'm a 21st Century Soul Man
Don't have to reach me at some web site
When you feel a little lonely in the middle of the night
I'm your man
And I'm gonna stay close at hand
'cause where you're at is gonna be where I am
I'm a 21st Century Soul Man
Love hasn't changed since the world began
It's a fire that burns between a woman and a man
And I ain't here to reinvent the wheel
I just want to show you how good it can feel
When you're alone and love is what you need
I want you to know that you can count on me
I'm your man
And I'm gonna stay close at hand
'cause where you're at is gonna be where I am
I'm a 21st Century Soul Man
Love hasn't changed since the world began
It's a fire that burns between a woman and a man
And I ain't here to reinvent the wheel
I just want to show you how good it can feel
I'm gonna give you everything that you need
I want you to know that you can count on me
I'm your man
and I'm gonna stay close at hand
'cause where you're at is gonna be where I am
I'm a 21st Century Soul Man
'cause where you're at is gonna be where I am
I'm a 21st Century Soul Man
'cause where you're at is gonna be where I am
I'm a 21st Century Soul Man
I'm a 21st Century Soul Man
No boast or brag
I'm a 21st Century Soul Man
I'm your man baby
I'm a 21st Century Soul Man
The real deal
I'm a 21st Century Soul Man
THREE COMIN' BACK
Listen to me baby you know that it's true
It ain't always easy getting along with you
A little understandin' is all I really need
But, baby baby baby you keep talkin' down to me
You said I was a liar called me a disgrace
But, you better watch your step girl you're getting' in my face
You always get suspicious whenever I go out
But you don't know a thing beyond the shadow of a doubt
So don't you start accusin' me unless you know it's true
'cause when you point your finger at me
You got ... (one, two ...)
Three comin' back at you
You're always gettin' on me 'about everything I lack
But ain't it like the pot callin' the kettle black
You start up in the mornin' and put me down at night
But, baby if you want to I'm ready for a fight
So don't you take a bite if it's more than you can chew
'cause when you point your finger at me
You got ... (one, two ...)
Three comin' back at you
So don't you dish it out if you can't take it too
'cause when you point your finger at me
You got ... (one, two ...)
Three comin' back at you
So don't you start accusin' me unless you know it's true
'cause when you point your finger at me
You got ... (one, two ...)
Three comin' back at you
(One-two-three comin' back at you)
(One-two-three comin' back at you)
BRH88:
COMPOSED BY DAVID BRONZE / JOSH PHILLIPS
DAVE BRONZE is a professional bass player with over 20 years experience in all aspects of the music industry. He has toured extensively at all levels from clubs to [????] worldwide. His recording studio experience includes albums and tracks for many name artists, film soundtracks, advertising jingles and music for TV. he is also experience in record production, engineering and songwriting. Credits include: The Art of Noise, Procol Harum, Gary Barlow, Bryan Ferry, [????], Roger Daltrey, Mickey Jupp, Dr. Feelgood, Steve Winwood, Chris Farlowe and many others. At the time of writing, Dave is a member of Eric Clapton's band, performing on all tracks on the 1995 platinum selilng album 'From The Cradle' to-date the biggest selling blues album in history and touring internationally. Also currently a member of Paul Carrack's band.
JOSH PHILLIPS, having been a professional keyboard player since 1982, Josh's career to date includes touring and recording with many British, European and American acts. These include Big Country, Pete Townsend, Midge Ure, [????], Bernie Marsden, Micky Moody, The Crazy World of Arthur Brown, Procol Harum, [????] and currently with the recently reformed Whitesnake. Josh is also actively involved in TV and film music, commercial jingles, songwriting and producing.
Josh Phillips: Keyboards
Dave Bronze: Bass
Henry Spinetti: Drums
Tim Renwick, Andy Fairweather Low, Colin John, Gypie Mayo & Pete Simpson: Guitars
Simon Clarke, Roddy Lorimer & Tim Sanders (collectively known as The Kick Horn): Brass
Snowboy: Percussion
Alan Glen: Harmonica
Jeremiah Marques & The One Take Wonders: Voices
Producer: Dave Bronze
Executive Producer: Stephen Cole
Recording & Mix Engineer: Bob Marlet at Battery Studios, London, UK
Mastered Ian Anderson at Battery Studios, London, UK
Art Direction & Cover Design: Marleen Ball & [????]
BRH89:
COMPOSED BY ALEXANDER C. BAKER / CLAIR MARLO / SUE SHERIDAN
Executive Producer Jonathan Firstenberg
CLAIR MARLO and ALEXANDER 'ACE' BAKER, are recording artists, producers, composers, engineer arrangers and songwriters, husband and wife and parents. They have achieved great success both on their own and as a team. Clair's worldwide fans know her from her solo albums, Behaviour Self and Let It Go. Records. She has produced include Harry Chapin's The Last Protest Singer for Dunhill Records, jazz group Kilauea, pianist Pat Coil and singer Michael Ruff.
Alex began his career in Tucson, Arizona. After moving to Los Angeles, he worked as a producer, keyboardist and programmer on such projects including Ice-T's, gold album Freedom Of Speech, TV's Fame and toured with The Supremes, Iron Butterfly and REO Speedwagon.
Clair and Alex have had their music featured in films including The Firm and Grace Of My Heart and TV's Baywatch, General Hospital and Santa Barbara.
Special thanks to Jonathan Firstenberg, Neil Portnow, all the great players and singers involved, Aphex, Audio Technica and our sweet Dylan Kaitlyn.
'Ace' Baker, Clair Marlo: Keyboards
'Ace' Baker, Bruce Watson, Keith Howland, Grant Geismann: Guitars
Lance Morrison: Bass
Matt Laug: Drums
'Ace' Baker, Clair Marlo: Percussion
'Ace' Baker, Robbyn Kirmsse, Randy Crenshaw, Laura Creamer, Eric Stromer, John Staples: Lead Vocals
Clair Marlo, 'Ace' Baker, Lisa O'Donovan, Laura Creamer: Background Vocals
BRH91:
WRITTEN & PRODUCED BY RICHARD DOWNING
RICHARD DOWNING
This album represents a journey through some of the many various forms of contemporary dance music. The writer / producer has been working frmo his base in London for the past few years DJ-ing and performing in the UK and Europe. Richard aka DJ LIONHEART brings the fresh revolutionary flavours from the global dance scene to production music.
"He who cannot dance, will say the drum is bad".
Credits: Asward, N-Rich, Stone Drive, Scene Shifters, [????], Channel 4, BBC, ITV...
Executive Producer: Jez Poole
A&R: Martin Cooper
Engineer: James Young, Battery Studios, London, UK
Mastering: Ian Anderson, Battery Studios, London, UK
Art Direction & Design: Marleen Ball & Mick Rimmer
BRH92:
COPYRIGHT INFORMATION
TRACKS
1, 8 - ℗ 1973
2-4, 6, 7, 9, 12, 14, 17-20 - ℗ 1975
5, 11, 13 - ℗ 1971
10, 15, 16 - ℗ 1972
21 - ℗ 1977
22 - ℗ 1974
23 - ℗ 1970
[????]
Album compiled by Michael Whitewood and Martin Cooper
Tape vault research and 1/4" transfers by Roberto Borzoni and Streaky G
Audio restoration and mastering by Ian Anderson at Battery Studios, London, UK.K.
Art Direction and Design by Marleen Ball & Donna Pickup
BRH93:
COMPOSED BY PATRICK WILSON / ADAM ROUTH
Malcolm Mortimer: Live Drums
Julian Nicholas: Soprano Sax
PATRICK WILSON and ADAM ROUTH both live in Brighton, England. Their work has already featured in countless productions worldwide, from major Hollywood feature films to prime time television advertisements, theme tunes and multimedia productions.
Their musical styles encompass Rock, Pop, Neo-Classical, World and Dance styles ranging from Hard Techno to Ambient Chill Out. They draw on a wide range of influences and incorporate performances from jazz, pop, classical and ethnic musicians.
They both operate from their own studios where they have facilities to record live music, put sound to picture, produce master recordings and generate computer animation and other graphics of the highest quality.
Adam also produces Hard Trance music for the European dance market as well as running his own House and Techno label.
Patrick's musical output includes several albums which are showcased at his Website. There you can download samples of his music, check out his albums and see his 3D Computer Artwork. He welcomes feedback from visitors of his Website address:
http://www.mistral.co.uk/patrickwilson/welcome.htm
email patrickw@mistral.co.uk
email adam@fukrecs.demon.co.uk
email [????]@solutions-inc.co.uk
Executive Producer: Jez Poole
Producer: Patrick Wilson / Adam Routh
Engineered: Patrick Wilson / Adam Routh
Mastered: Ian Anderson, Battery Studios, London, UK
A&R: Martni Cooper
Art Direction: Marleen Ball
Artwork: Jurgen Ziewe
BRH95:
ZPM producer JEZ POOLE called to ask me to write a new CD. As I've already traced the thread of popular guitar music through the 50s, 60s, 70s and 80s with the rock albums "Late And Live", we decided to do a CD of 90s influenced rock and pop. Jez suggested I worked with legendary producer / engineer / remixer BRYAN "CHUCK" NEW2 and I jumped at the chance, also co-writing 2 of the tracks. Bryan worked me hard, insisting on authentic guitar and amp combinations, and the [????] bill started to resemble a small novel. Many sixteen hour days later we emerged with this product which I'm pleased to say sounds like a 'proper' record.
Steve continues to be in demand as a composer, guitarist and musical director. He has just written and produced his first nation-wide advertising campaign for B&Q and was recently MD for a new French artist ALEX MANSION resulting in him being offered tours and recording deals. Steve is currently co-writing with singer KIM APPLEBY for her next album.
Check out - ROCK 'N' ROLL 50s & 60s BRH 39 / [????]; TRIBUTE TO THE 60S 1 BRH59 / 179; TRIBUTE TO THE 60S 2 BRH60 / 180; TRIBUTE TO THE 70S 1 BRH61 / 185; TRIBUTE TO THE 70S 2 BRH62 / 186
Steve Byrd: Guitar & Keyboards
Pete Clarke: Bass
Paul [???]: Piano & Hammond
Steve Williams: Drums
Melissa Byrd / Streaky G, Richard Carlin, Steve Byrd, Jez Poole: Vocals
[????]: Sitar
[????]: Tablas
Jaz Poole: Glockenspiel
Executive Producer: Jez Poole
Recorded at Battery Studios, London, UK
Engineered: Bryan New
Mastered: Ian Anderson, Battery Studios, London, UK
A&R: Martin Cooper
Art Direction: Marleen Ball
Cover Design: Donna Pickup
Photography: Dan O'Neill
BRH96:
COMPOSED PROJECT 7, KWEZE AND PULL [should probably have read "PERFORMED BY"; this info differs from the composing credits in the booklet]
Produced by Jonathan Firstenberg
Project 7 are Danny Begelman on guitars, John DeScare on bass guitar and Tony Gattino on drums. They have released two CDs on DSB Records, Birth / Death / Infinity and Lost For Words.
Kweze are Bob Kulick, David Eisley and Jimmy Waldo. Bob Kulick is a guitarist, producer, composer, arranger and music supervisor, and has worked with everyone from Kiss, Alice Cooper, Wasp and [????] to Diana Ross, Lou Reed, Michael Kamen and Michael Bolton. Bob is currently producing cutting edge bands such as Noise Records' Flambookey and M.S.I. recording artists Driven By Hate. Bob has brought his guitar licks to twelve Gold and Platinum records. David Eisley is best known as lead singer of Giuffra and Dirty White Boy. Jimmy Waldo is best known the keyboard player from Alcatraz.
PULL are an adventurous combination of unique instrumentation, challenging rhythms and tuneful melodies from the inventive minds of Brian Luzietti and Douglas Rappaport. Both Brian and Douglas are classically trained and they incorporate this influence with breakneck hard rock, Middle Eastern percussion, harpsichord and techno.
BRH97:
COMPOSED BY CONCRETE MUSIC
For the past 10 years, CONCRETE MUSIC has been composing original, contemporary music for TV, film and radio. This their third album for Bruton, continues the world-wide success of both DANCE ENERGY & ENERGIZER. In addition to their production music, CM has released a number of successful dance singles. In short CM's felxible approach to writing, produces innovative music to fulfil any brief.
Producers: Concrete Music
Executive Producer: Jez Poole
A&R: Martin Cooper
Recorded & Mixed at: Concrete Music Studios, London, UK.
Mastered: Ian Anderson, Battery Studios, London, UK.
Production Research: Roberto Borzoni
Art Direction & Production Manager: Marleen Ball
Graphic Design: Mick Rimmer
BRH98:
COMPOSED BY SIMON RUSSELL
Simon is a composer living in London. he has written music for a number of different projects:
Sound design for the 1987 ATC production of Miss Julie at the [????] theatre. TV credits included BBC 1 - STYLE CHALLENGE, Channel 4, SHOOT THE VIDEO & TRANSWORLD SPORT
Radio credits include Radio 4 - CRIMESCAPES & CARGOES. TV commercials NORWEB, [????], TWIX among others. Pop production for various artists, NOAH - just signed to Sony and ANNA LACAZO, whose album is due out later in the year.
Producer Simon Russell,
Executive Producer Jez Poole,
A & R Martin Cooper.
Recorded & Mixed at [????] Studios, UK.
Mastered Mark Russell.
Final mastering Ian Anderson Battery Studios, UK.
Production Manager & art direction Marleen Ball.
Sleeve design Jacqueline O'Neill ZPM.
BRH99:
Phil Nicholas, Programmer/Writer/Producer
Phil grew up playing music and forming bands. As soon as he could he toured Europe with a band playing keyboards, and was soon on his way. On his return he began experimenting in areas of dance and world music. The session music began rolling in, he was asked to work with Peter Gabriel, Vangelis and Kate Bush. Phil began producing, Jazzy Jeff and Billy Ocean amongst others.
With his own regular TV and film work he became very busy, but still wanted his own projects so he formed Mombassa a dance band and signed them to MCA, a No. 1 UK dance song CRY FREEDOM was the result, which has since become a club dance classic and has been used on compilations. Phil has recently been doing various remixing and production work including collaborating with Chris Tsangarides on various projects including dance/rock band East-West Alliance.
Faze & Zero are new writers for ZPM. They got together to lay down these tracks and the biggest buzz for them is to hear these tracks on television and at the cinema.
Executive Producer Jez Poole.
A & R Martin Cooper.
Recorded & Mixed at Battery Studios, London UK.
Engineers Mike Bigwood & Bryan New. Mastered by Ian Anderson at Battery Studios, UK.
Production Manager & art direction Marleen Ball.
Sleeve design Jacqueline O'Neill Zomba
BRH102:
Composed by James Taylor (PRS). Performed by The James Taylor Quartet.
The James Taylor Quartet are: James Taylor, Hammond and keyboards; David Taylor, guitars; Gary Crockett, bass; Neil Robinson, drums.
Brass: John Willmott & Dominic Glover.
Additional musicians: Steve Weston, harmonica; Frank Ricotti, percussion; Mick Taylor, sitar; Liz Winstanley, vocals.
James Taylor, Hammond guru, stands with one foot planted firmly in the new millennium - and the other, just as firmly, somewhere south of 1970. having recently released his fourteenth album, A Bigger Picture, James has consistently remained at the forefront of the acid jazz scene since his solo debut fifteen years ago. JTQ's first album, Mission Impossible, laid the foundation for what would become their signature sound: funked-up, sleazed-down keyboards-driven jazz that could be Webster's entry for 'groovy'.
Despite JTQ's obvious studio talents - James has collaborated with the likes of U2, The Wonderstuff, Manic Street Preachers, The Pogues, as well as with Tom Jones on the multi-platinum album Reload - JTQ are best-known and loved for their unmatchable live performances. With James' Hammond leading the way, JTQ jam out with driving horns, sly rhythms and kitschy-cool melodies. Renowned for their film and TV themes, live favourites include JTQ's debut single "Blow Up", the mesmerising "2001" and, of course, the inimatble, infamous "Starsky and Hutch".
The first part of 2000 has been just as turbo-charged as the rest of JTQ's history: Currently touring Europe in support of A Bigger Picture, JTQ have also played a highly-successful three-Friday residency at The Rhythm Factory, and have been featured in the Hammond Heroes series at the Jazz Café.
Executive Producer: Jez Poole.
Produced by James Taylor and Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Bob Mallett.
Mastering: Chris Parmenidis, Battery Studios, UK.
Post-production: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRH104:
Composed by John Adams / Alan Bown / Paul Mansfield
Executive Producer: Jez Poole.
Producer: John Adams.
Engineer: Paul Golding.
Trumpet: Alan Bown.
Recorded & mixed at Battery Studios, London, UK.
Mastering: Martyn Webster, Battery Studios, UK.
Graphic Designer: Donna Pickup, Zomba Design.
Photo source Tony Stone Images.
BRH105:
Composed by Alexander Baker (BMI) and Clair Marlo (ASCAP).
Alexander Baker and Clair Marlo are recording artists, composers, producers, arrangers and songwriters, husband and wife, and parents. They have achieved great success both on their own and as a team. Clair's worldwide fans know her from her solo albums, Let It Go, Behaviour Self, and Number Three. Records she has produced include Harry Chapin's The LAst Protest Singer for Dunhill Records, pianist Pat Coll and singer Michael Ruff for Sheffield Lab Records, and Primal Instinct for Earthtone/MCA records.
Alex began his career in Tucson, Arizona. After moving to Los Angeles, he worked as a producer, keyboardist, and programmer on such projects as Ice-T's Gold Album Freedom of Speech, and TV's FAME, and has toured with The Supremes, Iron Butterfly, and REO Speedwagon.
Clair and Alex together have scored numerous films and written both songs and underscores for television. Their music has featured in the films The Firm, Thinner, and Grace of My Heart, and their TV credits niclude Baywatch, Melrose Place, General Hospital, and The Yonug and The Restless.
Special Thanks to: Jonathan Firstenberg, Neil Portnow, Mike Gormley at LA Personal Development, Roger Goff, Al Schlesinger, all of the wonderful musicians involved, and to Dylan who brightens every day.
Executive Producer: Jonathan Firstenberg.
Producers: Alexander Baker and Clair Marlo.
Recorded by Alexander 'Ace' Baker and Clair Marlo at The Homestead Studios, CA.
Mix Engineer: Alexander 'Ace' Baker.
Graphic Designer: Donna Pickup, Zomba Design.
Photo source Tony Stone Images.
Keyboards: Alexander 'Ace' Baker.
Guitars: Grant Geissman, Alexander 'Ace' Baker.
Bass: Lance Morrison.
Drums: Tom Walsh, Alexander 'Ace' Baker.
Percussion: Alexander 'Ace' Baker, Clair Malo.
Lead Vocals: Linda Jackson, Rick Riso.
Backgrounds Vocals: Alexander 'Ace' Baker, Clair Malo, Laura Creamer, Linda Jackson, Rick Riso.
BRH106:
Composed by Chad Wackerman and Leon Gaer.
Producer: Stuart Livingston.
Drums, hand percussion and programming: Chad Wackerman.
Bass, acoustic,electric, baritone guitars and auto harp: Leon Gaer.
Additional electric guitar: Peter Northcote.
Recorded & mixed by Adrian Bolland, The Drum Room, Sydney, Australi.
Mastering: Kathy Naunton, DB Mastering, Sydney, Australia.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Donna Pickup, Zomba Design.
BRH107:
Composed by Swordfish.
Executive Producer: Jez Poole.
Programming and keyboards: Swordfish.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Compiled by: Roberto Borzoni.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRH108:
Composed by Raphael Parra and Marty Shaft.
Executive Producer: Jez Poole.
Producers: Raphael Parra and Marty Shaft for The Music Agents.
Recorded & mixed by Raphael Parra and Marty Shaft at The Music Agents Studio.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Donna Pickup, Zomba Design.
BRH109:
Composed by Jonathan Firstenberg (BMI), Christian A. Salyer (BMI) and Eric Klein (BMI).
Producer: Jonathan Firstenber.
Thanks to Kavon Salyer, Maria Martinez, Trevor Leewllen, and Barbara Salyer, James, Eileen, and Julie Klein, Mildred Klein and Ruth Bortnem. Also to Vicki Firstenberg and Jesse.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRH110:
Composed by Steve Byrd.
Producer: Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Bryan New.
Album compiled by: Roberto Borzoni.
Mastering: Streaky Gee, Battery Studios, London, UK.
Guitars: Steve Byrd.
Bass: Richy Glover and Ernie McKone.
Drums: Ian Thomas.
Percussion: Chris Wells.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Donna Pickup.
BRH111:
Executive Producer: Jonathan Firstenberg.
Singers and rappers: Mr. Digz, Goffe Duvall, Amanda Enriquez, James Hanford II, Dometrus Hawkins, Cyrstal Lopez, Marci Richards, Ericka Rojas.
Post-production Co-ordinator: Claire Leaver.
BRH112:
Composed by Marty Irwin & Adam Reily
Executive Producer: Stuart Livingston
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRH113:
DJs in command: bobby B and J. Poole.
Recorded at Asylum, London, UK.
Mastering: G4orce, Battery Studios, London, UK.
Post-production: Claire Leaver.
Graphic Designer: Donna Pickup, Zomba Design.
Executive producers: Roberto Borzoni and Jez Poole.
BRH114:
Composed by Steve Byrd (PRS).
Producer: Jez Poole.
Recorded at [????] Studios, UK.
Mix Engineer: Bryan New.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production: Claire Leaver.
Photography & Graphic Design: Joanna Wiseman, Zomba Design.
Musicians:
guitars: Steve Byrd.
Bass: Phil Williams.
Keyboards: Alastair Gavin.
Drums: Jeff [????].
Percussion: Pete Lockett.
Trombones: Mark Nightingale.
Tenor sax: Andy Hamilton.
Alto sax: Steve Hamilton.
Trumpets: Nigel Langley, Andy Bush.
BRH116:
Composed by Slack and Johnson (PRS).
Executive Producer: Jez Poole.
Album co-ordination: Roberto Borzoni.
Mastering: Gee Force, Battery Studios, London, UK.
Production Manager: Jacqui Norton.
Graphic Design: Zomba Design.
Photographs taken @ The Heavenly Social and Cafe 1001.
BRH117:
Executive Producer: Jez Poole.
Recorded and mixed by Bryan New.
Mastering: Streaky at Battery Studios, London, UK.
Post-production: Merrin Bydder.
Music Consultant: Gareth Owen.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRH118:
Composed by Dave Smith (APRA) and Alison Cole (APRA).
Producers: Dave Smith, Alison Cole and Stuart Livingston.
Recorded by Adrian Bolland at Sony Music Studios, Sydney, Australia.
Mixed at Art Phillips Music Design, Sydney, Australia.
Mastered by Kathy Naunton, dB Mastering, Sydney, Australia.
Post-production: Merrin Bydder.
Graphic Design & Photography: Joanna Wiseman, Zomba Design.
Musicians
Jazz Guitar: James Muller.
Electric Guitar/FX and Acoustic Guitars: Peter Northcote.
Spanish Guitars: Tom Ferris.
BRH119:
Composed by Dominic Glynn (PRS).
Executive Producer: Roberto Borzoni.
Mastering: Ian Anderson, Sonic Surgery, UK.
Additional digital editing: Kristian Pilling.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
BRH120:
Composed by Clair Marlo (ASCAP) and Alexander Baker (BMI).
Executive Producer: Jez Poole.
Produced, recorded and engineered by Alexander Baker and Clair Marlo at Invisible Hand Studios, California.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
BRH124:
Producer: Andy Rogers.
Mastering: Chris Parmenidis
Post-production: Merrin Bydder.
Graphic Design: Camilla Maxwell-Comfort, Zomba Design.
BRH125:
Producer: Andy Rogers.
Mastering: Ian Anderson, Sonic Surgery, UK.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
BRH127:
Producer: Andy Rogers.
Mastering: Matthew Denny, Battery Studios.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
BRH129:
All composers PRS.
BRH130:
All composers PRS.
Producers: Andrew Stannard.
Mastering: Matthew Denny, Master Blaster, UK.
Post-production: Michelle Kemp & Merrin Bydder.
Graphic Design: Joanna Wiseman
BRI47:
COMPOSED BY PHIL NICHOLAS
PHIL NICHOLAS
Writing: Mombassa - album, wrote and produced No. 1 UK dance track; Billy Ocean - tracks; Sly+Lovechild - album; Toyah Wilcox - album; TV Music - Channel 4 World in a Garden series; "Sharp" TV AD, various TV themes, BBC2 TV Fetish visual-music programme; Channel Vision-Series, "Ideal" TV AD.
Bruton 6 albums; Water Colours; Chart Show; Metal in Motion; Dance Pop; Pop Rock; Futurezone.
Productions: Mombassa - album; Toyah Wilcox - tracks; Sky+Lovechild - album; Samantha Fox - Album.
Phil Nicholas: Programming
Steve Byrd: Guitar
Producer: Jez Poole.
Recording & Mix Engineer: Mike Bigwood, Battery Studios, London, UK
Mastered: Ian Anderson, Battery Studios, London, UK
Art Direction & Design: Marleen Ball & Dario Sanchez, Vicious Circle
Futurezone is another great Phil Nicholas project. It features gliding ambient rhythms for the future sound of information, communications and technology - BRI45 / 204.
BRI49:
COMPOSED BY MURRAY BURNS / COLIN BAYLEY
MURRAY BURNS & COLIN BAYLEY are new writers to us and have excellent credentials. Following a successful recording and touring career with the band MI-SEX they formed Twilight Productions and began composing music for the internationally broadcast series Beyond 2000 producing the theme and incidental music for over 300 episodes. This has led to many varied projects including 15 feature documentaries for the Discovery Channel, more than 300 episodes of E Street and various magazine TV shows and record production. They currently have eight TV themes running.
Check out - BRR55 / 271 and BRR56 / 272 for AUSTRALASIAN JOURNEY 1 & 2.
Producers: Murray Burns / Colin Bayley / Stuart Livingston
Recorded & Mixed: Burns & Bayley, Twilight Productions
Mastered: Kathy Naunton, DB Mastering
Art Directoin: Marleen Ball
Cover Design: Dario Sanchez, Vicious Circle
BRI50:
COMPOSED BY PETE Q HARRIS
Pete Q. Harris is one of the country's most innovative and eclectic composers. This new collection of pieces, SURREAL IMAGES, explores and touches on a broad musical influence from the mystic and ecstatic through to abstract and surreal. The powerful imagery is presented in an accessible and often hip format, allowing the boundary between obvious and obscure to become blurred and revealing a music that is both beautiful and surprising.
Producer Pete Q. Harris.
Executive Producer Jez Poole.
A & R Martin Cooper.
Recorded at Studio Q, London, UK.
Players:
Catherine Silas, Voices.
Raj Spivan, Tablas/Rattles.
Stewart Wilson, Toys.
Rob Valdez, Guitar.
Final mastering Ian Anderson Battery Studios UK
Art direction & Production Manager Marleen Ball.
Graphic designer Donna Pickup Zomba Design
BRI51:
Dave Smith
Dave is a member and principal writer of successful Australian dance act, Boxcar, with releases in the UK, U.S. and Asia and has been composing technology-based music for over ten years. Boxcar has toured with international acts such as New Order, the Beloved and The Pet Shop Boys - the latter leading to a collaboration with PSB/George Michael producer Pete Gleasdall.
Having previous experience with legendary dance producers such as Francois Kevorkian as well as local and international DJ's, Dave is now an in-demand remixer and producer for Australian acts such as Wonderkind, OMC, Severed Heads, Models & Single Gun Theory.
Alison Cole
Alison is a graduate of the Sydney Conservatorium of Music and has a Masters in Ethnomusicology. She has studied arrangement, orchestration, jazz keyboard and musicology. Alison has performed both as a solo artists and in ensembles at the Sydney Opera House. She has been composing and performing music for fifteen years, from Oslo to Tokyo.
More recently, Alison has focused on Technology based music, writing for television, appearing on a UK composition of Australian electronic artists Trance Pacific Express and is near completion of her first solo-album.
Programming & Production by Dave Smith & Alison Cole
Production team Dave Smith, Stuart Livingston & Adrian Bolland
Recorded & Mixed Sydney Opera House Studios
Mastering Engineer Kathy Naunton, dB Mastering
A Zomba Australia Production for Bruton Music Limited
Art direction Marleen Ball
Graphic Design Donna Pickup Zomba Design
Photo supplied by [????]
BRI52:
COMPOSED BY PATRICK WILSON & ADAM ROUTH
Patrick Wilson and Adam Routh both live in England, UK. Their work has already featured in countless productions world-wide, from major Hollywood feature films to prime time television advertisements, theme tunes and multimedia productions.
Their musical styles encompass Rock, Pop, Neo-Classical, World and Dance styles ranging from Hard Techno to Ambient Chill Out. They draw on a wide range of influences and incorporate performances from Jazz, Pop, Classical and Ethnic musicians. They both operate from their own studios where they have facilities to record live music, put sound to picture, produce master recordings and generate computer animation and other graphics of the highest quality. Adam also produces Hard Trance music for the European dance market as well as running his own House and Techno label. Patrick's musical output includes several albums which are showcased at his Website. There you can download samples of his music, check out his albums and see his 3D Computer Artwork. He welcomes feedback from visitors of his Website address: http://www.mistral.co.uk/patrickwilson/welcome.htm , email patrickw@mistral.co.uk , email adam@fukrecs.demon.co.uk .
Executive Producer: Jez Poole.
A & R Martin Cooper.
Producers Patrick Wilson & Adam Routh.
Recorded at Fatsound & Patrick Wilson Studios.
Mastered Ian Anderson at Battery Studios, London, UK.
Production Manager & Art Direction Marleen Ball.
Graphic Designer Donna Pickup Zomba Design
BRI53:
Composed by Steven Wilson.
Executive Producer: Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Steven Wilson.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRI54:
Composed by Adam Routh.
Executive Producer: Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Adam Routh.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Violinist: Simon Fischer.
Guitars: Greg Lester.
Singer: Marie Zassiliou
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRI55:
Composed by Phil Nicholas (PRS).
Executive Producer: Jez Poole.
Compiled by: Roberto Borzoni.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Bryan New.
Mastering: Streaky Gee, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRI56:
Executive Producer: Roberto Borzoni.
Mastering: Jason Constantine at Battery Studios, UK.
Post-production: Merrin Bydden.
Graphic Design: C Maxwell-Comfort, Zomba Design
Musicians
Piano: Andy Vinter.
Harp: Lucy Wakeford.
Cello: Matthew Forbes.
Flute: Liz Palmer.
Percussion: Michelle Drees.
BRI58:
All composers PRS.
BRI59:
Composed by Phil Beazley (APRA).
Producers: Stuart Livingston, Phil Beazley & Adrian Bolland.
Recorded & mixed by Adrian Bolland at Art Phillips Music Design, Sydney, Australia.
Mastering: Kathy Naunton, dB Mastering, Sydney, Australia.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design Studios.
BRJ39:
COMPOSED BY ART PHILLIPS
Produced by Art Phillips & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRJ40:
COMPOSED BY ART PHILLIPS
Produced by Art Phillips & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRJ41:
COMPOSED BY ART PHILLIPS
Produced by Art Phillips & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRJ42:
DOMINIC MESSENGER
Best known as the composer for DAYS OF OUR LIVES and SANTA BARBARA, Dominic Messinger has won 5 Emmys, 4 BMI TV Music Awards and a Soap Opera Digest Award. Current idents include: NBC, CBS, ABC, ESPN, Showtime, [????], Telemundo and Spelling Television
COMPOSED BY DOMINIC MESSINGER (BMI)
Produced by Jonathan Firstenberg
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRJ43:
COMPOSED BY RICH SAMALIN (ASCAP) / CHRIS HAJIAN (ASCAP)
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three Under Music (ASCAP)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRJ44:
COMPOSED BY RICH SAMALIN (ASCAP) / CHRIS HAJIAN (ASCAP)
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three Under Music (ASCAP)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRJ45:
COMPOSED BY SIMON RUSSELL
MASTERED BY MARK RUSSELL
BRJ46:
COMPOSED BY JONATHAN FIRSTENBERG / MICHAEL LICARI
JONATHAN FIRSTENBERG is a two-time Emmy Award winning music supervisor / composer. He is currently Creative Manager of Bruton Music, U.S. His composing credits include television documentaries, daytime dramas, comedy specials and animation. He calls Santa Barbara, CA, 'home at last'. Jonathan is honoured to be involved with his fellow Bruton-ites in London and to be producing music for the exceptional roster of Bruton composers.
MICHAEL LICARI has been composing and producing music for 15 year for such shows as "Lifestyles of the Rich & Famous", "Santa Barbara", "Guiding Light", "As the World Turns", "Another World", and CBS Promotions and special projects. He hjas also composed for films including Rent a Cop and A Long Kiss Goodnight. Michael has been honoured with 3 Emmy, 3 Golden Angel and a Telly Award for his compositions. He is currently Music Supervisor on the TV's "Sunset Beach". Michael's CD releases include "Whale Songs", "Daydreamin'", "Loon Spirit", "You Are America" and "Sax by the Sea".
Michael Licari: Keyboards, Chapman stick
Gary Cock: Guitar
Steve Alaniz: Sax
Mark Gusek: Percussion
BRJ47:
Album compiled by Michael Whitewood & Martin Cooper,
1/4" Transfers & Tape Vault research Roberto Borzoni,
Audio Restoration and Mastering by Ian Anderson at Battery Studios, UK,
Production Manager & art direction Marleen Ball,
Graphic Design Donna Pickup, Zomba Design.
BRJ48:
COMPOSED AND ARRANGED BY KEVIN EUBANKS
Executive Procucer: Jonathan Firstenberg.
KEVIN EUBANKS, was official named music director of The Tonight Show with Jay Leno in April, 1995 after he had filled in for the band's original director, saxophonist Branford Marsalis. Eubanks, one of the most prolific jazz guitarists in the country, has been a key member of The Tonight Show band since the program premiered in May, 1992, and he wrote the show's closing theme song, "Kevin's Country".
Kevin has toured extensively and recorded with many top jazz artists including Branford Marsalis. With his group, Kevin has recorded "Opening Nights", featuring Marsalis and Buster Williams anf "Face to Face", featuring Dave Grusin and Ron Carter. His most recent album, "Spiritalk2 - Revelations", is a collection of adventurous jazz pieces.
Kevin names Wes Montgomery, John McLaughlin and Jimi Hendrix as major musical influences. He attended Boston's Berklee College of Music. Scoring credits include Rebound - HBO, Porch Light - Viacom, The Dinner and Psalms from the Underground.
Thanks to Poncho Sampedro, Dan Diprima, Josiah Gluck, Steve Cagan, Stephen Baron and Steve Hull.
Conductor: Steve Hull
Engineer: Josiah Gluck
Assistant Engineer: [????]
Music Editor: Dan Diprima
Computer Scribe: Poncho Sampedro
All tracks recorded at: O'Henry Studios, Burbank, CA
Cover photo by Margaret Norton.
BRJ50:
Composed by Jonathan Firstenberg (BMI) and Michael Licari (BMI).
Jonathan Firstenberg is a two-time Emmy Award winning music supervisor/composers. His composing credits includei television documentaries, daytime dramas, comedy specials and animation. He call Santa Barbara, CA., "home at last". Jonathan is honoured to be involved with his fellow Bruton-ites in London, and to be producing music for the exceptional roster of Bruton composers.
Michael Licari has been composing and producing music for 15 years for such shows as Lifestyles of the Rich and Famous, Santa Barbara, Guiding Light, As the World Turns, Another World, and CBS promotions and special projects. He has also composed for films including Rent A Cop and Long Kiss Goodnight. Michael has been honoured with 4 Emmy, 3 Golden Angel, and a Telly Award for his compositions. Michael's CD releases include Whale Songs, Daydreaming, Loon Spirit, You Are America, and Sax By The Sea.
Producer: Jonathan Firstenberg.
BRJ52:
Producer: Jonathan Firstenberg.
Post-production: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRJ53:
Executive Producer: Jez Poole.
Mastering: Streaky Gee, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRJ55:
Composed and conducted by John Cacavas (ASCAP).
Producer: Jez Poole.
Engineering: John Timperley at Smecky Studios, Prague, Czech Republic.
Performed by the City of Prague Orchestra and Metro Voices.
Mastering: Chris Parmenidis at Battery Studios, London, UK.
Editing: Roberto Borzoni & Kirstian Pilling.
Post-production: Merrin Bydder.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRJ59:
Producer: Pidge Davies.
Mastering: Chris Parmenidis.
Post-production: Merrin Bydder.
Graphic Designer: Whiskey Brown, Zomba Design.
BRK16:
COMPOSED BY PETER NORTHCOTE / LINDSAY JEHAN
Produced by Peter Northcote & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
BRK18:
[????] a musical career from an early age. Following [????] the guitar. Oftne mistaken for the bearded flautist [????] Engineer in London. As a library writer he has [????] and The Electricity Board plus many television and [????] Please take pity!
[????] Cooper.
Recorded at Citrus Factory, Dunfermline, [????]
Mixed at The Sonic Surgery & Battery Studios [????]
[????] O'Neill. Photo supplied by The Stock Market.
BRL24:
Cover art signed: "Liz Pichon"
BRL28:
COMPOSED BY JOHN ADAMS / RICHARD NEVE
PRODUCED BY KEITH MANSFIELD
BRL30:
COMPOSED BY JOHN ADAMS
PRODUCED BY KEITH MANSFIELD
BRL31:
COMPOSED BY PETER NORTHCOTE / LINDSAY JEHAN
Produced by Lindsay Jehan & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
BRL32:
Composed by Richard Formby.
Executive Producer: Jez Poole.
Recorded & mixed at Hall Place Music Studios, Leeds, UK.
Album compiled by Roberto Borzoni.
Mix Engineer: Richard Formby.
Mastering: Streaky Gee, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O' Neill, Zomba Design.
BRL33:
Composed by Patrick Wilson.
Executive Producer: Jez Poole.
A & R: Martin Cooper.
Recorded & mixed at Patrick Wilson Studios, Hove, UK. (www.patrickwilson.com)
Mix Engineer: Patrick Wilson.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Keyboards, Guitars, Drums and Programming: Patrick Wilson.
Tenor: David Jenkins.
Additional vocals: Jo Birch.
Strings: Kissing Gourami.
Saxophone: Julian Nicholas.
Additional Percussion: Scott Arnold.
Graphic Designer: Donna Pickup, Zomba Design.
Photo source: Tony Stone Images.
BRM16:
COMPOSED BY ART PHILLIPS
Produced by Art Phillips & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purporses should read "Metro Park Music (BMI)"
Please refer to Associated Production Music (Los Angeles) on 800 543 4276
BRM18:
COMPOSED BY JONATHAN FIRSTENBERG (BMI) / ED DZUBAK (ASCAP)
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Three under Music (ASCAP") and "Metro Park Music (BMI)"
Please refer to Associated Production Music (Los Angeles) on 800 543 4276
JONATHAN FIRSTENBERG is a two-time Emmy Award winning music supervisor / composer. He is currently Creative Manager of Bruton Music, U.S. His composing credits include television documentaries, daytime dramas, comedy specials and animation. He calls Santa Barbara, CA, 'home at last'. Jonathan is honoured to be involved with his fellow Bruton-ites in London and to be producing music for the exceptional roster of Bruton composers.
Thanks to Neil Portnow, Ed and my wife, Vicki.
ED DZUBAK is a graduate of Berklee College of Music. Ed composes and arranges music for television, documentaries and children's books. He has two Emmy's and four Emmy nominations to his credit. Ed is a self-confessed 'gear hound' and lives in Redding, CT with his wife Sharon and two cats, Chelsea and Charity.
Thanks go to Joe Diorgi at "Headline Sound" for a great room. Jonathan Firstenberg at Bruton for superb direction and inspiration, Gary Solomon for great ears and time code calculations above and beyond the call of duty. Also, my wife, Sharon and, as always, my parents Jen and Ed.
All tracks recorded at: The Lab in Redding, Connecticut
Mixed by: Gary Solomon at Headline Sound in Irvington, New York
All instruments played by Ed Dzubak except guitars on 'Rage' [tracks 15, 34], which are by Frank Demaio
BRN32:
Composed by Alan Hawkshaw (PRS).
Executive Producer: Stephen Cole.
Recorded & mixed at Battery Studios, London, UK.
Recording & Mix Engineer: Dick Plant.
mastering: Roberto Borzoni, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRN33:
Composed by Udi Harpaz (BMI)
Udi Harpaz has worked as an arranger and orchestrator for TV shows such as Little House on the Prairie, Fame, Cheers and Knightrider. His TV work progressed to compositions for Air Wolf, Spider Man and The Chuck Norris Show. Udi's film credits include Hollywood Shuffle, Running Scared, Ninja III, Naked Target, The Whoopee Boys and Casper I and II. He recently completed work as orchestrator, arranger and conductor for the upcoming Broadway premier of Masada. Udi is at present putting the finishing touches to the score for the forthcoming movie Digimon.
Producer: Jonathan Firstenberg.
Conducted by Udi Harpaz.
Performed by the Tel-Aviv Symphony Orchestra.
Recorded at D.B. Studios, Tel-Aviv.
Chief Engineer: Ohad Dekel.
Post-production Co-ordinator: Merrin Bydder.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRN35:
Producer: Jez Poole.
Mastering: Chris Parmenidis.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
BRO13:
COPYRIGHT INFORMATION
TRACKS
1-7, 11, 12, 17-33, 44, 45, 48, 52, 53, 57, 58, 61, 65, 66 - ℗ 1981 © 1981 - BRJ20
8, 9, 34-36, 38-43, 46, 54-56, 59, 67, 68, 69 - ℗ 1981 © 1981 - BRJ21
10, 15, 16, 37, 47, 50, 51, 60, 63, 64 - ℗ 1985 © 1985 - BRO8
13 - ℗ 1980 © 1980 - BRG17
14, 49, 62 - ℗ 1980 © 1980 - BRG15
BRO14:
COPYRIGHT INFORMATION
TRACKS
1, 6, 20, 23, 24 - ℗ 1969 Bruton Music Ltd
2, 4, 5, 9, 11, 22 - ℗ 1971 Bruton Music Ltd
3, 8, 10, 12, 13, 15-17, 19, 21 - ℗ 1970 Bruton Music Ltd
7 - ℗ 1975 Bruton Music Ltd
14, 18 - ℗ 1974 Bruton Music Ltd
BRO15:
COPYRIGHT INFORMATION
TRACKS
1, 2, 7-9, 34-38 - ℗ 1942 Marlowlynn Limited
3-5, 39 - ℗ 1945 Marlowlynn Limited
6, 11 - ℗ 1946 Marlowlynn Limited
10 - ℗ 1943 Marlowlynn Limited
12-16, 27-33 - ℗ 1947 Marlowlynn Limited
17 - ℗ 1950 Marlowlynn Limited
18-20 - ℗ 1952 Marlowlynn Limited
21 - ℗ 1955 Marlowlynn Limited
22 - ℗ 1958 Marlowlynn Limited
23, 24 - ℗ 1959 Marlowlynn Limited
25, 26 - ℗ 1962 Marlowlynn Limited
40 - ℗ 1951 Marlowlynn Limited
41 - ℗ 1956 Marlowlynn Limited
42 - ℗ 1966 Marlowlynn Limited
BRO16:
COPYRIGHT INFORMATION
TRACKS
1, 20, 27 - ℗ 1945 Marlowlynn Limited
2, 3, 29 - ℗ 1947 Marlowlynn Limited
4, 5, 15, 16, 22, 30, 31, 32 - ℗ 1949 Marlowlynn Limited
6 - ℗ 1953 Marlowlynn Limited
7, 11, 23, 24, - ℗ 1956 Marlowlynn Limited
8 - ℗ 1943 Marlowlynn Limited
9, 10 - ℗ 1948 Marlowlynn Limited
12 - ℗ 1942 Marlowlynn Limited
13, 14, 21, 28 - ℗ 1946 Marlowlynn Limited
17, 33 - ℗ 1950 Marlowlynn Limited
18 - ℗ 1952 Marlowlynn Limited
19 - ℗ 1955 Marlowlynn Limited
25 - ℗ 1957 Marlowlynn Limited
26 - ℗ 1956 Marlowlynn Limited
34 - ℗ 1951 Marlowlynn Limited
BRO17:
COMPOSED BY UDI HARPAZ
Produced by Jonathan Firstenberg
UDI HARPAZ has arranged and orchestrated for TV shows including "Little House on the Prairie", "Fame", "Cheers" and "Knightrider". TV's 'Airwolf', was among Udi's first composing assignments, followed by 'Spider Man' and 'The Chuck Norris Show'. His film credits include Hollywood Shuffle, Running Scared, Ninja III, Naked Target, The Whoopee Boys, and most recently, Casper I and Casper II. Udi is presently composing music for the upcoming Broadway premier of Masada.
Conductor: Udi Harpaz
Orchestrations: Udi Harpaz & Eugene Levitas
Performed by: The Tel Aviv Symphony Orchestra
Vocals: [????] Gabaj
Concert Master: Galina Glushkin
Orchestra Manager: Alex Shapira
Recorded at: D.B. Studios, Israel
Recording Engineer: Ohad Dekel
Mixing Engineer: Ohad Dekel & Pinchas Cohen
BRO19:
FOR THE SECOND VOLUME IN BRUTON MUSIC'S CLASSIC FILM AND TV SERIES, WE TRAVEL BACK TO THE AMAZING WORLD OF MATINEE MOVIE ADVENTURES.
SETTLED IN THE CINEMATORIUM, NEWSREELS SHOW US THE LATEST DEVELOPMENTS IN WORLD NEWS AND POLITICS WHILE YOUR FAVOURITE MUSIC LIBRARY SUPPLIES THE ROUSING MARCH!
JUST WHO WAS THAT MASKED MAN WITH HIS TRUSTY NATIVE AMERICAN COMPANION? CINEMA AUDIENCES WILL AGAIN BE ABLE TO PONDER THE TRUE IDENTITY OF THE LONE RANGER IN THE UPCOMING REMAKE BUT UNTIL THEN GRAB YOUR COCONUT SHELLS & CAP GNUS THEN GALLOP AROUND IN THE COMFORT OF YOUR EDITING SUITE TO THE THEMES IN THE CLASSIC FILM & TV WESTERNS SECTION. HI-HO SILVER!
NO BANK HOLIDAY OR THANKSGIVING WOULD BE COMPLETE WITHOUT A GRAINY BLACK AND WHITE WEEPIE TO KEEP GRANNY CONTENTLY ROCKING IN HER CHAIR. WE WOULDN'T WANT TO DISAPPOINT THIS IMPORTANT AUDIENCE DEMOGRAPHIC EITHER, SO YOU'LL FIND PLENTY OF SLUSHY CUES FOR THOSE DASHING LOVE RATS FROM YESTERYEAR - NOW SHOWING IN ROMANCE.
GOLDEN TICKETS? FLYING CARS? MAGICAL NANNIES? WE'VE GOT THEM ALL - "GOR BLIMEY GUV!" - IT'S NEARLY TOO MUCH - ALL THOSE CHEEKY COCKNEY ACCENTS WILL PUT EVEN "SNATCH" TO SHAME. BE SURE TO CATCH THE EARLY FAMILY MATINEE.
EVERY CINEMA BUFF KNOWS THE BEST CINEMATIC ADVENTURES COME IN TRILOGIES - OF COURSE WE'RE THERE WITH THE BEST IN OUR WAR FEATURE COVERING GROUND TROOPS, AVIATION AND BATTLES AT SEA.
WE CLOSE THIS SPECIAL SCREENING WITH A SPINE-CHILLIN VISIT TO B-MOVIE HORROR AND MYSTERY. WHATEVER YOU DO, DON'T GO DOWN INTO THE CELLAR ON YOUR OWN, AT LEAST TAKE A MUMMY WITH YOU! PLEASE, NO! NOT THE CRANIUM WRENCH! AAGHHHHHHH!!!!!!
CD REISSUE COMPILED & PRODUCED BY MICHAEL WHITEWOOD.
24BIT AUDIO RESTORATION & MASTERING BY CHRIS PARMENIDIS AT BATTERY STUDIOS, LONDON, UK.
POST-PRODUCTION: MERRIN BYDDER.
GRAPHIC DESIGNER: JOANNA WISEMAN, ZOMBA DESIGN.
IMAGES FROM SUPERSTOCK
BRO21:
THIS FOURTH VOLUME IN BRUTON'S CLASSIC FILM AND TV MUSIC SERIES FEATURES SOME OF THE MOST ENDURING EXAMPLES OF COMEDY MUSIC FROM THE 20TH CENTURY.
IMMORTALISED BY THE BLACK AND WHITE CLASSICS OF HAROLD LLOYD, THE KEYSTONE COPS AND LAUREL & HARDY, 'CLASSIC OLD-TIME COMEDY' IS A HOMAGE TO THE FOREFATHERS OF CELLULOID COMEDY. THE HONKY-TONK PIANO RAG STYLE INSTANTLY IDENTIFIABLE WITH THIS GOLDEN ERA.
THE 'CARTOON CAPERS' SECTION CONTAINS TIMELESS CUES FOR TECHNICOLOUR ANIMATED ADVENTURES. 'QUIRKY' FEATURES THE LATE ROGER ROGER'S 'CALIOPE CAORUSEL' AND PIONEERING ELECTRONIC ARTIST NINO NARDINI'S SIDE-SPLITTING 'QUACK TRACK'.
'HILARIOUS HOLIDAYS' TAKES US ON A BRIEF SERIES OF VACATIONS INCLUDING JAUNTS TO THE EXOTIC PARADISE OF HAWAII BEACH AND TO GAY PARIS BEFORE WE CONCLUDE THE 4 CD SET WITH A COLLECTION OF VERSATILE LINKS AND STINGS.
CD REISSUE COMPILED & PRODUCED BY MICHAEL WHITEWOOD.
TAPE VAULT RESEARCH BY ROBERTO BORZONI.
24BIT AUDIO RESTORATION & MASTERING BY CHRIS PARMENIDIS AT BATTERY STUDIOS, LONDON, UK.
POST-PRODUCTION: MERRIN BYDDER.
GRAPHIC DESIGNER: JOANNA WISEMAN, ZOMBA DESIGN.
IMAGES FROM VIN MAG ARCHIVE LTD.
BRO22:
Words and Music by Hal David (ASCAP) and John Cacavas (ASCAP).
Producer: Jez Poole.
Recording engineer: John Timperley.
Conductor: John Cacavas.
Recorded at henry Wood Hall, London, UK.
Mixed at Capthorne Studios, UK.
Mastering: Chris Parmenidis, Battery Studios, UK.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design.
Vocalists
2, 5, 6, 9 & 14: Janet Moody.
3, 4, 8, 10, 15 & 16: Jeff Hooper.
5: Clinton Outen.
11: Colin Anthony.
13: Lee Gibson
17 & 18: Hal David.
Choir: Metro Voices.
Special thanks to Eunice and Bonnie for their unwavering support.
BRΦ23:
This collection of compositions by Dirk Campbell covers Mediterranean and European history from the Neolithic, the Megalithic, ancient Sumeria and Egypt, ancient Greece and Rome, up to pre-Christian Europe, indigenous instruments of each period are used, either reconstructions such as Greek aulos, Roman cornu, animal horns, mouth bow etc., or instruments that ar eknown to date back to historical times, such as east Africna lyre, Persian sorna and Ethiopian sistrum. The music ranges from large-scale tribal and battle scenes, including modern orchestral ensembles, to smaller groups, individual instruments sound pictures that combine acoustic instruments with contemporary ambient effects. Don't forget that you can access our repertoire onlnie at www.playzpm.com or www.playapm.com (USA only).
Producer: Jez Poole.
Mastering: Chris Parmenidis, Dennen Mastering.
Recorded at Stoneywood Cottage, East Sussex; 22 St John's Terrace, Lewes and Battery Studios, London.
Battery sessions engineered by Jerry Peel.
Post-production: Jane Cudworth.
Graphic Design: Joanna Wiseman, Zomba Design Studio.
Vocals: Mick Sands [CD1, tracks 55-57, CD2, tracks 24-27, 36-43], Tanja Tsarovska [CD1, tracks 55-57, CD2, tracks 36-38, 48-51], Dirk Campbell (all vocal tracks except [tracks 48-51?])
All instruments played by Dirk Campbell, with the exception of [CD1, tracks 58-62, CD2, tracks 24-30, 33-35], which are played by the Blackadder Brass Ensemble with percussionists Chris Baron and Glyn Matthews.
BRO25:
Producers: Stephen Cole & Jez Poole.
Recorded at Battery Studios & Whitfield Street Studios, London.
Mixed by John Timperley at Capthorne Studios, Maidenhead.
Mastering: Chris Parmenidis, Dennen Mastering.
Post-production: Merrin Bydder.
Graphic Design: Joanna Wiseman, Zomba Design Studio.
Special thanks to Eunice and Bonnie.
Vocalists:
1, 2, 3, 10, 11 & 13: Jeff Hooper.
4: Ali Jiear, Emma Kershaw & Jackie Hicks.
5, 6 & 16: Lee Gibson.
6, 8 & 12: Colin Anthony.
7 & 14: Michael Dees.
15 & 17: Jackie Hicks.
Chorus: Metro Voices.
Musician Fixer: Colin Sheen.
BRP16:
PATRICE SCIORTINO
Born in Paris July 26, 1922. His father, Edouard Sciortino, composer, pupil of Vincent d'Indy, taught Gregorian chant at the Schola Cantorum. His mother, poet was also an amateur pianist.
He begins studying music at the age of six in the family circle. At the age of thirteen he is preparing simultaneously for entry to the Beque-Arts and the entrance examination to the Schola, where he is admitted. He studies piano with Jules Gentil and writing with A. Philippe and E. Sciortino.
In 1942 he becomes organist of the cathedral at Alčs and music teacher to the local college.
In 19[????] he returns to Paris and practices all possible musical trades, accompaniment, choir direction, orchestration, and composition for stage, film, radio and television.
After teaching composition at the European conservatory, he directed the conservatory of the 13th arrondissement in Paris from 1979 to 1992.
Gradually he builds up a considerable catalogue, now amounting to several hundred works, of which some fifteen lyrical works, symphonic, choral and instrumental scores, works for harmonic orchestra and even compositions for marginal instruments such as the accordion and the harmonica.
Recently professor at the Schola Cantorum in Paris.
BRP18:
Musicians the Royal Philharmonic Orchestra.
Solo Soprano Rebecca Arnold.
Executive Producer: Jez Poole.
A & R Amanda Lockhart/Martin Cooper.
Recorded by Steve Price Angel Studios,
Mixed by Paul Golding Battery Studios, London, UK.
Additional mixes by P.C. at Joe & Co.
Music Associate: Alex Walden.
Mastering Ian Anderson, Battery Studios, London, UK.
Art direction & Production Manager Marleen Ball.
Designer Jaqueline O'Neill at ZPM
COMPOSER PROFILES
DAVID ARNOLD was educated at the Royal College of Music where he was awarded a fonudation scholarship. On graduation he accepted a principal position with the Royal Philharmonic Orchestra and was also appointed music professor at the Guildhall School of Music.
In the early eighties the tremendous success of his music production company forced him to relinquish these positions in order to concentrate full time on composing and conducting. Currently David producs identification themes for Classic FM as well as the majority of the BBC's local Radio networks. His television titles include Channel Four's "The Big Breakfast" and BBC One's "Live and Kicking".
David has conducted the Royal Philharmonic, London Philharmonic, and London Concert Orchestras and is the Associated Conductor to the Royal Philharmonic Concert Orchestra. He also regularly conducts the BBC Concert Orchestra in their popular programme "Friday Night is Music Night". Every year David conducts the orchestra in the BBC's "Children in Need" seven hour live TV programme.
Internationally David records in Dallas, Texas for three months each year, and has conducted in such varied places as Japan, Italy, Monaco, Czech Republic and Turkey.
PAUL HART, born 1954, lived and grew up in Ilford. He studied Piano, Violin and composition at the Royal College of Music, first as a junior exhibitor and later full-time. Having developed an early interest in jazz music he left college in 1973 and abou ta year later started working as piano accompanist (and sometimes jazz violinist) to Cleo Laine and John Dankworth, an association which was to last into the early eighties and take him around the globe many times.
During this period he met his business partner-to-be Joe Campbell, and in 1979 formed a company called Joe & Co Music specifically to write music for adverts. Thousands of films and hundreds of awards later, the company is still regarded as one of the foremost in the world in this field.
In 1981 Paul renewed a friendship with David Arnold, whom he had known at college, and went on to write, amongst other things, a host of radio I.D. packages including 'Classic FM' and many television themes including 'Big Breakfast' and 'Live and Kicking'.
Paul Hart's works include many large scale jazz and orchestral pieces including a guitar concerto written for John Williams and NYJO, a violin concerto, a piano concerto, numerous chamber works, a set of variations for the 'London Brass Ensemble' and more recently a Concertina for Percussion composed especially for Evelyn Glennie which made its World debut at the Royal Albert Hall, London.
DAVID SNELL was born in Grantham, Lincolnshire. From an early age he was only interested in having a musical career. He commenced by becoming a pianist, studying harmony and counterpoint. While still a teenager he was fortunate to study the harp with the late Marie Goossens and at twenty-one had his first professional engagement as harpist with the Bournemouth Symphony Orchestra.
Two years later he joined the orchestra of the Royal Opera House, Covent Garden. During this period he received his first composing commission for the TV series JANE AUSTIN AND HER WORLD. After leavnig the Royal Opera House he became a freelance musician and because of his versatility was sought after on the London session scene as a harpist and later as an arranger, composer and conductor. His talents as an arranger and conductor led to numerous engagements with the various BBC orchestras. Some of David's classical compositions include DIVERTIMENTO FOR STRINGS, LYRIC SONATA for Flute, Viola and Harp. INTRADA AND WALTZ for Violin and Harp and various song cycles for Soprano and Harp, FANTASIE for Horn, Clarinet and Harp, ELEGIE for Flute, Cello and Piano. His commissions for a variety of production music houses in London, Frankfurt and Toronto cover widely diverse styles of music, ranging from light children's music to heavy dramatic scores used extensively in TV and radio stations throughout the world.
Conducting film scores "to pictures" has added yet another dimension to his career and has involved working with all the major symphony orchestras in London, Paris (Orchestre de Paris), Munich (Munich Symphony Orchestra) Madrid (RTE Orchestra).
Contact: Elizabeth Shepherd, tel: 0181.364.0598. fax: 0181.364.1624
BRP19:
Musicians: the Royal Philharmonic Orchestra.
Executive Producer: Jez Poole.
A & R Amanda Lockhart/Martin Cooper.
Recorded by Steve Price Angel Studios,
Mixed by Paul Golding Battery Studios, London, UK.
Additional mixes by P.C. at Joe & Co.
Music Associate: Alex Walden.
Mastering Ian Anderson, Battery Studios, London, UK.
Art direction & Production manager Marleen Ball.
Designer Jaqueline O'Neill at ZPM
PAUL HART, born 1954, lived and grew up in Ilford. He studied Piano, Violin and composition at the Royal College of Music, first as a junior exhibitor and later full-time. Having developed an early interest in jazz music he left college in 1973 and about a year later started working as piano accompanist (and sometimes jazz violinist) to Cleo Laine and John Dankworth, an association which was to last into the early eighties and take him around the globe many times.
During this period he met his business partner-to-be Joe Campbell, and in 1979 formed a company called Jo & Co Music specifically to write music for adverts. Thousands of films and hundreds of awards later, the company is still regarded as one of the foremost in the world in this field.
In 1981 Paul renewed a friendship with David Arnold, whom he had known at college, and went on to write , amongst other things, a host of Radio I.D. packages including 'Classic FM' and many television themes including 'Big Breakfast', and 'Live and Kicking'
Paul Hart's works include many large scale jazz and orchestral pieces including a guitar concerto written for John Williams and NYJO, a violin concerto, a piano concerto, numerous chamber works, a set of variations for the 'London Brass Ensemble' and more recently a Concertina for Percussion composed especially for Evelyn Glennie which made its World debut at the Royal Albert Hall, London.
DAVID ARNOLD was deucated at the Royal College of Music where he was awarded a foundation scholarship. On graduation he accepted a principal position with the Royal Philharmonic Orchestra and was also appointed music professor at the Guildhall School of Music.
In the early eighties the tremendous success of his music production company forced him to relinquish these positions in order to concentrate full time on composing and conducting. Currently David produced identification themes for Classic FM as well as the majority of the BBC's local Radio networks. His television titles include Channel Four's "The Big Breakfast" and BBC One's "Live and Kicking".
David has conducted the Royal Philharmonic, London Philharmonic, and London Concert Orchestras and is the Associate Conductor to the Royal Philharmonic Concert Orchestra. He also regularly conducts the BBC Concert Orchestra in their popular programme "Friday Night is Music Night". Every year David conducts the orchestra in the BBC's "Children in Need" seven hour live TV programme.
Internationally David records in Dallas, Texas for three months each year, and has conducted in such varied places as Japan, Italy, Monaco, Czech Republic and turkey.
DAVID SNELL was born in Grantham, Lincolnshire. Frmo an early age he was only interesting in having a musical carrer. He commenced by becoming a pianist, studying harmony and counterpoint. While still a teenager he was fortunate to study the harp with the later Marie Goossens and at twenty-one had his first professional engagement as harpist with the Bournemouth Symphony Orchestra.
Two years later he joined the orchestra of the Royal Opera House, Covent Garden. During this period he received his first composing commission for the TV series JANE AUSTIN AND HER WORLD. After leaving the Royal Opera House he became a freelance musician and because of his versatility was sought after on the London session scene as a harpist and later as an arranger, composer and conductor. His talents as an arranger and conductor led to numerous engagements with the various BBC orchestras. Some of David's classical compositions include DIVERTIMENTO FOR STRINGS, LYRIC SONATA for Flute, Viola and Harp. INTRADA AND WALTZ for Violin and Harp and various song cycles for Soprano and Harp, FANTASIE for Horn, clarinet and Harp, ELEGIE for Flute, Cello and Piano. His commissions for a variety of production music houses in London, Frankfurt and Toronto cover widely diverse styles of music, ranging from light children's music to heavy dramatic scores used extensively in TV and radio stations throughout the world.
Conducting film scores "to pictures" has added yet another dimension to his career and has involved working with all the major symphony orchestras in London, Paris (Orchestre de Paris), Munich (Munich Symphony Orchestra) Madrid (RTE Orchestra).
Contact: Elizabeth Shepherd, tel: 0181.364.0598. fax: 0181.364.1624
BRP20:
Composed by Zoë Kronberger.
Zoë Kronberger was born in the UK in 1952 into a scientific and musical family with Central European roots. From an early age Zoë would improvise with her father on the piano around Bach fugues, most of which he played from memory. Apart from piano lessons until she was fourteen, this was probably the most formal musical education she received.
From then on Zoë sang in her school choir, where she became accustomed to the music of Britten, Handel, Kodály, Fauré, Bach and Mendelssohn among others. During that samep eriod in the 1960's, she fell in love with Jazz, Blues and Pop. In a house used to Bach, Brahms, Mahler, Gershwin, Bartók and Bernstein, there was now competition from Miles Davis, Motown and the Beach Boys!
In the mid 70's, Zoë worked as a pianist/arranged in Jazz-Rock, Funk, and Pop music in London studios. By 1980 she had started to compose production music, and contributed towards several albums. In 1985 she began to write in a more classical genre. This led to an Anglia Survival Special TV film in 1987.
Zoë's first solo production music CD, Creations was recorded in 1988. This was followed by The Enchanted Garden, which consisted mainly of string quartets. Then came Creations 2 in 1993. This new project Liaisons is her fourth solo CD.
Zoë's life is spent between France and London. She also works as a painter and has exhibited in Paris, with work in private collections in London and Paris.
Producer: Stephen Cole.
Recorded & mixed by Curtis Schwartz at Berry House Studios, Sussex, UK.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Musical Direction: Zoë Kronberger.
Viola da Gamba: Richard Boothby.
Classical/Slide Guitar: James Woodrow.
Brindisi String Quartet: Jackie Shave (Violin 1), Pat Kiernan (Violin 2), Kate Wilkinson (Viola), Mick Sterling (Cello).
Cymbalom: Chris Bradley.
Post production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRP21:
Composed by Patrick Wilson and Derek Austin.
Executive Producer: Jez Poole.
Album compiled by: Roberto Borzoni.
Recorded & mixed at Angel Studios, London, UK.
Mix Engineer: Steve Price.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design.
BRP22:
Executive Producer: Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Bryan New.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Donna Pickup, Zomba Design.
BRQ6:
Producer: Roberto Borzoni.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: James Young.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRR27:
Cover art signed: "LIZ PICHON"
BRR28CD:
Cover art signed: "LIZ PICHON"
BRR31:
Cover art signed: "LIZ PICHON"
BRR44:
Guest performances by KAREN MATHESON (voice), DAVY SPILLANE (uillean pipes)
BRR45:
COMPOSED BY ART PHILLIPS
Produced by Art Phillips & Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read 'Metro Park Music (BMI)'
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRR47:
HARAMBE
Watu ya njaro harambe harambe
Watu na wanawake harambe harambe
Watu ya njaro harambe harambe
Mzee na mtoto harambe harambe
Ni na we ta kwenda harambe harambe
Watu na wanawake harambe harambe
Watu ya njaro harambe harambe
People of God, let us pull together, pull together
Men and women, let us pull together, pull together
People of God, let us pull together, pull together
Old man and young child, let us pull together, pull together
Let us go, you and I, let us pull together, pull together
Men and women, let us pull together, pull together
People of God, let us pull together, pull together
BRR48:
DAVID JONES
David Jones is recognised as being one of the world's great master-percussionists and has performed with John Denver, John Williams, Helen Reddy, Ute Lemper, James Morrison, Crossfire and John Farnham amongst others. David is also an experienced international educator and combines his master-classes with a busy touring and recording schedule.
COMPOSED BY DAVID JONES
Produced by David Jones and Stuart Livingston
A Zomba Australia Production for Bruton Music Ltd
BRR50:
DOUG CAMERON
Doug Cameron is one of the top violinists in this contemporary music idiom. He has worked with Doc Severinsen, Tom Petty, George Benson, Steve Vai, Lee Ritenour, David Beniot, Kansas, and Gregg allman. Music from his five albums is heard on radio stations worldwide. Los Angeles based, Doug spends most of his time in recording studios playing on commercials, albums, and soundtracks.
FEATURED MUSICIANS
Larry Cohn: Keyboards
Ken Wild: Bass
Mike Miller: Electric guitar
Martin Lund: Flute / accordion
Paula Hochhalter: Cello
Alberto de Allmar: Flamenco guitar
Doug Cameron: Violin / viola
COMPOSED BY DOUG CAMERON
Produced by Jonathan Firstenberg
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
BRR52:
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)" & "Three Under Music (TONO / ASCSAP)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
Produced by Jonathan Firstenberg
DAVID GRANT
David Grant is a Juliard graduate with numerous TV and Film credits. In 1996 he received an Emmy Award for his compositions on the daytime drama Guiding Light. He also composes for NBC's Another World.
Dave thanks Andrew Knox, Jarriet Jackson, Don P[????], Danny Hagedorn, DJ's Music in Chicago, Joe Perry and the instrumentalists and vocalists of the City Opera of New York.
CREDITS
Chris Udell: Acoustic and Electric Guitar
Charles Giordano: Accordion
Geoff Mattoon: Tenor and Soprano Sax
Ole Mathisen: Soprano Sax Solo on "Diabola" [tracks 10, 11, 23, 33]
Amanda Homi, Diane Garisto, Alex Korey: Vocalists
Rachel Rosales, Luvada Harrison: Sopranos
Oreen Zeitlin: Mezzo
Aaron James: Tenor / Baritone
Yana Goichman, Alexandra Bookshpan: Violins
Shelly Moritz, Caryn Briskin: Viola
Marisol Espada: Cello
Bruce Miller and Randy Hansen: Engineers
SUVI-TA
Verse 1
Su, nos-qui tah
Konta ma-ya
Siu qui-na may
Aalee-o-riya-iya!
Vesta sve yahava
Kuda,
Side nuyo tiva,
Avevichu siku e-vu,
Me-tive, sui-ra-ita
Me-ame
Pezo duna vita,
Su icu itu,
Shende-va!
"Shantahe san-taneya"
"Shantaya san-taya, sa-hu ..."
Chorus
Tera beshu, rive, nuri-ya ... (Sade shantahe, save ...)
Su qui nu ma - iya,
Hido kenya beya ...
(Subita-nu mahl ken-ya beh ...)
Tera beshu rive-nuri-ya ...
(Tarabe shunare sabe, sa-hu ...)
Su qui na may,
sa hay, ta shu
(Tarabe, shu-ya ...)
Ya hedo kenya, beya,
"Shanta - sadena,
Shante ya-seva!"
(Instrumental solo)
(Ku da, si-de, yatasatu ...)
Su, (Subita-ye ...) nos-qui tah,
Konta, ma-ya
(Tarabe shu-na-re, sa-hu ...)
Su qui-na may
(Subita-ye ...)
Aalee-o-riya-iya
(Shantahe yasade, ya-hu ...)
Su, (Subita-ye ...) nos-qui tah,
Konta -maya
(Su-bita ni-ahiva ...)
Su qui-na may
sa-he, ta shu
(Tarabe, shu-ya)
Ya, kenya beya,
"Suvi numa-ye,
Shante ya sabe-sahu!"
DONA
Duya, szu-ta, sze ra-saoh
Ela-naeh, nur camina
Funia same, deh puer nomya
Koh mus-ze rah, pera yaniday
Eh lah szeas, beh-ezhey, thah-seh-rah
Breah nah-szehyha, rei-ah ... mey aaeh
Preh-szah doh-vyah, koeh me szeahh, ah-szehrah
Breh-szyah shevah, nah-je 'Dona Ecce'
Yah ... murah-saohe
Ney-yah, neah ... ehmea-dah
Peh-rah, meyah
Prehy szah doh-yah,
koeme-sheah ... szeh-rah
Breah-szah szheva,
Raa-jeah, 'Dona Ecce'
Yah ... murah-saohe
Ney-yah, neah ... ehmea-dah
Peh-rah, meyah
Duya, szu-ta, sze ra-saoh
Ela-naeh, nur camina
Funia same, deh puer nomay
Koh mus-ze rah, pera yanida
Duya, szu-ta, sze ra-saoh
Ku-numeah, dabeah
Ku-nah-meah,
'Dona' czea,
Ku-nameah, dabeah
Ku-nah-meah,
dahe-beh,
'Dona Ecce'!!
BRR53 (Swedish Folk Music):
Special thanks to the Stockholm Philharmonic Orchestra
Produced by Roger Krieg, Fredrik Swahn and Martin Östergren
Recorded at Polar Studios, Stockholm
A Zomba Sweden Production for Bruton Music Ltd
BRR53 (Mera svenska toner):
Tack till medlemmar ur
Stockholms Filharmoniska Orkester och Roger Krieg, Fredrik Swahn, Martin Östergren, Kalle Moreaus, Bengt Jansson, Backa Hans Eriksson, Sofia Sandén, Ulrika Bodén, Magnus Lindgren, Polarisseptetten, Vox Polaris och Barnkör under ledning av Anna Lindström.
Producerat av Roger Krieg, Fredrik Swahn och Martin Östergren
Inspelad i Polar Studios, Stockholm
En produktion av Zomba Production Music Scandinavia för Bruton Music Ltd
BR55:
COMPOSED BY MURRAY BURNS / COLIN BAYLEY
MURRAY BURNS & COLIN BAYLEY are new writers to us and have excellent credentials. Following a successful recording and touring career with the band MI-SEX they formed Twilight Productions and began composing music for the internationally broadcast series 'Beyond 2000' producing the theme and incidental music for over 300 episodes. This has led to many varied projects including 15 feature documentaries for the Discovery Channel, more than 300 episodes of 'E Street' and various magazine TV shows and record production. They currently have eight TV themes running.
For the sequel audition AUSTRALASIAN JOURNEY 2 BRR56 / 272.
David Little: Didgeridoo & Clapsticks
Jim Conway: Harmonica
Cye Wood: Violin
Merenia Gillies, Denys Mason, Bill Rogers, Chirine Peck: Polynesian Vocals
Colin Bayley, Kevin Bayley, Dan Harris: Dobro, Acoustic, Electric Guitars
Murray Burns: Keyboards
Murray Burns: Lyrics for Kei Te Wai Te Mauri
Producers: Murray Burns / Colin Bayley / Stuart Livingston
Recorded & Mixed: Burns & Bayley, Twilight Productions
Mastered: Kathy Naunton, DB Mastering
Art Direction: Marleen Ball
Design: Donna Pickup
Photo: Tony Stone Images
KEI TE WAI TE MAURI
Murray Burns
Kei te rere te wai
Ko te wai te mauri
Kei te puhi te hau kei to rae
Aroha na a hau kitaku kainga
E moe moe ana mo aku
The water is flowing
The water brings life
Feel the air on your face
I love my homeland
I need to feel my past
BRR56:
MURRAY BURNS & COLIN BAYLEY are new writers to us and have excellent credentials. Following a successful recording and touring career with the band MI-SEX they formed Twilight Productions and began composing music for the internationally broadcast series 'Beyond 2000' producing the theme and incidental music for over 300 episodes. This has led to many varied projects including 15 feature documentaries for the Discovery Channel, more than 300 episodes of 'E Street' and various magazine TV shows and record production. They currently have eight TV themes running.
Check out - AUSTRALASIAN JOURNEY 1 BRR55 / 271.
David Little: Didgeridoo & Clapsticks
Jim Conway: Harmonica
Cye Wood: Violin
Merenia Gillies, Denys Mason, Bill Rogers, Chirine Peck: Polynesian Vocals
Colin Bayley, Kevin Bayley, Dan Harris: Dobro, Acoustic, Electric Guitars
Murray Burns: Keyboards
Producers: Murray Burns / Colin Bayley / Stuart Livingston
Mastered: Kathy Naunton, DB Mastering
Art Direction: Marleen Ball
Design: Donna Pickup
Photo: Tony Stone Images
BRR59:
Dirk Campbell specialises in the traditions of the near east, especially Greece, the Balkans, Turkey and Armenia, as well as North Africa and his childhood home of Kenya. He is an accomplished orchestral composer, having studied composition at the Royal College of Music. He has written scores for several award-winning films including David Anderson's Dreamland Express (BAFTA Best Animated Short), Deadsy (BAFTA nomination), Door - international category winner and In the Time of Angels - international category winner. He has composed the soundtracks for a number of award-winning commercials including Bailey's Irish Cream, Danepak, Co-operative Bank and K Cider.
In April 1997 Dirk Campbell's CD Music From a Round Tower was released in Britain and the USA, and has received a number of plaudits including fifth rank in the international Green Dolphin Musicians and Critics poll and inclusion in the top five albums of the year by Jim Aikin, Keyboard Magazine USA.
Dirk Campbell's pervious CD for ZPM is World Journeys BRR47/219.
COMPOSER'S NOTE The music on this CD is closely based on some of the more exciting and evocative traditional music of Eastern Europe, the Balkan peninsula and also Turkey and Armenia. Authentic traditional instruments are used on every track. Many pieces consist of two parts: a slow, free rhythm section followed by a faster, rhythmic section. This is a characteristic feature of the music of the near and middle East.
Violin: Saskia Tomkins, Anne Morfee.
Viola: Kate Hinnegan, Sophie Langdon.
Double bass: Paul Sherman.
Saz: George Hadjineophytou.
Roumanian panpipes: Tony Hinnegan.
Clarinet: David Johnson.
Trumpet: John Thirkell.
Trombone: Fayez Virji.
Women's voices: Vivien Ellis, Sianed Jones, Jenny Roditi, Belinda Sykes.
Gaida, duduk, bouzouki, tamburitsa, balalaika, ney, reedpipe, dumbek, daoul, daf, dairé, male vocals and all sequenced instrumentation: Dirk Campbell.
Composed and arranged by Dirk Campbell.
Recorded at Battery Studios, London, UK.
Engineer: Paul Golding.
Producer: Jeremy Poole.
Mastered Ian Anderson Battery Studios, UK.
Production Manager & art direction Marleen Ball.
Sleeve design Donna Pickup Zomba Design.
Photo source Britstock IFA/Tony Stone Images
BRR61:
Biddy Blyth is a composer and performer specialising in Celtic music on the Irish flute, whistles, vocals and harp, also playing classical flute, piano and keyboard programming. After obtaining a BA Hons degree in music she went to live and study Celtic music in Ireland and Scotland, playing in various bands (Show of Hands at the Royal Albert Hall, Show the Lady - prominent Irish Ceilidh band), teaching, and working as a traditional music researcher for the BBC series Birth of Europe. Recently she has composed library music with Mike Trim for Bruton Music Limited, working on their first project Celtic Themes with the extraordinarily talented Davi Spillane (Moving Hearts and Riverdance) and (Karen Matheson Caepercaillie). This is a CD of beautiful and evocative music, which became the basis of a passionate and innovative style in the contemporary fusion-synthesis of Celtic Moods 1 & 2. The outstanding line-up includes co-composer Marc Duff, Capercaillie and Troy Donockley. Between these projects three more library CDs were produced - Kids are Kicking, Kids World and Tots TV. Biddy lives with her daughter Kerry in the South West and enjoys walking in natural areas - wild, mountainous, coastal - listening ot the musical voices of nature where her own compositions come from. She wants to share this with other musicians, composing in the now through individual and collaborative exploration and extemporising, opening up channels to allow the music to find its own expression and perhaps taking Celtic music into completely new directions.
Mike Trim: Mikes' musical career spans over 20 years in which he has written and played for theatre, dance, film, TV and library. After touring with bands in the early 70s he moved onto theatre and dance work, notably at the National Theatre with Ken Campbell. This led on to many film and TV commissions, including documentaries for National Geographic and a feature, "Missing Link" for Universal Pictures. More recently he has worked as a record producer and library writer. His interest in Celtic music developed within his musical partnership with co-writer Biddy Blyth, in this Mike enjoys fusing the tradition with other main musical interests-: world music, dance and jazz.
Multi-instrumentalist Marc Duff co-founded the popular Celtic band Capercaillie, with whom he has toured extensively and made many successful recordings. His time spent at the Guildhall School in London has given Marc an eclectic taste in music and a distinctive style of playing, which has kept him much in demand as a session musician. Since leaving Capercaillie in 1995 to pursue his own career, Marc has worked with many prominent artists, both in the traditional and popular music scene playing whistle, low whistle, bodhrán, Irish bouzouki and wind synthesizer.
John Parricelli began professional guitar playing career in 1982, and has since worked in various areas of music. John was on the founder members of Loose Tubes in the 80's, touring and recording three albums. Since then has pursued a varied career, working with Ian Ballamy, Annie Whitehead, Kenny Wheeler, Norma Winstone, Lee Konitz, Paul Motian, Tim Whitehead, Eddie Parker, WDR Band with Peter Erskine and Vince Mendoza. Mark Lockheart (with whom he co-led the group Materan, recording one album), Martin Speake, Julian Arguellesand, Gerard Presencer amongst others. Currently working with Iain Ballamy's Acme, Mark Lockheart Quartet, Gerard Presencer, Colin Towns Ensemble, Martin Speake Quartet, Eddie Park Group. Alongside this, also works in other areas of music, having recorded with M People, Judy Tzuke, Shara Nelson, Mike Oldfield and played on numerous TV and feature films for composers such as George Fenton, John Williams, Stpehen Warbeck, Gabriel Yared, Colin Towns, Adrian Johnstone, Robert Lockheart and Mike Figgis. email:johnparricelli@compuserve.com
Biddy Blyth, Irish Flute, Whistles, Vocals, Harp, Keys, Programming,
Mike Trim Programming, Keys, Guitars, Bass, Vocals, Percussion,
Marc Duff [????] Whistles, Bodhran, Bouzouki, Bombard, Wind Synth,
Donald Shaw Piano Accordion,
Charlie Mckerron Fiddle,
Vicky Mogridge Fiddle, Viola,
Barry Wickens Fiddle, Mandolin,
Troy Donockley Uileann Pipes,
Fred Morrison Scottish Highland Pipes,
Huw Warren Piano,
Abby Laith Vocals,
Clive Ashley Sax,
John Parricelli Guitars,
Dudley Phillips Bass,
James Mckintosh Drums,
Tim Short Percussion,
Chimp Robertson Percussion,
Jerry Peal Programming, Keyboards,
Brian Betts Electric Guitar, Bass, Programming, Keyboards
Recorded at Battery Studios, London, UK.
Engineer Jerry Peal.
Executive Producer: Jeremy Poole.
Mastered Ian Anderson Battery Studios, UK.
Production Manager & art direction Marleen Ball.
Graphic design Donna Pickup Zomba Design.
Photo source Photonica
BRR64:
All tracks arranged by Victor Bell (BMI)
Featuring the choirs 'Halel' and 'Another Peace'
Producer: Jonathan Firstenberg.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRR65:
All tracks composed [or trad. arr. by] Colin Bayley (APRA) & Murray Burns (APRA)
Produced by Colin Bayley, Murray Burns and Stuart Livingston.
Mixed by Adrian Bolland at Twilight Studios, Sydney, Aust5ralia.
Mastering: Kathy Naunton, dB Mastering, Sydney, Australia.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Donna Pickup.
Musicians:
Violin, viola: Cye Wood.
Harmonica, didgeridoo: Mark Tanner[?]
Piano: Andy [????]
Concertina, penny whistle: Christian Dolislager
Banjo: Jenny Shimmin[?]
Harmonica: Mitchel Grainger
Mandolin: Andy Gray
Penny whistle: Paul Chenard[?]
Nylon guitar: [????]
Trumpets: Stewart Kirwin and Paul Thorn
BRR67:
Executive Producer: Carlos "Bon Bon" Manolo.
Recorded at the Latino Lounge, Swanyard & Battery Studios, London, UK.
Engineered and mixed by James Young and Robert Mallett.
Mastered by Chris Parmenidis, Battery Studios.
Tracks 1-4 & 10 co-produced by James Young and Michael Whitewood.
Tracks 5-9 & 11 produced by Vinylizor.
Tracks 12-16 orchestrated by Keith Mansfield and arranged by John Adams.
Post-production Co-ordinator: Merrin Bydder.
Graphic Designer: Joanna Wiseman, Zomba Design.
Musicians
Trumpet: Sid Saul, Dominic Glover and Paul Newton.
Trombone: Fayyaz Virji.
Saxophone: Andrew Ross and Michael Smith.
Flute: Andrew Ross.
Piano: Alastair Gavin.
Vocals: J. Rouche, Ronald Infante and Marlont Pawoll.
Guitars: John Paracelli and Mark Vandergucht.
Percussion: Frank Ricotti.
Bass: Gary Crockett.
Special thanks to: Sian Eiles, Leno, Martina Jonasson and the diligent staff of Dreamhire, UK.
SOL Y SMOBRA
En la mańana cuando el sol alumbra
Me alegra en ves tu cara.
Por la noche cuando la luna alumbre
Me alegre que está a mi lado.
In the morning when the sun shines
Makes me happy to see your face.
In the evening when the moon shines
I'm glad you're by my side.
RITMO LATINO
Yo te pongo el sabor
Tú te pones a gozar
Vamos todas con el ritmo de la vida.
I'll give you the flavour
You give a little bit of that
Let's all dance to the rhythm of life.
BRR68:
Composed by Patrick Wilson (PRS).
Executive Producer: Jez Poole.
Recorded and mixed at Patrick Wilson's Studios, London, UK.
Mastering: Streaky at Battery Studios, London, UK.
Post-production: Merrin Bydder.
Graphic Designer: Joanna Wiseman, Zomba Design.
BRR70:
Producer: Jez Poole.
Recorded & mixed at Angel Studios by John Timperley.
Mastering: Chris Parmenidis, Battery Studios, UK.
Post-production: Merrin Bydder.
Graphic Design: Camilla Maxwell-Comfort Zomba Design.
BRS17:
COPYRIGHT INFORMATION
TRACKS
1, 2, 3, 7 - ℗ 1978 © 1978
4, 6, 8, 12, 13 - ℗ 1981 © 1981
5, 11 - ℗ 1995 © 1995
9, 10 - ℗ 1979 © 1979
BRS18:
GUMSHOE [tracks 1, 13, 25, 37, 49, 61, 74, 75]
Ron Aspery Alto Sax[/b]
Gerard Presencer Trumpet
Brian Dee Piano
Ray Babbington Bass
Paul Clarvis Drums
FOR ALWAYS [tracks 2, 14, 26, 38, 50, 62, 75]
Nigel Hitchcock Tenor Sax[/b]
Guy Barker Trumpet
Brian Dee Piano
Ray Babbington Bass
Paul Clarvis Drums
TAKE YOUR TIME [tracks 3, 15, 27, 39, 51, 63, 77]
Duncan Lamont Alto Sax[/b]
Steve Gray Piano
Paul Morgan Bass
Mike Smith Drums
DRIFTIN'
JAZZ BOOGIE [tracks 4, 5, 16, 17, 28, 29, 40, 41, 52, 53, 64, 65, 78-81]
Steve Gray Hammond Organ
Ray Babbington Bass
Paul Clarvis Drums
FUNKY GOSPEL [tracks 6, 18, 30, 42, 54, 66, 82, 83]
Nigel Hitchcock Alto Sax[/b]
Guy Barker Trumpet
Brian Dee Electric Piano
Ray Babbington Bass
Paul Clarvis Drums
IN THE SHADOWS [tracks 7, 19, 31, 43, 55, 67, 68]
Julian Siegel Tenor Sax[/b]
Dave Hartley Piano
Paul Morgan Bass
Paul Clarvis Drums
HEY FUNKY MAN [tracks 8, 20, 32, 44, 56, 69, 84]
Stan Sulzmann Flute
Derek Watkins Trumpet
Dave Hartley Piano
John Paricelli Guitar
Frank Ricotti Percussion
Chris Laurence Bass
Mike Smith Drums
HOME JAMES
ALONE AND BLUE [tracks 9, 10, 21, 22, 33, 34, 45, 46, 57, 58, 70, 71, 85, 86]
Steve Gray Piano
Ray Babbington Bass
Paul Clarvis Drums
IT'S ALL OVER [tracks 11, 23, 35, 47, 59, 72]
Julian Siegel Tenor Sax[/b]
Steve Gray Piano
Paul Morgan Bass
Paul Clarvis Drums
ROLL CREDITS! [tracks 12, 24, 36, 48, 60, 73, 87, 88]
Steve Gray Piano
Paul Morgan Bass
Mike Smith Drums
BRS20:
COMPOSED BY STEVE BYRD / ANDY HAMILTON
STEVE BYRD
Steve Byrd has written and produced three very successful library albums for Bruton Music. Steve has also written and recorded literally dozens of songs for artists such as Kim Wilde, Lena Flagbe and Samantha Fox.
ANDY HAMILTON
Andy Hamilton is an established saxophonist. His credits include recording and touring with The Boomtown Rats, Dexy's Midnight Runners, Duran Duran, Wham!, Marc Almond, Tina Turner, The Pet Shop Boys and George Michael. Andy has dozens of published compositions which have been used extensively on TV and radio.
CREDITS
Steve Byrd: Guitar
Andy Hamilton: Tenor & Alto Sax, EWI Flute, Programming & Brass Arrangements
Jason Rebello: Grand Piano, Synth
Dean Kievatt: Hammond Organ, R&B Piano, Clavinet
Brad Lang: Bass
Ian Thomas: Drums
Gary Hammond: Percussion
Derek Watkins: 1st Trumpet, Solo Track 21
Simon Gardener: 2nd Trumpet
Steve Hamilton: Alto & Soprano Sax
Dave Bishop: Baritone & Alto Sax
Mark Nightingale: Trombone
BRS21:
COMPOSED BY MICHAEL LICARI (BMI) / STU GOODIS (BMI)
FOR U.S. PRODUCTIONS ONLY
Publisher credit for cue sheet purposes should read "Metro Park Music (BMI)"
Please refer any questions to Associated Production Music (Los Angeles) on 800 543 4276
COMPOSED MICHAEL LICARI / STU GOODIS
Produced by Jonathan Firstenberg
MICHAEL LICARI has been composing and producing music for the 15 years for such shows as 'Lifestyles of the Rich & Famous', 'Santa Barbara', 'Guiding Light', 'As The World Turns', 'Another World' and CBS Promotions and special projects. He has also composed for films including Rent A Cop and Long Kiss Goodnight. Michael has been honored with 4 Emmy, 3 Golden Angel, and a Telly Award for his compositions. He is currently Music Supervisor on the TV's 'Sunset Beach', Michael's CD releases include 'Whale Songs', 'Daydreaming', 'Loon Spirit', 'You Are America' and 'Sax By The Sea'.
STU GOODIS, and accomplished guitarist has been successfully composing and producing music for TV. Formal music study led him into playing jazz and he is currently leader of several California jazz groups. He also composes music for the 'Guiding Light'. He has been homored twice by the Academy of Television Arts and Sciences for his musical compositions.
Michael Licari: Keyboards, Chapman Stick
Stu Goodis: Guitar
Brian Bromberg: Bass
Steve Alaniz: Sax
BRS22:
Composed by Michael Melvoin (ASCAP) and Richard Hurwitz (BMI)
Michael Melvoin is an eminent composer, conductor and pianist who has worked with such artists as Frank Sinatra, Joe Williams, Barbra Streisand and Tom Waits. His TV and movie score credits include The Main Event, Posse, Armed and Dangerous, Blin dFear and dozens of TV episodes. His keyboard virtuosity can be heard on such classic pop recordings as Natalie Cote's Grammy "Record of the Year," Unforgettable, The Beach Boys' Good Vibrations, Sinatra's That's Life, and The Jackson Five's hit ABC. He has also worked with artists Barry Manilow, Kenny Rogers, Bette Midler, Peggy Lee, O.C. Smith, Lou Rawls, Bing Crosby, John Williams, Lalo Schifrin and Wendy & Lisa.
Richard Hurwitz may best be known for his successful career playing trumpet. He has performed on Broadway, in orchestras, brass quintets, big bands, jazz bands, recordings, and in film and television. Over the years he has played with such artists as Maynard Ferguson, Buddy Rich, Quincy Jones, Gerry Mulligan, Billy Taylor, Gerald Wilson, The Beahc Boys, Johnny Mathis and Barbra Streisand. He recently wrote music and lyrics, arranged, conducted and co-produced songs for Sony Wonder's Enchanted Tales.
Executive Producer: Jez Poole.
Vocals: David Basse, Sandra Booker, Claudia Cagan, Bill Henderson.
Piano: Michael Melvoin.
Bass: John Heard.
Drums: John Guerin.
Guitar: Mitch Holder.
Woodwind: Bruce Eskovitz.
TrumpeT: Steve Huffsteter.
Engineer: Mike Lesniak.
Recorded at Clear Lake Audio, N. Hollywood, CA.
Produced by Jonathan Firstenberg.
YOU GOTTA
You gotta buy me, bring me, take me
I think you knew that from the start.
You gotta buy me, bring me, take me
To really capture my haert.
My Mom's advice was very nice and wise
"You could fall in love with wealthy guys".
Momma done tol' me.
I wouldn't mind a trip to Paris
We'd really have a lotta fun.
How 'bout a shiny little diamond
To show you're really the one.
You know the key to getting me is
Champagne and jewels and furs.
If you can buy me, bring me.
Take me.
I'm yours.
I wouldn't mind a trip to Paris
We'd really have a lotta fun.
How'bout a twenty carat diamond
To show you're really the one.
You know the key to getting me is
Champagne and jewels and furs.
If you can buy me, bring me, take me,
And promise never to forsake me.
If you can buy me, bring me,
Take me,
I'm yours.
UPTOWN MANHATTAN
At the top of old Manhattan
Where the gals are silk and satin
We'll live the high life
After the sung goes down.
With my Baby and my top hat
There is nothing that can top that
We'll take the night and dance it Away.
Oh, say, there is a
band that plays there 'til the early morning,
hot, swinging' and sweet.
With a trumpet that can make you move your body
and your feet.
There's a little bit of heaven
on a hundred forty-seven
That's where I'm goin'
That's where th night begins
My Baby's there waiting for me
Oh, yeah, that's where I'll be.
ON 52nd & BROADWAY
I gotta get on
over to the west side of town
that's the place to go,
when you gotta blow, with the [????]
It's off Broadway where it [????]
fifty-second street
Just follow the beat and you'll be [????]
of all the Jazz [????]
It doesn't get much [????]
When the changes go from [????]
I'll get my kicks [????]
chicks are at a [????]
nod to the music [????]
softly snappin' their fingers [????]
"Ool ya cool-ya ool ya coo, Baby" 's what
Dizzy Gillespie said to Charlie Parker.
Ev'rybody here on the scene knows
that The Bird had it.
He'd simply take the fifth and then he'd flat it.
There isn't any other town in all of the world, - nothin'
you can name, Jazz is so alive. Never any jive.
I know you'll say when you arrive, "This is the place
for me".
Ooh bla dee, ooh bla dee, ooh bla dee,
ooh bla dee
Sha da ba da dwee ba de bop.
THE TRAFFIC JAM
There's something about me that is crazy
It's something that I don't understand.
I see a lot of people really goin' nowhere
Hurryin' to get there.
Why'd they wanna go there?
I guess that I'm dif'rent from the others.
I never could try to make the scene.
Don't try to change me,
No one can blame me
Just turn the lights down lower and play me
music. Music that I don't have to dance to,
jazzy and blues.
Music, music you only listen to.
Maybe you snap your fingers
So pour me another dry martini
And one for the lady in the fur.
Sendt it to her from me
guy at the bar who'd rather
be there beside her instead
of this car in the
traffic jam
[????]
BRS23:
Composed by Steve Carter (PRS) & John Parricelli (PRS)
Executive Producer: Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Bryan New.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Deisng.
Sax: Snake Davies.
Trumpet and flugelhorn: Gerard Presencer.
Piano, keyboards: Alastair Gavin.
Guitars: John Parricelli.
Bass: Steve Carter.
Drums: Ian Thomas.
Vibraphone and percussion: Frank Ricotti.
BRS24:
Producer: Jez Poole.
Mastering: Matthew Denny.
Post-production: Merrin Bydder.
Graphic Design & Photography: Joanna Wiseman, Zomba Design Studios.
BR424:
Produced by Andy Rogers.
Mastered by Matt Denny @ Masterblaster.
Post Production by Michelle Kemp.
Graphic design by Joanna Wiseman.
Front Cover Image © Corbis.
Other image © Pav Modelski / PYMCA.
BR426:
Design / Art Direction by Craig Gentle / Michelle Kemp.
BR427:
All tracks composed by Steve Byrd / Andy Hamilton
Produced by Roberto Borzoni
Engineered by Jeff 'pow' Knowler
Recorded at Battery Studios,
Mastered at Masterblaster by Matt Denny
Musicians
Guitar: Steve Byrd
Horn Section:
Saxes: Jim Hunt, Pete Wareham, Andy Hamilton
Trumpet/Flugel: Dominic Glover
Bass - Steve Pearce,
Drums and Percussion - Steve Williams
Piano - Alastair Gavin,
Flutes/Whistles - Liz Palmer.
BR428:
INSTRUMENT GUIDE:
DAVUL - Turkish drum beaten on both sides with different sized sticks.
DHOL - Iranian drum asame as the davul.
DOUF - North African frame drum.
DUDUK - Plaintive Armenian reedpipe. Rich, deep tone.
MEZOUED - North African bagpipe
NEY - End-blown flute common throughout Middle East.
OUD - Arabic lute, precursor of European lute and guitar
SANTOOR - IRanian hammered zither
SAZ - Turkish long necked lute, 'Saz' is an Iranian word meaning 'instrument'
SETAR - Iranian long necked lute
SORNA - Persian shawm
TAMBUR - Iranian/Afghan long-necked lute similar to the Turkish Saz
TOMBAK - Iranian wooden goblet-shaped hand-drum
TULUM - Turkish bagpipe
ZoURNA - Turkish / Kurdish shawm
Images taken from the Booth-Clibborn Editions publication
'Off Screen: Four Young Artists in the Middle East'
by Al Braithwaite, Henry Hemming, Stephen Stapleton and Georgie Weedon © 2004
Composed and produced by Dirk Campbell (PRS), except [CD2, tracks 14-20] arranged by Dirk Campbell.
Executive producer Jez Poole,
Recorded and mixed by Jerry Peal @ Battery Studios,
Design / Art Direction by Craig Gentle / Michelle Kemp.
BR430:
CREDITS
WORDS AND MUSIC BY HAL DAVID (ASCAP) AND JOHN CACAVAS (ASCAP)
PRODUCER: JEZ POOLE
RECORDING ENGINEER: JOHN TIMPERLEY
CONDUCTOR: JOHN CACAVAS
VOCALISTS:
TRACKS 1, 4, 7, 9, 22 & 23 - JEFF HOOPER
TRACKS 3, 6 & 21 - C.J. WEBBE
TRACKS 5 - JACKIE HICKS
TRACKS 8 - JEFF HOOPER & JACKIE HICKS
CHOIR - METRO VOICES
Produced by Jez Poole,
Design / Art Direction by Version / Michelle Kemp
BR434:
Produced by Andy Rogers
Design / Art Direction by Craig Gentle / Michelle Kemp
BR440:
TAKE THIS KISS UPON THE BROW • AND, IN PARTING FROM YOU NOW, • THUS MUCH LET ME AVOW YOU ARE, NOT WRONG, • WHO DEEM THAT MY DAYS HAVE BEEN A DREAM • YET IF HOPE HAS FLOWN AWAY IN A NIGHT, • OR IN A DAY, IN A VISION, • OR IN NONE, IS IT THEREFORE THE LESS GNOE? • ALL THAT WE SEE OR SEEN • IS BUT A DREAM WITHIN A DREAM...
BR444:
MUSICIAN CREDITS:
Orchestra: City of Prague Symphony Orchestra,
Choir: Brighton Festival Chorus.
Clare Cunliffe - Female vocals.
Recorded at Smecky Studio - Prague, Gateway Studio - Surrey and Chapel Studios - London.
Mixed at Confetti Studios - Notthingham.
Special thanks to Adam Clemens, James Fitzpatrick, Steve Lowe, Mark Cousins and Ben Harvey.
Design / Art Direction: Craig Gentle / Michelle Kemp.
Photography is copyright Simon Marsden / The Marsden Archive.
Produced by Roberto Borzoni.
Special thanks go to all those who made it happen.
BR445:
MUSICIAN CREDITS:
Orchestra: City of Prague Symphony Orchestra,
Choir: Brighton Festival Chorus.
Steve Williams - Percussion on Coded Mausoleum [tracks 3-4],
Faheem Masher - Vocals on Coded Mausoleum [tracks 3-4],
Katrina Holloway - Vocals on Angelic Beauty [tracks 1-2].
Recorded at Smecky Studio - Prague, Gateway Studio - Surrey and Chapel Studios - London.
Mixed at Confetti - Notthingham.
Special thanks to Adam Clemens, James Fitzpatrick, Steve Lowe, Mark Cousins and Ben Harvey.
Design / Art Direction: Craig Gentle / Michelle Kemp.
Photography is copyright Simon Marsden / The Marsden Archive.
Produced by Roberto Borzoni.
Special thanks go to all those who made it happen.
BR446:
Produced by Roberto Borzoni.
Design / Art Direction by Craig Gentle / Michelle Kemp.
BR447:
Produced by Roberto Borzoni,
Cover design by TADO.
BR450:
Produced by Jez Poole.
Design / Art Direction by Craig Gentle
BR455:
[????] Art Direction by Craig Gentle.
BR457:
Produced 'n' Mashed by: Roberto Borzoni.
Design / Art Direction: Craig Gentle.
Photography: © Guy Le Querrec / Magnum Photos
BR458:
Produced by Tim Rushent.
Design & Art Direction by Craig Gentle.
BR460:
Produced by Jez Poole.
Assisted & compiled by Gareth Owen
Bob and Craig would lke to dedicate their part of Guitar Sketches to Oscar, who was present throughout and a huge inspiration to them. "He was a good lad with a big heart. I loved him dearly and will miss him terribly, Sleep well sunshine."
Design and art direction by GR/DD.
BR461:
Produced by Roberto Borzoni,
Design & Art Direction by Craig Gentle
BR462:
Design / Art Direction: Craig Gentle
BR465:
Produced by Kris Pilling.
Design / Art Direction by Craig Gentle.
BR466:
Produced by Jez Poole.
Design / Art direction by Craig Gentle
BR468:
ALL TRACKS COMPOSED BY LAURENCE COTTLE
PRODUCED BY JEZ POOLE
DRUMS - IAN THOMAS,
DOUBLE BASS - CHRIS LAURENCE,
ELECTRIC BASS - LAURENCE COTTLE
GUITAR - MIKE OUTRAM,
PIANO/KEYS - GRAHAM HARVEY,
PERCUSSION - GARY HAMMOND
SAXOPHONES - NIGEL HITCHCOCK, JAMIE TALBOT, DAVE BISHOP, HOWARD McGILL, MARTIN WILLIAMS
TRUMPETS - DEREK WATKINS, SIMON GARDINER, SID GOULD, MARTIN SHAW
TROMBONES - MARK NIGHTINGALE, NEAL SIDWELL, ANDY WOOD, ADE HALLIWELL
DESIGN / ART DIRECTION BY CRAIG GENTLE.
PLACE IN CD PLAYER...
WAIT FOR TOES TO START TAPPING...
RESPOND IN A RHYTHMICALLY
SATISFYING WAY...
BEWARE BRASS MAY RESULT IN
BENDING &
SWINGING BACK...
& DANCE...
BR470:
COMPILED BY CLARE ISAACS & pATRICK HUNTER
DEISGN AND ART DIRECTION BY CRAIG GENTLE
BR471:
ALL TRACKS COMPOSED BY TONY KINSEY
Photo: Tony Kinsey in the studio, Prague 2007
Produced by Jez Poole.
Design / Art direction by Craig Gentle
BR472:
PRODUCED BY ROBERTO BORZONI
DESIGN AND ART DIRECTION BY CRAIG GENTLE
BR474:
PRODUCED BY JEZ POOLE.
DESIGN AND ART DIRECTION BY CRAIG GENTLE
Musicians:
Drums and Percussion - Dugmore,
Bass - Steve Pearce, Craig Joiner, Jez Poole
Guitars - Craig Joiner, David Hearn, Rob Cass,
Keys - David Hearn, Jez Poole
Engineer Paul Golding.
Recorded at Kore Studios and Cave.
Mixed at Marc Angelos
BR475:
Produced by Jez Poole
Graphic Design by Craig Gentle
Photography © Trent Parke / Magnum Photos
BR476:
All tracks composed by Daniel Pemberton
Mixed by Gareth Williams
Orchestrated by Andrew Skeet
Produced by Daniel Pemberton
Performed by The City Of Prague Philharmonic Orchestra and Daniel Pemberton
Conducted by Miriam Nemcova
Engineered by Jan Holzner
Fixed by James Fitzpatrick
Design and art direction by Craig Gentle
BR477:
Produced by B.I.P.
Design / Art Direction by Craig Gentle
BR478:
Produced by B.I.P. Graphic Design by Craig Gentle
BR479:
ILLUSTRATION BY DANIEL KLUGE
PRODUCED BY ROBERTO BORZONI,
ALL TRACKS COMPOSED BY TOM HAINES / CHRIS BRANCH
BR480:
PRODUCED BY CLAIRE ISAACS
ENGINEERED BY JEFF KNOWLER
STRINGS ARRANGED & CONDUCTED BY ANDREW SKEET
BRASS ARRANGED BY DOMINIC GLOVER
VIOLINS: EVERTON NELSON, RICHARD GEORGE, LOUISA FULLER, PATRICK KIERNAN, STEPHEN MORRIS, RICK KOSTER, LUCY WILKINS, GILLON CAMERON, PETE HANSON
VIOLAS: BRUCE WHITE, MORGAN GOFF, ADRIAN SMITH
CELLO: CHRIS WORSEY, IAN BURDGE, FRANK SCHAEFER
DOUBLE BASS: RICHARD PRYCE
FLUTE PEUL: THOMAS VVAHLE
NEY FLUTE: LOUAI ALHENAWI
TRUMPET: DOMINIC GLOVER, DANIEL MARSDEN
SAXOPHONE & FLUTE: ANDY ROSS
TROMBONE: NICHOL THOMSON
PERCUSSION: PAUL CLARVIS
OUD: ATTAB HADDAD
DRUMS: NEIL ROBINSON
GUITAR: PHIL DAWSON
UPRIGHT BASS: SAM BURGESS
ELEC BASS: GARY CROCKETT
PIANO: KADER ACHOURI
RECORDED AT MARK ANGELO STUDIO & KORE STUDIOS, LONDON
MIXED AT THE YARD, LONDON BY JEFF KNOWLER & CLARE ISAACS
MASTERED BY KRIS PILLING
DESIGN & ART DIRECTION BY CRAIG GENTLE
BR481:
Produced by Clare Isaacs.
Design by Craig Gentle.
Photography by Yves Marchand & Romain Meffre
BR482:
Produced by Roberto Borzoni.
Design / Art Direction by Craig Gentle.
BR483:
All tracks composed by John Ashton Thomas
Recorded in Prague with the City of PRague Symphony Orchestra
John Ashton Thomas has been writing for Bruton since 1994. He graduated from Trinity College of Music and the University of London. John has been working in Hollywood since 2001, contributing to dozens of scores for major features including The Bourne Supremacy, Happy Feet, Night at the Museum and Hancock.
BR486:
Compilation produced by Roberto Borzoni
Mastered by Streaky Gee @ Streaky Mastering UK.
Design & art Direction by Craig Gentle
BR489:
ALL TITLES CMOPOSED BY TAL BERGMAN (ASCAP) & FREDERICK KRON (ASCAP)
TAL BERGMAN PLAYS EXCLUSIVE SONOR DRUMS & PERCUSSION, SABIAN CYMBALS & VATER DRUM STICKS.
RECORDING & MIXING ENGINEER: YOSSI SHAKKED
EXECUTIVE COMPILATION A&R BY ROBERTO BORZONI.
DESIGN & ART DIRECTION BY CRAIG GENTLE.
BR500:
[tracks 1, 43] - BR487
[track 2] - BR484
[track 3] - BR383
[track 4] - BR494
[track 5] - BR257
[track 6] - BR430
[track 7] - BR111
[track 8] - BR222
[track 9] - BR191
[track 10] - BR471
[track 11] - BR420
[track 12] - BR354
[tracks 13, 17] - BR431
[track 14] - BR167
[track 15] - BR110
[track 16] - BR356
[track 18] - BR440
[track 19] - BR478
[track 20] - BR461
[track 21] - BR422
[track 22] - BR286
[track 23] - BR451
[track 24] - BR465
[tracks 25, 26] - BR372
[track 27] - BR259
[track 28] - BR246
[track 29] - BR467A
[track 30] - BR464
[track 31] - BR174
[track 32] - BR325
[track 33] - BR178
[track 34] - BR472
[track 35] - BR481
[track 36] - BR432
[track 37] - BR249
[track 38] - BCC32
[track 39] - BR422
[track 40] - BR443
[track 41] - BR457
[track 42] - BR408
[track 44] - BR447
[track 45] - BR469
[track 46] - BR197
[track 47] - BR399
[track 48] - BR270
[track 49] - BR298
[track 50] - BR318
Compiled by Roberto Borzoni & Clare Isaacs
Design and art direction: Craig Gentle
BR511:
PRODUCED BY KRIS PILLING,
CONCEPT BY HELEN GAVRIEL
DESIGN AND ART DIRECTION BY CRAIG GENTLE
BR513:
bruton
vaults
series
THE LEGENDARY BRUTON MUSIC ARCHIVES HAVE BEEN RAIDED BY NONE OTHER THAN LUKE VIBERT. AS A GOOD PLACE TO START IN THE NEW 'BRUTON VAULTS SERIES', WE ASKED LUKE TO SIFT THROUGH STACKS OF OLD VINYL AND SEARCH OUT ANY HIDDEN GEMS. WITH HIS FINELY TUNED EAR AND INBUILT MUSIC RADAR, HE HAS MANAGED TO DIG UP A FNIE SELECTION OF TRACKS. HERE FOR YOUR LISTENING PLEASURE IS A TASTE OF THE BRUTON VAULTS, REVEALING SOME FRESH MUSICAL TREASURE.
COMPILED BY LUKE VIBERT,
EXECUTIVE PRODUCER ANDREW STANNARD
DESIGN AND PHOTOGRAPHY BY CRAIG GENTLE